Finally, the phoenix rises to bring his 27 years of experience rebuilding America's low income communities to the desk of President Donald Trump. Webb offers President Trump his 27 years of insight on how to REBUILD America's low income African American and other poor communities. Read the real life legal saga of Master Builder James T. Webb as he shows the President and the American people that struggles, challenges, and benefits of REBUILDING America's poorest and most frail communities in a very unique Real Estate Market. Webb makes his methods in The WAHM (Webb Affordable Housing Model) available to the Trump administration to help finally bring the CHANGE that America's poor communities have been waiting on for the past 100 years. While it has not been easy, Webb has purchased, renovated and sold close to 1000 previously vacant and condemned homes in these communities. (Many scheduled for demolition) But Webb stopped the demolition and put the citizens within the same communities to work REBUILDING their homes. In creating 10s of thousands of short term contract jobs, Webb helped to positively change the lives of the workers. While the benefits of rebuilding those communities are without limit, the social, political, regulatory, and legal challenges {though unnecessary} and many times very unfair, can break the spirits of the best men and women who attempt to bring the needed change. However, for Webb, despite the blood on his brow, his vision for these communities is unchanged and very clear. Webb believes that now and with President Trump in the White House, these communities can finally become greater than they have ever been over the past 100 years. Webb offers his assistance to President Trump in this unique and troubled Real Estate market. In his last book," Economic Justice", Webb asked the many stockholders in America that he knew to "HOLD ON", that "HELP IS ON THE WAY" Fellow Americans, that time has come. It is time to MAKE AMERICA GREAT AGAIN
One of the most important collections of modern Native American art assembled by one individual, the James T. Bialac Native American Art Collection is an encyclopedic compilation of easel paintings and three-dimensional works. Showcased in this stunning catalogue, the collection comprises nearly four thousand items, including drawings, sculptures, prints, kachinas, jewelry, ceramics, rattles, baskets, and textiles.James T. Bialac began collecting art in the 1950s, when he was a student at the University of Arizona School of Law. It was then that he purchased the first of what would develop into a collection of more than one thousand kachina dolls. In 1964 he acquired his first painting, Robert Chee's Moccasin Game, and he went on to expand his collection to reflect the diversity of Native American art forms. Inspired by his connections with other collectors, Bialac learned the importance of documenting, cataloging, and preserving his collection. In 2010 he bequeathed the collection to the University of Oklahoma, where the art will be displayed at the Fred Jones Jr. Museum of Art, as well as at other locations, including Bialac's native Arizona.The Bialac Collection represents indigenous cultures across North America, especially the Pueblos of the Southwest, Navajos, Hopis, and many of the tribes of the Great Plains. It encompasses such important and innovative artists as Fred Kabotie, Alfonso Roybal, Fritz Scholder, Joe Hilario Herrera, Allan Houser, Jerome Tiger, Tonita Peña, Helen Hardin, Pablita Velarde, George Morrison, Walter Richard ""Dick"" West, and Patrick DesJarlait, all of whose work is featured in this volume.Along with its rich sampling of works from the Bialac Collection, this catalogue offers informative essays by art historians, who draw on their areas of expertise to explain the significance of the artwork. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, a preface by Ghislain d'Humières, Director of the Fred Jones Jr. Museum of Art, and an introduction by Mary Jo Watson, Director of the School of Art and Art History.Published in cooperation with the Fred Jones Jr. Museum of Art, University of Oklahoma.
One of the most important collections of modern Native American art assembled by one individual, the James T. Bialac Native American Art Collection is an encyclopedic compilation of easel paintings and three-dimensional works. Showcased in this stunning catalogue, the collection comprises nearly four thousand items, including drawings, sculptures, prints, kachinas, jewelry, ceramics, rattles, baskets, and textiles.James T. Bialac began collecting art in the 1950s, when he was a student at the University of Arizona School of Law. It was then that he purchased the first of what would develop into a collection of more than one thousand kachina dolls. In 1964 he acquired his first painting, Robert Chee's Moccasin Game, and he went on to expand his collection to reflect the diversity of Native American art forms. Inspired by his connections with other collectors, Bialac learned the importance of documenting, cataloging, and preserving his collection. In 2010 he bequeathed the collection to the University of Oklahoma, where the art will be displayed at the Fred Jones Jr. Museum of Art, as well as at other locations, including Bialac's native Arizona.The Bialac Collection represents indigenous cultures across North America, especially the Pueblos of the Southwest, Navajos, Hopis, and many of the tribes of the Great Plains. It encompasses such important and innovative artists as Fred Kabotie, Alfonso Roybal, Fritz Scholder, Joe Hilario Herrera, Allan Houser, Jerome Tiger, Tonita Peña, Helen Hardin, Pablita Velarde, George Morrison, Walter Richard ""Dick"" West, and Patrick DesJarlait, all of whose work is featured in this volume.Along with its rich sampling of works from the Bialac Collection, this catalogue offers informative essays by art historians, who draw on their areas of expertise to explain the significance of the artwork. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, a preface by Ghislain d'Humières, Director of the Fred Jones Jr. Museum of Art, and an introduction by Mary Jo Watson, Director of the School of Art and Art History.Published in cooperation with the Fred Jones Jr. Museum of Art, University of Oklahoma.
A white Kentuckian, itinerant Methodist preacher, and antislavery spokesman, James T. Ayers moved to Illinois before the Civil War and, though nearly fifty-seven years old, enlisted in an Illinois regiment in 1862. In February 1864, he was dispatched as a recruiter for the U.S. Colored Troops in the Tennessee Valley and began this diary recounting his experiences, including his recruiting tactics, the difficulties he en-countered in enemy territory, and the lack of interest on the part of many slaves and freedmen in joining the U.S. Colored Troops.Edited by John Hope Franklin, who conducted impressive research in then little-used sources at the National Archives, Ayers's diary documents more than the black recruiting process. It also candidly reveals the complex attitudes of a northern white preacher regarding the war, race, and the Confederacy. For this edition, Franklin provides a preface and John David Smith offers a new introduction, explaining why Ayers's poignant text remains a telling and important source in contemporary scholarship.
"I need an audience--so watch out!" With these James T. Farrell announced his intention of becoming a writer. He was to realize this ambition in manifold ways through his prolificacy, versatility, and his achieved recognition as a formidable figure in American literature. The material contained in this book grew out of initial research for a critical study which disclosed the chaotic state of Farrell's literary affairs and the urgent need for a bibliography. The task was not to be an easy one, for many of Farrell's writings were printed in obscure publications both in the United States and abroad. Edgar M. Branch has ferreted out, producing his compilation with enthusiasm and accuracy. This book is a definitive guide to Farrell's writings published in newspapers, magazines, pamphlets, and books, from the time of his highschool days through 1957. It includes both the fiction (novels, short stories, one poem, and one play) and the nonfiction (essays, articles, statements, manifestoes, newspaper columns, etc.), and in many cases descriptions of these writing are appended when deemed necessary. As a further aid to students and researchers, Branch has listed many reprints and dates of writing for the individual short stories and has provided two appendices giving foreign editions of books and tape recordings of unpublished speeches. This detailed bibliography, the first on Farrell ever printed, is supplemented by a preface by Farrell and a foreword by the author. Edgar Branch has directed his attention to the more inaccessible of Farrell's writings and to the clarification of the voluminous abundance of written material that Farrell has produced. Through this book it is possible to trace Farrell's fluctuating status as a writer, his shifting position among editors, critics, and readers. The data included other clues to the evolution and growth of his ideas and relationships with his contemporaries, providing insight into his changing political affiliations and the motivation and development of his fiction. A Bibliography of ]ames T. Farrell's Writings will be a valuable practical aid to scholars and students of literature and Americana, for it makes available a scholarly compilation of the extensive list of writings by one of America's most distinguished and controversial contemporary writers.
The Autobiography of James T. Kirk chronicles the greatest Starfleet captain's life (2233-2371), in his own words. From his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen.
The Autobiography of James T. Kirk chronicles the greatest Starfleet captain's life (2233-2293), in his own words. From his birth on the U.S.S. Kelvin, his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen.
A brutal and funny poetic journey about the pain of state and womanhood, political and personal revolving around the itinerary of corporate America. The book centers (barely) on an episode of Star Trek entitled "Journey to Babel". This is not a fan-book though, it is a staggeringly triggering anarcho-feminist manifesto.This is Jeanette Powers' 8th book of poetry. Previous titles include "Don't Lose Your Head" by EMP Books 2017, "Perfectly Good Muses: the collected apologies of Jeanette Powers" by Spartan Press 2017, and "Gasconade" by NightBallet Press 2018. Visit their website at jeanettepowers.com
