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1000 tulosta hakusanalla Jan David Scheffczyk

Panisk antologi

Panisk antologi

Jan David; Peter Glas

Bakhåll
2001
nidottu
En efterlängtad nyutgåva av en av Bakhålls märkligaste böcker, som länge varit slutsåld och ofta efterfrågats: Panisk antologi. Panisk antologi är en bok om Pan, den skygga uppenbarelsen som förmedlar mellan människa och Gud. Pan är också den samlande symbolen för tillvaron som väsen, den tillvaro som människan betraktar och försöker nå och förstå, och tyvärr ofta också bemästra, besegra, till och med förstöra. I antiken var Pan den hastigt förbiilande skuggan i skogsbrynet som plötsligt satte skräck i fåren. När hjorden skenade hade de fått syn på Pan, därav ordet "panik". Pan finns i alla kulturer, en grön gestalt, Näcken, Pan, Mescalito, trickstern. Han är en budbärare, som Merkurius i antiken och i alkemin. Han är kvicksilvret, trollmetallen, nyckeln till materien, han är salamandern, världsormen, draken, hela tillvarons stora drake, jordens glödande inre, som, om han vill, kan resa sig i vrede och spruta eld över oss så att vi utplånas, så att hela mänskligheten sopas bort från klotet på en sekund.
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Bruckner-Befragungen

Bruckner-Befragungen

Markus Poschner; Jan David Schmitz

Springer-Verlag Berlin and Heidelberg GmbH Co. KG
2025
sidottu
Anton Bruckner ist auch im Jahr nach den international begangenen Feierlichkeiten zu seinem 200. Geburtstag noch immer „der große Unbekannte“ (Hinrichsen) unter den Komponisten des 19. Jahrhunderts. Das gilt sowohl für das durch Anekdoten und Klischees verzerrte Bild von seiner Persönlichkeit als auch für sein kompositorisches Schaffen. Bruckner selbst maß seinen Sinfonien die größte Bedeutung bei. Als er 1891 das Ehrendoktorat der Universität Wien erhielt, verlangte er, dass die Urkunde ihn explizit „als Symphoniker“ auswies, „weil darin stets mein Lebensberuf bestand“. Heute gelten seine Gattungsbeiträge unbestritten als Gipfelwerke des ‚langen Jahrhunderts der Sinfonie‘. Markus Poschner, Chefdirigent des Bruckner Orchester Linz und ebenso profilierter wie gefeierter Bruckner-Interpret, und Jan David Schmitz, bis 2024 Programmchef des Brucknerhauses Linz und des Internationalen Brucknerfestes Linz, nähern sich den elf Sinfonien auf dem Wege eines unterhaltsamen, für Musikinteressierte gut verständlichen Dialoges zwischen Theorie und Praxis, werfen einen von Vorurteilen möglichst freien Blick auf den Komponisten und sein Werk und zeichnen damit nicht zuletzt ein neues Bruckner-Bild. Markus Poschner Seit der Saison 2017/18 und noch bis 2026/27 ist Markus Poschner Chefdirigent des Bruckner Orchester Linz, mit dem er Publikum wie internationale Presse begeistert. Seine Vision ist es, in der Bruckner-Interpretation eigene Wege zu gehen. 2024 erhielt er den Special Achievement Award der ICMA für seine Gesamtaufnahme der Bruckner-Sinfonien mit dem Bruckner Orchester Linz und dem ORF Radio-Symphonieorchester Wien, dessen Chefdirigent er ab der Saison 2026/27 wird. Von 2015/16 bis 2024/25 leitete er ferner das Orchestra della Svizzera italiana. Mit der Saison 2025/26 wird er Chefdirigent des Sinfonieorchester Basel, zur Saison 2027/28 übernimmt er dieselbe Position auch beim Utah Symphony Orchestra. Seit der Auszeichnung mit dem Deutschen Dirigentenpreis im Jahr 2004 gastiert Markus Poschner zudem regelmäßig bei Spitzenorchestern und großen Opernhäusern der Klassikwelt. 2022 eröffnete er die Bayreuther Festspiele mit einer Neuproduktion von Wagners Tristan und Isolde. Jan David Schmitz Nach einem Studium an der Universität zu Köln und zwölf Jahren als Spielleiter und Regisseur an Opernhäusern und bei Festivals in Deutschland sowie sechs Ländern des europäischen Auslands war Jan David Schmitz die letzten acht Jahre als Leiter Programmplanung, Dramaturgie und szenische Projekte am Brucknerhaus Linz tätig. In dieser Funktion verantwortete er die Programmatik der sieben Internationalen Brucknerfeste Linz 2018 bis 2024 und der sechs Konzertspielzeiten 2018/19 bis 2023/24.
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Teper ja em vse, chto khochu! Sistema pitanija Davida Jana

Teper ja em vse, chto khochu! Sistema pitanija Davida Jana

David Jan

Alpina Publisher
2023
nidottu
Suschestvuet 4 tipa produktov pitanija, kotorye my upotrebljaem s bolshim udovolstviem i k kotorym my priuchaem svoikh detej. Odnako imenno eti produkty znachitelno povyshajut risk razvitija insulta, infarkta, rjada onkologicheskikh zabolevanij, ozhirenija. Chto eto za produkty? Kak preodolet zavisimost ot nikh? Kak izmenit svoi pischevye privychki i poljubit zdorovuju pischu? Ob etom rasskazhet kniga Davida Jana.
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A Sermon Preached Before the House of Lords, in the Abbey-church of Westminster, on Friday, Jan. 30, 1746-7. ... By Richard, Lord Bishop of St. David's

A Sermon Preached Before the House of Lords, in the Abbey-church of Westminster, on Friday, Jan. 30, 1746-7. ... By Richard, Lord Bishop of St. David's

Richard Trevor

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT047719Vertical chain lines.London: printed for Henry Pemberton, 1747. 19, 1]p.; 4
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Jan-Michael Vincent

Jan-Michael Vincent

David Grove

Bearmanor Media
2016
pokkari
With his chiseled features, effortless screen presence, otherworldly vitality, striking blue eyes, Jan-Michael Vincent seemed destined for superstardom. However, the real Jan-Michael Vincent was a reluctant sex symbol plagued by doubt and low self-confidence, a perpetual misfit doomed to alcoholism.Jan-Michael Vincent: Edge of Greatness covers Vincent's entire life, beginning in his hometown of Hanford, California, and details the difference between Jan Vincent, a shy, small town boy, and Jan-Michael Vincent, Hollywood's golden boy, who was thought to be the next James Dean in the early to mid-1970s, a period in which Vincent delivered memorable performances in films such as Buster and Billie, The Mechanic, Tribes, and The World's Greatest Athlete. Featuring interviews with Vincent's childhood classmates and friends, as well as his former Hollywood colleagues, including Donald P. Bellisario, Alex Cord, and Robert Englund, Jan-Michael Vincent: Edge of Greatness reveals an eternal man-child, whose career and life symbolize the tragedy of unfulfilled potential. David Grove is an author, film journalist, historian, and produced screenwriter. He is the author of the books Fantastic 4: The Making of the Movie, Jamie Lee Curtis: Scream Queen, Making Friday the 13th, and On Location in Blairstown: The Making of Friday the 13th. He lives in British Columbia, Canada.
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David Hockney - Insights

David Hockney - Insights

Jan Svenungsson; Helen Little; Gabriele Jutz; Larissa Kikol; Hans Ulrich Obrist

Dr. Cantz'sche Verlagsgesellschaft mbH Co. KG
2022
sidottu
David Hockney (born 1937 in Bradford) is one of the most influential and technically versatile artists of the 20th and 21st centuries. This new publication gathers some of his most defining work from the 1950s to the present, including major works in the Tate collection. From early graphic cycles, iconic pool paintings through to his plein air landscapes, iPad drawings, and multimedia installations, the volume documents central themes and genres in Hockney's oeuvre, as well as his constant experimentation. Original essays by renowned critics and commentators illuminate the artist's search for new forms of expression, the topographical and biographical reference points of his work, the technical innovation of his painting and printmaking, as well as his approach to new media.
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David Bowie

David Bowie

Jan Poulsen

Gyldendal Trade 150
2016
nidottu
David Bowies død sendte chokbølger igennem millioner af mennesker verden over. Dette fyrtårn i moderne kultur er nu slukket for evigt. Han var en af de største personligheder i efterkrigstiden. Som en hjørnesten i rockhistorien var David Bowie helt frem til Blackstar i 2016 konstant søgende og udfordrende; ofte kopieret, sjældent overgået. Han udgav musik i seks årtier, men bevægede sig oftest i sin egen tid uden for tiden. Musikken var hans hjemmebane, men hans betydning bredte sig i utallige kunstneriske retninger. Han var et forbillede, et stilikon og en moderne far, og helt unikt appellerer han til både unge og ældre overalt. Jan Poulsen har fulgt David Bowie siden 1973. Han har interviewet og mødt ham flere gange, og i bogen følger han ikonet igennem hele karrieren. Han beretter om de mange ansigter og udtryk, om musikken, filmene og billedkunsten. Om succes og seksualitet, fiasko og frustrationer, og om det overraskende comeback i 2013 og tiden op til tusindkunstnerens uventede død i januar 2016. Jan Poulsen forsøger endvidere at placere Bowie i en større kulturel sammenhæng og kommer med talrige eksempler på hans store betydning i og for dansk kultur. Bogen er rigt illustreret med sjældne fotos, og som noget enestående medfølger en komplet fortegnelse over David Bowies plader, film og optrædener på dansk jord.
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General Jan Smuts and his First World War in Africa, 1914-1917

General Jan Smuts and his First World War in Africa, 1914-1917

David Brock Katz

Casemate Publishers
2022
sidottu
World War I ushered in a renewed scramble for Africa. At its helm, Jan Smuts grabbed the opportunity to realise his ambition of a Greater South Africa. He set his sights upon the vast German colonies of South-West Africa and East Africa - the demise of which would end the Kaiser's grandiose schemes for Mittelafrika. As part of his strategy to shift South Africa's borders inexorably northward, Smuts even cast an eye toward Portuguese and Belgian African possessions. Smuts, his abilities as a general much denigrated by both his contemporary and then later modern historians, was no armchair soldier. This cabinet minister and statesman donned a uniform and led his men into battle. He learned his soldiery craft under General Koos De la Rey's tutelage, and another soldier-statesman, General Louis Botha during the South African War 1899-1902. He emerged from that war, immersed in the Boer manoeuvre doctrine he devastatingly waged in the guerrilla phase of that conflict. His daring and epic invasion of the Cape at the head of his commando remains legendary. The first phase of the German South West African campaign and the Afrikaner Rebellion in 1914 placed his abilities as a sound strategic thinker and a bold operational planner on display. Champing at the bit, he finally had the opportunity to command the Southern Forces in the second phase of the German South West African campaign. Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and Imperial troops against the legendary Paul von Lettow-Vorbeck and his Shutztruppe. Using his penchant for Boer manoeuvre warfare together with mounted infantry led and manned by Boer Republican veterans, he proceeded to free the vast German territory from Lettow-Vorbeck's grip. Often leading from the front, his operational concepts were an enigma to the British under his command, remaining so to modern-day historians. Although unable to bring the elusive and wily Lettow-Vorbeck to a final decisive battle, Smuts conquered most of the territory by the end of his tenure in February 1917. General Jan Smuts and his Great War in Africa makes use of multiple archival sources and the official accounts of all the participants to provide a long-overdue reassessment of Smuts's generalship and his role in furthering the strategic aims of South Africa and the British Empire in Africa during World War I.
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