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1000 tulosta hakusanalla James Boaden

Memoirs of the Life of John Philip Kemble, Esq.: Volume 2

Memoirs of the Life of John Philip Kemble, Esq.: Volume 2

James Boaden

Cambridge University Press
2013
pokkari
Born into the theatre, though originally intended for Catholic holy orders, John Philip Kemble (1757–1823) made as great a name for himself on the English stage as his gifted older sister, Sarah Siddons. Known for his mastery of tragic Shakespearian roles, among which Coriolanus was deemed his finest, Kemble also distinguished himself as acting manager at Drury Lane under Sheridan. Described by Sir Walter Scott as 'grave, critical, full and laudably accurate', this extensive two-volume biography was the work of James Boaden (1762–1839), an author well acquainted with the foremost theatrical personalities of his day. Boaden's biographies of Sarah Siddons, Elizabeth Inchbald and Dorothy Jordan have also been reissued in this series, along with his edition of David Garrick's correspondence. Volume 2 of the present work opens with the season of 1789–90 at Drury Lane and closes with the text of Kemble's will.
Memoirs of Mrs Inchbald: Volume 1

Memoirs of Mrs Inchbald: Volume 1

James Boaden

Cambridge University Press
2013
pokkari
Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753–1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762–1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Volume 1 covers the period from her birth to 1796 and includes as an appendix The Massacre (1792), a suppressed historical drama about the persecution of Huguenots in 1572.
Memoirs of Mrs Inchbald: Volume 2

Memoirs of Mrs Inchbald: Volume 2

James Boaden

Cambridge University Press
2013
pokkari
Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753–1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762–1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Volume 2 covers the period from 1796 until her death. It includes as an appendix A Case of Conscience (1800), a play that had not been previously performed or published.
Memoirs of Mrs Inchbald 2 Volume Set

Memoirs of Mrs Inchbald 2 Volume Set

James Boaden

Cambridge University Press
2013
muu
Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753–1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762–1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Including as an appendix The Massacre (1792), a suppressed historical drama, Volume 1 covers the period from her birth to 1796. Volume 2 addresses her final decades and incorporates A Case of Conscience (1800), another previously unpublished play.
Songs, &c. in a New Historical Play, in Three Acts, Called Cambro-Britons. as Performed at the Theatre-Royal, Hay-Market. the Musick by Dr. Arnold.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T180894The libretto only by James Boaden.London: printd sic] by T. Woodfall, for Messrs. Cadell and Davies, 1798. 18p.; 8
Memoirs of Mrs. Siddons

Memoirs of Mrs. Siddons

James Boaden

Palala Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Secret Tribunal

The Secret Tribunal

James Boaden

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT072402P. iv misnumbered vi. In some copies "Price two shillings" appears at the foot of the titlepage; other copies are unpriced.London: printed by G. Woodfall, for T. N. Longman, 1795. vi i.e.iv], 4],70, 2]p.; 8
Memoirs of Mrs. Siddons

Memoirs of Mrs. Siddons

James Boaden

Hansebooks
2017
pokkari
Memoirs of Mrs. Siddons is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Portraits of Shakespeare, and On the Sonnets of Shakespeare

Portraits of Shakespeare, and On the Sonnets of Shakespeare

James Boaden; Abraham Wivell

Cambridge University Press
2013
pokkari
From his funerary monument in Stratford-upon-Avon to the engraving by Droeshout in the First Folio, the depictions of William Shakespeare (1564–1616) have long been the subject of scrutiny. Equally, the mystery surrounding the identity of 'W. H.', the dedicatee of Shakespeare's sonnets, continues to capture the imagination. This volume brings together three works that were originally published separately: two pieces on the portraits and one on the sonnets. A playwright turned theatrical biographer, James Boaden (1762–1839) cultivated a lifelong interest in Shakespeare. His illustrated 1824 analysis of the portraits examines the evidence concerning their authenticity. This is followed by an 1827 investigation by the portrait painter Abraham Wivell (1786–1849), who engages critically with Boaden's findings and those of others. Finally, Boaden's 1837 essay on the sonnets presents the case for naming William Herbert, Earl of Pembroke, as their dedicatee - a claim taken up by many later scholars.