Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays. The Bible in Shakespeare addresses this serious deficiency. Early chapters describe the post-Reformation explosion of Bible translation and the development of English biblical culture, compare the Church and the theater as cultural institutions (particularly in terms of the audience's auditory experience), and describe in general terms Shakespeare's allusive practice. Later chapters are devoted to interpreting Shakespeare's use of biblical allusion in a wide variety of plays, across the spectrum of genres: King Lear and Job, Macbeth and Revelation, the Crucifixion in the Roman Histories, Falstaff's anarchic biblical allusions, and variations on Adam, Eve, and the Fall throughout Shakespeare's dramatic career, from Romeo and Juliet to The Winter's Tale. The Bible in Shakespeare offers a significant new perspective on Shakespeare's plays, and reveals how the culture of early modern England was both dependent upon and fashioned out of a deep engagement with the interpreted Bible. The book's wide-ranging and interdisciplinary nature will interest scholars in a variety of fields: Shakespeare and English literature, allusion and intertextuality, theater studies, history, religious culture, and biblical interpretation. With growing scholarly interest in the impact of religion on early modern culture, the time is ripe for such a publication.
Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays. The Bible in Shakespeare addresses this serious deficiency. Early chapters describe the post-Reformation explosion of Bible translation and the development of English biblical culture, compare the Church and the Theatre as cultural institutions (particularly in terms of the audience's auditory experience), and describe in general terms Shakespeare's allusive practice. Later chapters are devoted to interpreting Shakespeare's use of biblical allusion in a wide variety of plays, across the spectrum of genres: King Lear and Job, Macbeth and Revelation, the Crucifixion in the Roman Histories, Falstaff's anarchic biblical allusions, and variations on Adam, Eve, and the Fall throughout Shakespeare's dramatic career, from Romeo and Juliet to The Winter's Tale. The Bible in Shakespeare offers a significant new perspective on Shakespeare's plays, and reveals how the culture of early modern England was both dependent upon and fashioned out of a deep engagement with the interpreted Bible. The book's wide-ranging and interdisciplinary nature will interest scholars in a variety of fields: Shakespeare and English literature, allusion and intertextuality, theater studies, history, religious culture, and biblical interpretation. With growing scholarly interest in the impact of religion on early modern culture, the time is ripe for such a publication.
Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.
Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.
Seven years since FBI Special Agent Clarice Starling interviewed him in a maximum security hospital for the criminally insane. The doctor is still at large, but Starling has never forgotten her encounters with Dr Lecter, and the metallic rasp of his seldom-used voice still sounds in her dreams...
If history is written by the victors, can we really know Hannibal, whose portrait we see through the eyes of his Roman conquerors?"Eve MacDonald has produced a real page-turner in this lucid account of Hannibal, the Carthaginian general whose invasion of Italy brought republican Rome almost to her knees. "—Antony Spawforth, author of The Story of Greece and Rome and co-author ofThe Oxford Classical Dictionary Hannibal lived a life of incredible feats of daring and survival, massive military engagements, and ultimate defeat. A citizen of Carthage and military commander in Punic Spain, he famously marched his war elephants and huge army over the Alps into Rome’s own heartland to fight the Second Punic War. Yet the Romans were the ultimate victors. They eventually captured and destroyed Carthage, and thus it was they who wrote the legend of Hannibal: a brilliant and worthy enemy whose defeat represented military glory for Rome. In this groundbreaking biography Eve MacDonald expands the memory of Hannibal beyond his military feats and tactics. She considers him in the wider context of the society and vibrant culture of Carthage which shaped him and his family, employing archaeological findings and documentary sources not only from Rome but also the wider Mediterranean world of the third century B.C. MacDonald also analyzes Hannibal’s legend over the millennia, exploring how statuary, Jacobean tragedy, opera, nineteenth-century fiction, and other depictions illuminate the character of one of the most fascinating military personalities in all of history.
In the year 216 B.C., Hannibal of Carthage, faced with an opposing Roman army twice the size of his own, outwitted the enemy at Cannae by means of a strategy which has become a classic of its kind. As a result of his famous "double pincer" maneuver, 70,000 Roman soldiers died within the space of a few hours on a field the size of New York's Central Park. Yet, as devastating and startling as Cannae was, it was only one of a long list of incredible achievements. Hannibal's fantastic 1,000-mile march across the Alps from Spain to Italy was one of the wonders of ancient times. He began his hazardous journey with 90,000 infantry, 12,000 cavalry, and 37 elephants. By the time he reached the Valley of the Po, more than 30,000 troops and many of his elephants had perished, but he still managed to stay in Italy for sixteen years.Blending biography and military adventure, Hannibal is a portrait of a military genius who was also a highly civilized man. The son of Hamilcar Barca, a famous general in his own right, Hannibal was a student of the Greek classics. But his father's lifelong grudge against Rome fostered in the son a deep hatred for that Republic and a fierce determination to subdue it forever. This resulted in the bloody battles of Lake Trasimene, Campania, Nole, Capua, and Zama, all of which Leonard Cottrell describes with vigor and authority. In gathering material for Hannibal, Cottrell traveled the entire route that Hannibal took across the Alps, thus bringing to his account a valuable firsthand knowledge of his subject. With the drama and authenticity for which he is famous, Leonard Cottrell describes Hannibal's amazing campaign,a saga of victory after victory which fell just short of its ultimate goal: the annihilation of Rome.
#1 NEW YORK TIMES BESTSELLER - "Is it as good as Red Dragon and Silence of the Lambs? No . . . this one is better."--Stephen King, The New York Times Book Review You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world. But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward. . . . Praise for Hannibal "Interested in getting the hell scared out of you? Buy this book on a Friday . . . lock all doors and windows. And by Monday, you might just be able to sleep without a night-light."--Newsday"Strap yourself in for one heck of a ride. . . . It'll scare your socks off."--Denver Post "A stunner . . . writing in language as bright and precise as a surgeon's scalpel, Harris has created a world as mysterious as Hannibal's memory palace and as disturbing as a Goya painting. This is one book you don't want to read alone at night."--The Atlanta Journal-Constitution"Relentless . . . endlessly terrifying . . . 486 fast-paced pages, in which every respite is but a prelude to further furious action . . . Hannibal begins with a murderous paroxysm that leaves the reader breathless. . . . Hannibal speaks to the imagination, to the feelings, to the passions, to exalted senses and to debased ones. Harris's voice will be heard for a while."--Los Angeles Times "A pleasurable sense of dread."--The Wall Street Journal"Enormously satisfying . . . a smashing good time, turning the pages for thrills, chills, horror and finally, a bracing, deliciously wicked slap in the face . . . perhaps the very best the thriller/horror genre is capable of producing."--San Diego Union-Tribune
#1 NEW YORK TIMES BESTSELLER - "Is it as good as Red Dragon and Silence of the Lambs? No . . . this one is better."--Stephen King, The New York Times Book Review You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world. But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward. . . . Praise for Hannibal "Interested in getting the hell scared out of you? Buy this book on a Friday . . . lock all doors and windows. And by Monday, you might just be able to sleep without a night-light."--Newsday"Strap yourself in for one heck of a ride. . . . It'll scare your socks off."--Denver Post "A stunner . . . writing in language as bright and precise as a surgeon's scalpel, Harris has created a world as mysterious as Hannibal's memory palace and as disturbing as a Goya painting. This is one book you don't want to read alone at night."--The Atlanta Journal-Constitution"Relentless . . . endlessly terrifying . . . 486 fast-paced pages, in which every respite is but a prelude to further furious action . . . Hannibal begins with a murderous paroxysm that leaves the reader breathless. . . . Hannibal speaks to the imagination, to the feelings, to the passions, to exalted senses and to debased ones. Harris's voice will be heard for a while."--Los Angeles Times "A pleasurable sense of dread."--The Wall Street Journal"Enormously satisfying . . . a smashing good time, turning the pages for thrills, chills, horror and finally, a bracing, deliciously wicked slap in the face . . . perhaps the very best the thriller/horror genre is capable of producing."--San Diego Union-Tribune
In ancient Rome, parents used to silence misbehaving children with the utterance 'Hannibal ad portas' (Hannibal is at the door). Such was the fear and awe that Hannibal Barca instilled...Told in arcing, epic technicolour, this is the story of one of the ancient world's most remarkable figures and the long, bloody conflict between the two 'superpowers' of the times - the Second Punic War (218-202BC) - that hinged on the genius, the ambition and the personal tragedies of Hannibal Barca of Carthage, whose military prowess became the stuff of legend, and Publius Scipio of Rome. History, of course, tells us the outcome: that Rome would be the victor, surviving to become a colossal imperial power, while Carthage would be all but erased from history. It was, however, a close run thing. And the world might have been a very different place had Hannibal succeeded in thwarting the might of Rome. PRIDE OF CARTHAGE is a sweeping, thrilling story of ancient warfare, of armies traversing frozen snow-covered mountains, of battles won or lost by brilliant generals fighting in ingenious, cunning ways. And it's a story teeming with superbly drawn, memorable characters and players, historical and imagined - from Numidian horsemen and the Roman legions to the slaves and freemen from all corners of the ancient Mediterranean world...
This is an historical biography of Hannibal, the military leader of Carthage responsible for waging a dramatic onslaught on Rome during the Punic Wars. One of the few generals of history to be famous for the war he lost, Hannibal's attack in 218BC - which included his renowned march of elephants across the Alps - ranks amongst the most courageous and ill-fated enterprises in the history of the ancient world. This definitive biography of one of the most fascinating figures of ancient history offers a fresh perspective on the demise of the Hellenistic world and the rise of Rome.
This is an historical biography of Hannibal, the military leader of Carthage responsible for waging a dramatic onslaught on Rome during the Punic Wars. One of the few generals of history to be famous for the war he lost, Hannibal's attack in 218BC - which included his renowned march of elephants across the Alps - ranks amongst the most courageous and ill-fated enterprises in the history of the ancient world. This definitive biography of one of the most fascinating figures of ancient history offers a fresh perspective on the demise of the Hellenistic world and the rise of Rome.
Hannibal, by Henry Ellis Allen, presents a detailed historical study of Hannibal, the Carthaginian general renowned for his military strategies and campaigns against Rome during the Punic Wars. Written in Latin, this work offers insights into Hannibal's tactical genius, his leadership qualities, and the challenges he faced in crossing the Alps and engaging the Roman army on their own territory. This book is a valuable resource for students of Roman history, military strategy, and classical Latin. It provides a contemporary perspective on Hannibal's life, campaigns, and enduring impact on the ancient world, making it an essential addition to any collection of classical historical texts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hannibal, by Henry Ellis Allen, presents a detailed historical study of Hannibal, the Carthaginian general renowned for his military strategies and campaigns against Rome during the Punic Wars. Written in Latin, this work offers insights into Hannibal's tactical genius, his leadership qualities, and the challenges he faced in crossing the Alps and engaging the Roman army on their own territory. This book is a valuable resource for students of Roman history, military strategy, and classical Latin. It provides a contemporary perspective on Hannibal's life, campaigns, and enduring impact on the ancient world, making it an essential addition to any collection of classical historical texts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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