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1000 tulosta hakusanalla J M Adele

A Letter to the Loving and Beloved People of the Parish of Madeley, and Its Vicinity, Who Have Lost a Friend to Piety in the Death of Mrs. Fletcher, Widow of the Rev. J. W. Fletcher, (or de la Flechere,) Late Vicar of Madeley, Shropshire. (Edition1)
Most people think the key to better communication is learning how to speak more clearly, confidently, or charismatically. But the real secret? It's learning how to listen with intention, attention, and presence. In a world full of noise, those who master the art of listening skills stand out not because they talk louder, but because they hear what others miss. This book flips the script on traditional communication advice. Drawing on insights from psychology, neuroscience, and everyday human behavior, it reveals why active listening techniques are the foundation of every meaningful conversation, persuasive message, and lasting relationship. Whether you're navigating leadership meetings, deepening personal bonds, or just trying to stop interrupting those you care about, you'll learn how to turn silence into strength and mindful communication into your most trusted tool. Designed for anyone tired of miscommunications, shallow interactions, or feeling unheard, this is a guide for thoughtful professionals, partners, and parents who want to connect better by listening and speaking with purpose. You'll discover: How to stop reacting and start truly hearing Why attention is more powerful than advice When to speak less to say more How interpersonal communication strategies build trust and credibility What the best leaders, partners, and friends do differently By the final page, you won t just improve your conversations you ll shift how you show up in every part of your life. If you're searching for a practical, intelligent path to communication skills, connection, and impact, start by listening. Perfect for readers looking to improve conversations, enhance relationship communication, or elevate their influence through leadership and listening.
Code Name Madeleine

Code Name Madeleine

Arthur J. Magida

WW Norton Co
2020
sidottu
During the critical summer months of 1943, Noor Inayat Khan was the only wireless operator transmitting secret messages from Nazi-occupied France to the Special Operations Executive in Britain. As the daughter of an Indian mystic, brought up in a household devoted to peaceful reflection on the outskirts of Paris, Khan did not seem destined for wartime heroism. Yet, faced with the evils of Nazism, she volunteered to help the British; was trained in espionage, sabotage and reconnaissance; and returned to France with a new identity. Khan transmitted details crucial to the Allies’ success on D-Day, until she was captured and imprisoned by the Gestapo. She attempted two escapes before being sent to Germany. Three months after the Allied invasion of France, she was executed at Dachau. Her last word was “liberté”.
Code Name Madeleine

Code Name Madeleine

Arthur J. Magida

WW Norton Co
2021
nidottu
During the critical summer months of 1943, Noor Inayat Khan was the only wireless operator transmitting secret messages from Nazi-occupied France to the Special Operations Executive in Britain. As the daughter of an Indian mystic, brought up in a household devoted to peaceful reflection on the outskirts of Paris, Khan did not seem destined for wartime heroism. Yet, faced with the evils of Nazism, she volunteered to help the British; was trained in espionage, sabotage and reconnaissance; and returned to France with a new identity. Khan transmitted details crucial to the Allies’ success on D-Day, until she was captured and imprisoned by the Gestapo. She attempted two escapes before being sent to Germany. Three months after the Allied invasion of France, she was executed at Dachau. Her last word was “liberté”.
Le Souvenir Français: Discours Prononcé À l'Église de la Madeleine, Le 8 Juin 1894
Le souvenir francais: discours prononce a l'eglise de la Madeleine, le 8 juin 1894 / par le R. P. Constant, ...Date de l'edition originale: 1894Sujet de l'ouvrage: France (1870-1940, 3e Republique)Ce livre est la reproduction fidele d une uvre publiee avant 1920 et fait partie d une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d un partenariat avec la Bibliotheque nationale de France, offrant l opportunite d acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les uvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d un livre ancien a partir de sa version numerisee avec le souci d un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d informations, rendez-vous sur www.hachettebnf.fr
Les vacances de Riquet et de Madeleine

Les vacances de Riquet et de Madeleine

P. J. Stahl

Createspace Independent Publishing Platform
2016
nidottu
La petite Madeleine, l' ge de six ans, tant de sant assez d licate et fragile, sa m re, qui habitait New-York, jugea prudent de l'envoyer passer quelque temps en Franconie, o l'air plus salubre, bien que l'on f t au d but de la saison froide et neigeuse, lui semblait plus favorable que tout autre sa croissance et au d veloppement de ses forces. Son fr re a n William, jeune gar on studieux et d j raisonnable, l'accompagnait chez leur tante, Mme Henry, dont le fils Fr d ric, surnomm Riquet, un petit homme de neuf ans, avait la turbulence et l' tourderie de son ge. Dans les premiers jours, Madeleine, par prudence, fut gard e la maison, cause de la neige qui tombait en abondance et du vent froid qui la poussait, en l'entassant sur les chemins. Mais, d s l'apparition du soleil, on la transportait, dans un fauteuil, sur la vaste terrasse de l'habitation, au meilleur endroit, celui qui recevait le plus de rayons, et elle demandait aussit t le chien Franco qui s'entendait d j tr s bien avec elle, et qui, sur un signe de la fillette, sautait bient t sur ses genoux.
"J'ai été l'élue"

"J'ai été l'élue"

Madeleine Victus

BoD - Books on Demand
2025
pokkari
Le harc lement en r seau(x) est le th me central de ce recueil de po mes. Cet crit vise une prise de conscience et une r flexion collective sur la d viance de la soci t dans laquelle on tend vers le tout permis . Les po mes pr sent s de mani re chronologique sont mon t moignage. Il ont t crits en parall le des v nements survenus justifiant la saisie des tribunaux judiciaires. A leur lecture, vous comprendrez l' tat d'esprit oscillant au fil des difficult s, l'engagement d'un combat et les raisons du traitement de faveur qui m'a t r serv e. Platon disait: "Nul n'est m chant volontairement". En d'autres termes, le mal a pour cause l'ignorance. Si l' me s' l ve et s'oriente vers la connaissance, cette derni re serait-elle garante de la vertu? ...
William J. O'Brien

William J. O'Brien

Madeleine Grynsztejn

Distributed Art Publishers
2014
pokkari
This volume will be the first monograph on the work of Chicago-based artist William J. O’Brien (born 1975), produced to accompany his first large-scale, solo exhibition opening at the Museum of Contemporary Art Chicago in January 2014. The show demonstrates the broad range of O’Brien’s work--from sculpture and ceramics to drawing, textiles and painting--and his guiding interest in physicality and the handmade. The catalogue expands the dominant narratives around his practice, which generally focus on his ceramics, to more accurately reflect his diverse, prolific practice as a whole. Exhibition curator Naomi Beckwith and contributing author and curator Trevor Smith contextualize the artist’s work in light of recent modes in contemporary art history--l’informe, the handmade and semiotic play. Critic Jason Foumberg contributes a creative text inspired by the artist’s working process. Together, the contributing essays make a strong contextual case for O’Brien’s work that counters canonical themes of media-specificity and traditional art materials, producing a catalogue as expansive as the breadth of O’Brien’s practice itself.