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The Life Work Of Henri Rene Guy De Maupassant
Guy de Maupassant; Robert Arnot; Paul Bourget
Kessinger Pub
2008
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The Life Work Of Henri Rene Guy De Maupassant
Guy de Maupassant; Robert Arnot; Paul Bourget
Kessinger Pub
2008
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Selected Stories of Guy de Maupassant: Introduction by Catriona Seth
Guy de Maupassant
Everyman's Library
2021
sidottu
A beautiful hardcover selection of the best works by one of the greatest short story writers in world literature During his most productive decade, the 1880s, the French writer Guy de Maupassant wrote more than three hundred stories, notably including "The Necklace," "Boule de Suif," "The Horla," and "Mademoiselle Fifi." Marked by the psychological realism that he famously pioneered, the stories selected here take us on a tour of the human experience--lust and love, revenge and ridicule, terror and madness. Many take place in the author's native Normandy, but the settings range farther abroad as well, from Brittany and Paris to Corsica and the Mediterranean coast, and as far as North Africa and India. Maupassant's remarkable psychological range and ability to evoke an entire world in a few pages have ensured that his stories have entertained generations of readers, and this volume of thirty-two of his most enduring masterpieces makes a perfect gift for any lover of classic fiction. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
The boy who couldn't love and the girl who wouldn't. Ginny Murphy is a total guy's girl. She's always found friendships with boys easier to form and keep drama-free - as long as they don't fall for her, and she doesn't fall for them. She and her best guy friends have stuck to that. But then she meets Adrian Silvas, the only one who's ever made her crave more, and Ginny begins to question her own rules. Piece by piece, Ginny and Adrian begin to fall into something intoxicating, something dangerous. Ginny threatens to destroy the belief Adrian's held ever since witnessing his own mother's heartbreak: that love isn't worth the risk. For Ginny, the stakes could be even higher. Letting Adrian get close could mean exposing a secret she's long protected: her disordered eating. Ginny isn't looking to be saved by someone. But maybe she and Adrian can help each other - if they don't destroy each other first. Heartfelt and evocative, Guy's Girl is a powerful story about true love, self-love, and growing up.
Guy Bourdin (1928–1991) created some of the most challenging and seductive fashion photography of the last century. He worked for French Vogue for over 30 years, from 1955–1987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. His high-glamour, yet often surreal work revolutionized the genre of fashion photography, presenting fashion as the luxurious embellishment rather than the subject of his photographs, which foreground dark fantasies of lust, consumption and desire. Bourdin's legacy can still be seen in the work of photographers such as Stephen Meisel and Helmut Newton. This accessible monograph is the perfect introduction to his work.
Guy Mannering, or The Astrologer, first published in 1815, was Walter Scott's second novel. Guy Mannering only half-believes in his art, but does believe in the ability of his patriarchal power, wealth and social position to sort out social confusion. However he has to learn the limits of a nabob's authority in a society that (in the 1780s) is no longer a single hierarchy but has many subsets, each with its own laws - gypsies, smugglers, Edinburgh lawyers, the Border store farmer, the traditional landowner. Guy Mannering is set at the time of the American Revolution, and represents a Scotland at once backward and advanced, patriarchal and commercial, traditional and modern, a country in very varied stages of progression. This is the first modern edition of one of Scott's finest works. It is based on the first edition, but is corrected from the manuscript, and restores around two thousand readings lost through error or misunderstanding. For the first time it includes Scott's extended portraits of the Edinburgh literati which were unaccountably omitted from the printed version.
‘I was never going to sleep in and take it easy, there were worms to catch.’Breaking records on the world’s biggest Wall of Death, cycling 2,745 miles across the length of the United States (while sleeping rough), attempting to be the fastest person ever on two wheels and travelling to Latvia to investigate his family’s roots, it's been a busy year for Guy Martin. There’s been some thrilling racing too, including wild Harley choppers on dirt and turbo-charged Transit vans through the Nevada desert. And don't forget there’s the day job to get back to in North Lincolnshire – the truck yard and the butty van. Guy has done more in one year than most people do in a lifetime, and with his gift for story-telling, he takes you with him to the outer limits of human endurance, and on a dizzying adrenalin high, all in a day’s work.
The Phenomenal Sunday Times No1 Bestseller‘It was the start of the third lap of the 2010 Senior TT, the last race of the fortnight. The last chance to get a TT win for another year, and I was pushing hard. Ballagarey. The kind of corner that makes me continue road racing. A proper man’s corner. You go through the right-hander at something like 170mph, leant right over, eyes fixed as far down the road as I can see.But this time something happened. This time the front end tucked …’Guy Martin, international road-racing legend, maverick star of the Isle of Man TT, truck mechanic and TV presenter, lives on the edge, addicted to speed, thoroughly exhilarated by danger. In this book we’ll get inside his head as he stares death in the face, and risks his life in search of the next high.We’ll discover what it feels like to survive a 170mph fireball at the TT in 2010, and come back to do it all again. He’ll sweep us up in a gritty sort of glory as he slogs it out for a place on the podium, but we’ll also see him struggle with the flipside of fame. We’ll meet his friends and foes, his family, his teammates and bosses and we’ll discover what motivates him, and where his strengths and weaknesses lie. For the first time, here is the full story in Guy’s own words. From the boy who learned to prep bikes with his dad, to the spirited team mechanic, paying his way by collecting beer glasses in pubs, to the young racer at the start of his first race and the buzz he’s been chasing ever since.This thrilling autobiography is an intense and dramatic ride.
'The maddest 12 months of my life. The journey starts with an oddball race up an American mountain and ends with me checking myself out of hospital with a broken back. Again …'As Guy’s Latvian grandfather frequently reminded him, ‘When you dead, you dead’. So before it’s all over, Guy Martin is making the most of the time he’s got. In this past year alone, Guy has raced the Isle of Man TT and finished on the podium; bike trekked through India; competed in solo 24-hour bicycles races; flown a stunt plane; broken a go-kart speed record down a French mountain and attempted to break the motorcycle land-speed record at Bonneville Salt Flats. And he’s done all this around his day job as a truck mechanic. But let Guy tell you about it himself: ‘This book starts in a Transit, ends in a Transit, and in between I’ve raced a few pushbikes, raced a few motorbikes and got a fair few stories to tell you.’ Spot on.
Guy Davenport (1927-2005), an American writer of fiction, poetry, criticism, and essays, a translator, painter, intellectual, and teacher, brought a breadth and depth of knowledge to his pursuits that few other writers could approach, let alone appraise. In Andre Furlani, this twentieth-century American master has finally found an apt critical reader. In this first sustained critical study of Davenport, Furlani elucidates the depths of Davenport's fiction and its poetic precedents, brings a rare understanding to the author's reworking of twentieth-century literature and intellectual history, and offers unusual insight into his compositional technique. Furlani explores key themes across the spectrum of Davenport's fiction: pastoral utopia; twentieth-century dystopia; sexual ethics; the mythologizing of childhood; the inseparability of the archaic and the modern; and a celebration of the union of sophia, eros, and poesia. Whether Davenport's view of art and the cosmos should be called ""postmodern"" is a question that Furlani considers closely - offering, finally, a new aesthetic for this American original who, in these pages, at last receives the thorough and meticulous attention he has long merited.