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The Universe, the Gods, and Men: Ancient Greek Myths Told by Jean-Pierre Vernant

The Universe, the Gods, and Men: Ancient Greek Myths Told by Jean-Pierre Vernant

Jean-Pierre Vernant

HARPER PERENNIAL
2002
nidottu
In this enchanting retelling of Greek myth, Jean-Pierre Vernant combines his deep knowledge of the subject with an original storytelling style. Beginning with the creation of Earth out of Chaos, Vernant continues with the castration of Uranus, the war between the Titans and the Olympian gods, the wily ruses of Prometheus and Zeus, and the creation of Pandora, the first woman. His narrative takes readers from the Trojan War to the voyage of Odysseus, from the story of Dionysus to the terrible destiny of Oedipus, to Perseus's confrontation with the Gorgons.Jean-Pierre Vernant has devoted himself to the study of Greek mythology. In recounting these tales, he unravels for us their multiple meanings and brings to life the beloved figures of legend whose narratives lie at the origin of our civilization.
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Jean Sibelius's Violin Concerto

Jean Sibelius's Violin Concerto

Ramnarine Tina K.

Oxford University Press Inc
2020
sidottu
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
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Jean Sibelius's Violin Concerto

Jean Sibelius's Violin Concerto

Ramnarine Tina K.

Oxford University Press Inc
2020
nidottu
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
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Jean Froissart and the Fabric of History

Jean Froissart and the Fabric of History

Peter F. Ainsworth

Clarendon Press
1990
sidottu
Why do Froissart's Chroniques still find enthusiastic readers six hundred years after they were written? In this fresh reading Peter Ainsworth shows that their strength lies as much in their textual richness and complexity as in their appealing subject matter: the exploits of French and English noblemen during the Hundred Years War. A record of international chivalry that pretends to the title of `history', the Chroniques are in fact neither history nor romance, though they partake a little of both and are still valued by scholars as a historical source. Rather they constitute a variegated and enthralling narrative of vast proportions, veering from the historical to the outrageously fictional, from the journalistic travelogue to the moral tale, from self-effacement in the service of impartiality to unshamed self-celebration.
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Jean Bodin, 'this Pre-eminent Man of France'

Jean Bodin, 'this Pre-eminent Man of France'

Howell A. Lloyd

Oxford University Press
2017
sidottu
Jean Bodin was a figure of great importance in European intellectual history, known as a jurist, associate of kings and courtiers in sixteenth-century France, and author of influential works in the fields of constitutional and social thought, historical writing, witchcraft, and a great deal else besides. Best known for his contribution to formulating the modern doctrine of sovereignty, Bodin was a scholar of exceptional range, whose works provoked controversy in his own time and have continued to do so down the centuries. Hugh Trevor-Roper described him as 'the Aristotle, the Montesquieu of the sixteenth century, the prophet of comparative history, of political theory, of the philosophy of law, of the quantitative theory of money, and of so much else'. Much has been written on Bodin and his ideas, but in this new intellectual biography, Howell A. Lloyd presents the first rounded treatment of the thinker and his times, his writings (major and minor), and his ideas in their contemporary context, as well as in that of broader intellectual traditions.
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Conversations with Jean Piaget

Conversations with Jean Piaget

Jean-Claude Bringuier; Jean Piaget

University of Chicago Press
1989
nidottu
"What is most impressive about this book is its intelligence, its sophistication, and its charm. . . . This book presents Piaget's work and his person better than anything else that I know about."—David Elkind, Tufts University"The tone is one of constant movement from the most ordinary to the most abstruse. There are 14 conversations with 'le Patron,' some in 1969, some in 1975, and several more with co-workers in various fields. . . . In Mr. Bringuier's book, in a pleasant informal way, we see a sophisticated non-scientist exploring Piaget's domain with the master. Some of Piaget's best-known findings about children as explained along the way, but Mr. Bringuier has ways of bringing out the relation of this psychological work to the whole of Piaget's enterprise, and we get a good sense of the man and his work."—Howard E. Gruber, New York Times Book Review
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Jean-Jacques

Jean-Jacques

Maurice Cranston

University of Chicago Press
1991
nidottu
In the first volume of his trilogy, noted political philosopher Maurice Cranston draws from original manuscript sources to trace Rousseau's life from his birth in provincial obscurity in Geneva, through his youthful wanderings, to his return to Geneva in 1754 as a celebrated writer and composer."[An] admirable biography which is as meticulous, calm, reasonable, and judicious as its subject is passionate and tumultuous."—Keith Michael Baker, Washington Post Book World"The definitive biography, as scholarly as it is entertaining."—The Economist"Exceptionally fresh . . . . [Cranston] seems to know exactly what his readers need to know, and thoughtfully enriches the background—both physical and intellectual—of Rousseau's youthful peregrinations . . . . He makes the first part of Rousseau's life as absorbing as a picaresque novel. His fidelity to Rousseau's ideas and to his life as it was lived is a triumph of poise."—Naomi Bliven, The New Yorker"The most outstanding achievement of Professor Cranston's own distinguished career."—Robert Wokler, Times Literary SupplementMaurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.
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The Major Political Writings of Jean-Jacques Rousseau

The Major Political Writings of Jean-Jacques Rousseau

Jean-Jacques Rousseau

University of Chicago Press
2014
nidottu
Few philosophers have been the subject of as much or as intense debate, yet almost everyone agrees on one thing: Jean-Jacques Rousseau is among the most important and influential thinkers in the history of political philosophy. This new edition of his major political writings renews attention to the perennial importance of his work. The book brings together superb new translations of three of Rousseau's works: the Discourse on the Sciences and the Arts, the Discourse on the Origin and Foundations of Inequality Among Men, and On the Social Contract. The two Discourses show Rousseau developing his well-known conception of the natural goodness of man and the problems posed by life in society. With the Social Contract, Rousseau became the first major thinker to argue that democracy is the only legitimate form of political organization. Translation and editorial notes clarify ideas and terms that might not be immediately familiar to most readers.
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Jean-Antoine Houdon

Jean-Antoine Houdon

Anne L. Poulet

University of Chicago Press
2005
nidottu
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. This lavish exhibition catalog, now available in paperback, contains more than 100 color plates and 200 halftones which illustrate every stage of the sculptor's fascinating career. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. From aristocrats to revolutionaries, actors to philosophers, Houdon's amazingly vivid portraits constitute the visual record of the Enlightenment and capture the true spirit of a remarkable age.
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Jean-Paul Marat

Jean-Paul Marat

Keith Michael Baker

THE UNIVERSITY OF CHICAGO PRESS
2025
sidottu
A landmark biography of one of the most notorious and controversial protagonists of the French Revolution—Jean-Paul Marat. Who better to pen an authoritative biography of Jean-Paul Marat (1743–93) than preeminent historian of France, Keith Michael Baker? Decades in the making, this monumental work takes readers on a journey through the intriguing, sometimes shocking life of this writer and thinker. Starting with his Swiss family and upbringing, Baker then sheds light on Marat’s early years in England, his career as an aspiring scientist in Paris, his gradual transformation from impassioned pamphleteer to revolutionary newspaperman, and, finally, his murder and martyrdom. Throughout, Baker offers readers the unique opportunity to reconsider the outbreak and development of the French Revolution through Marat’s eyes and in his own words. To help make sense of Marat’s trajectory, he shows how his violent and incendiary public calls to render unseen forces visible, to inject immediacy into an increasingly abstract modern world, would transform classical republicanism into the language of the Terror. Far beyond a standard rendering of Marat’s life and its milestones, this biography offers readers an opportunity to see the French Revolution as never before, through the perspective of one of its major figures. Baker’s book reveals how someone like Marat could go from translating Newton and engaging Franklin to calling for an ever-growing number of heads to roll—a transformation as chillingly relevant as ever.
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The Major Political Writings of Jean-Jacques Rousseau

The Major Political Writings of Jean-Jacques Rousseau

Jean-Jacques Rousseau

University of Chicago Press
2012
sidottu
Individualist and communitarian. Anarchist and totalitarian. Classicist and romanticist. Progressive and reactionary. Since the eighteenth century, Jean-Jacques Rousseau has been said to be all of these things. Few philosophers have been the subject of as much or as intense debate, yet almost everyone agrees that Rousseau is among the most important and influential thinkers in the history of political philosophy. This new edition of his major political writings, published in the year of the three-hundredth anniversary of his birth, renews attention to the perennial importance of Rousseau's work. The book brings together superb new translations of three of Rousseau's works: the "Discourse on the Sciences and Arts", the "Discourse on the Origin and Foundations of Inequality Among Men", and "On the Social Contract". The two discourses show Rousseau developing his well-known conception of the natural goodness of man and the problems posed by life in society. With the "Social Contract", Rousseau became the first major thinker to argue that democracy is the only legitimate form of political organization. Translation and editorial notes clarify ideas and terms that might not be immediately familiar to most readers. The three works collected in "The Major Political Writings of Jean-Jacques Rousseau" represent an important contribution to eighteenth-century political theory that has exerted an extensive influence on generations of thinkers, beginning with the leaders of the French Revolution and continuing to the present day.
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Jean Paul Riopelle and the Automatiste Movement

Jean Paul Riopelle and the Automatiste Movement

François-Marc Gagnon

McGill-Queen's University Press
2020
sidottu
The artist Jean Paul Riopelle is best known for his renowned mature abstract style. In this fascinating history, François-Marc Gagnon begins with the artist's first paintings and his early commitment to objectivity to explore Riopelle's involvement with the Automatiste movement and its lasting impact on his work. Gagnon traces Riopelle's early development from the traditional figurative style imparted by his first teacher, Henri Bisson, through a turn toward the subjective on seeing a travelling exhibition of Dutch art that included the works of Vincent van Gogh, to Automatiste experiments in an alley studio in Montreal where he painted with Marcel Barbeau and Jean-Paul Mousseau. As early as 1946, Riopelle was an Automatiste emissary in Paris, organizing the first group show there. In spite of the perception that Riopelle was ideologically disinterested, Gagnon shows that he was in fact instrumental to the publication of Refus global – which includes his art on its cover – and publicly defended the manifesto amid controversy in both artistic and intellectual circles in Quebec. Initially devoted to the Automatiste notion of painting without preconception, by 1949 Riopelle was breaking into a markedly individual style in which the idea of chance was central. Gagnon reads this approach through Riopelle's own work and testimony, placing it in careful conversation with writing by philosophers and theorists on the role of chance in creativity. Gagnon also makes use of formal analysis of Riopelle's style and technique as he abandoned the paintbrush to work exclusively with the spatula. The well-established narrative of Jackson Pollock's influence on Riopelle is tested – and found wanting – in the first extended examination of Riopelle's relationship to American painting and to Pollock in particular. Demonstrating the qualities of scholarship and writing that were the hallmark of Gagnon's long career, his last book is engaging and clear and stands out for its originality, integrity, and profound insight into the work and milieu of the artist that André Breton called "the peerless trapper."
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