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1000 tulosta hakusanalla Jeanette W. Lockerbie

Trudnosci w stosowaniu poziomów czytania ze zrozumieniem w opowiadaniach modernistycznych

Trudnosci w stosowaniu poziomów czytania ze zrozumieniem w opowiadaniach modernistycznych

Lucia Janette Bautista; Darlyn Lorena Soriano Varela; Marlene Jeanethe Tercero Quiroz

International Book Market Service Ltd
2024
pokkari
Tw rczośc literacka poety Rub na Dar o zasluguje na szczeg lną uwagę, zwlaszcza publikacja jego dziela Azul (1888), pierwotnego dziela, kt re stanowilo zalążek zalożonego przez niego ruchu: modernizmu literackiego. Najbardziej nowatorskim aspektem jego dziela Azul są opowiadania prozą, w kt rych możemy zidentyfikowac wysoką zawartośc spoleczną, gdzie poeta ujawnia wplywy francuskich prąd w: nowatorstwo narracyjne, szlachetny i okazaly język. Badania literackie związane z czytaniem ze zrozumieniem prozy Dario, szczeg lnie w utworze Blue, są trudne do przeprowadzenia.W związku z tym, że slownictwo używane w jego opowiadaniach jest zlożone i w wielu przypadkach wymaga slownika dardyjskiego, aby byc w pelni zrozumialym, badania literackie związane z czytaniem ze zrozumieniem prozy Dario, zwlaszcza w utworze Blue, są trudne do przeprowadzenia dla student w.
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Working with Rock Art

Working with Rock Art

Agnew Neville; Christopher Chippindale; Deacon Janette; Helskog Knut; Anne-Sophie Hygen; Jolly Pieter; Gitte Kjeldsen; Antti Lahelma; Tilman Lenssen-Erz; Trond Lødøen; Dipuo W. Mokokwe; David Morris; Catherine Namono; Ndlovu Ndukuyakhe; Terje Norsted; David Pearce; Juha Pentikäinen; Alexey E. Rogozhinskiy; Andrzej Rozwadowski; Thembi Russell; Paul Taçon; Weiss Lindsay; Whitley David S.; Leslie Zubieta

Wits University Press
2012
nidottu
This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.
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Jeanette Winterson

Jeanette Winterson

Sonya Andermahr

Red Globe Press
2008
sidottu
In this comprehensive introduction to Winterson's work, Sonya Andermahr considers its significance in the context of contemporary British culture and literary history. Including an interview with the author, this guide offers an accessible reading of all Winterson's work and an overview of the varied critical reception this has received.
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Jeanette Winterson

Jeanette Winterson

Sonya Andermahr

Red Globe Press
2008
nidottu
In this comprehensive introduction to Winterson's work, Sonya Andermahr considers its significance in the context of contemporary British culture and literary history. Including an interview with the author, this guide offers an accessible reading of all Winterson's work and an overview of the varied critical reception this has received.
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Jeanette Winterson

Jeanette Winterson

Susana Onega

Manchester University Press
2006
sidottu
This is the first full-length study of Jeanette Winterson’s complete oeuvre, offering detailed analysis of her nine novels as well as addressing her non-fiction and minor fictional work. Susana Onega combines the study of formal issues such as narrative structure, perspective and point of view with thematic analyses approached from a variety of theoretical perspectives, from narratology and feminist theory to Hermetic and Kabalistic symbolism, to provide a comprehensive ‘vertical’ analysis of Winterson’s novels.Onega reveals the books as complex linguistic artefacts, crammed with intertextual echoes. She demonstrates the inseparability of form and meaning within Winterson’s work, and positions her within the wider context of contemporary British fiction alongside fellow visionaries such as Peter Ackroyd, Maureen Duffy and Marina Warner.
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Jeanette Winterson

Jeanette Winterson

Susana Onega

Manchester University Press
2006
nidottu
This is the first full-length study of Jeanette Winterson’s complete oeuvre, offering detailed analysis of her nine novels as well as addressing her non-fiction and minor fictional work. Susana Onega combines the study of formal issues such as narrative structure, perspective and point of view with thematic analyses approached from a variety of theoretical perspectives, from narratology and feminist theory to Hermetic and Kabalistic symbolism, to provide a comprehensive ‘vertical’ analysis of Winterson’s novels.Onega reveals the books as complex linguistic artefacts, crammed with intertextual echoes. She demonstrates the inseparability of form and meaning within Winterson’s work, and positions her within the wider context of contemporary British fiction alongside fellow visionaries such as Peter Ackroyd, Maureen Duffy and Marina Warner.
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Jeanette Winterson

Jeanette Winterson

Continuum International Publishing Group Ltd.
2007
sidottu
"Jeanette Winterson: A Contemporary Vritical Guide" is a comprehensive introduction to Winterson's writing. It brings together new essays by leading critics writing on key topics across her work from early successes like "Oranges are Not the Only Fruit" to recent works like "Lighthousekeeping". The guide provides students with an accessible and up-to-date critical guide to Winterson's most commonly studied texts, covering major themes and developments, and issues of style, technique and genre, from a range of contemporary critical and theoretical perspectives. Chapters identify and explore the key topics and debates including: story-telling; feminism and women's writing; historiographic metafiction; literary realism and postmodernism; religion and spirituality; masculinity; lesbian romance; queer theory; and psychoanalytic approaches. Each chapter includes an introductory overview outlining key themes, approaches and the texts covered. This is an ideal introduction to the variety of critical approaches to Winterson and her work.
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Jeanette Winterson

Jeanette Winterson

Continuum International Publishing Group Ltd.
2007
nidottu
"Jeanette Winterson: A Contemporary Vritical Guide" is a comprehensive introduction to Winterson's writing. It brings together new essays by leading critics writing on key topics across her work from early successes like "Oranges are Not the Only Fruit" to recent works like "Lighthousekeeping". The guide provides students with an accessible and up-to-date critical guide to Winterson's most commonly studied texts, covering major themes and developments, and issues of style, technique and genre, from a range of contemporary critical and theoretical perspectives. Chapters identify and explore the key topics and debates including: story-telling; feminism and women's writing; historiographic metafiction; literary realism and postmodernism; religion and spirituality; masculinity; lesbian romance; queer theory; and psychoanalytic approaches. Each chapter includes an introductory overview outlining key themes, approaches and the texts covered. This is an ideal introduction to the variety of critical approaches to Winterson and her work.
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Jeanette Winterson and Religion

Jeanette Winterson and Religion

Emily McAvan

Bloomsbury Academic
2019
sidottu
Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.
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Jeanette Winterson’s Narratives of Desire

Jeanette Winterson’s Narratives of Desire

Shareena Z. Hamzah-Osbourne

Bloomsbury Academic
2021
sidottu
Putting forward a new theory of fetishism - alternative fetishism - this book provides an up-to-date examination of the work of Jeanette Winterson, offering fresh perspectives and new insights on the topics of gender, sexuality, and identity in her writing. Combining contemporary theories in psychoanalytical and cultural studies, it proposes that a rethinking of fetishism allows Winterson’s works to be brought into sharper critical focus by repositioning fetishism as a daily practice in society. In so doing, it argues that Winterson's work challenges orthodox, normative, and contemporary views of fetishism to reveal her own alternative version. Containing the transcript of an email Q&A with Winterson herself and covering the majority of Winterson’s oeuvre, from her first novel, Oranges Are Not the Only Fruit (1985), up to the most recent, Frankissstein (2019), the book is divided into three main chapters that each discuss a particular theme in Winterson’s fiction: bodily fetishism, food fetishism, and sexual fetishism. While the book's focus is on Winterson, the theoretical framework it proposes can be applied to other authors and disciplines in the Arts and Humanities, such as theatre and film, offering new ways of thinking about topics such as fetishism, feminism, psychoanalytical theory, postmodernism, gender, and sexuality.
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Jeanette Winterson’s Narratives of Desire

Jeanette Winterson’s Narratives of Desire

Shareena Z. Hamzah-Osbourne

BLOOMSBURY PUBLISHING PLC
2023
nidottu
Putting forward a new theory of fetishism - alternative fetishism - this book provides an up-to-date examination of the work of Jeanette Winterson, offering fresh perspectives and new insights on the topics of gender, sexuality, and identity in her writing. Combining contemporary theories in psychoanalytical and cultural studies, it proposes that a rethinking of fetishism allows Winterson’s works to be brought into sharper critical focus by repositioning fetishism as a daily practice in society. In so doing, it argues that Winterson's work challenges orthodox, normative, and contemporary views of fetishism to reveal her own alternative version. Containing the transcript of an email Q&A with Winterson herself and covering the majority of Winterson’s oeuvre, from her first novel, Oranges Are Not the Only Fruit (1985), up to the most recent, Frankissstein (2019), the book is divided into three main chapters that each discuss a particular theme in Winterson’s fiction: bodily fetishism, food fetishism, and sexual fetishism. While the book's focus is on Winterson, the theoretical framework it proposes can be applied to other authors and disciplines in the Arts and Humanities, such as theatre and film, offering new ways of thinking about topics such as fetishism, feminism, psychoanalytical theory, postmodernism, gender, and sexuality.
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