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Josef Pieper on the Spiritual Life

Josef Pieper on the Spiritual Life

Nathaniel A. Warne Adishian

UNIVERSITY OF NOTRE DAME PRESS
2023
sidottu
Warne's original study provides an insightful analysis of the role of contemplation and creation in the thought of Josef Pieper, illustrating the importance of this practice to earthly happiness and human flourishing. What is the relationship between creation, contemplation, human flourishing, and moral development? Nathaniel Warne's Josef Pieper on the Spiritual Life offers a sophisticated answer to this question through a systematic analysis of philosopher Josef Pieper's (1904–1997) thought. Warne's examination centers on the role of contemplation and creation in Pieper's thinking, arguing that contemplation of the created order is a key feature of earthly happiness. By emphasizing the importance of contemplation, Pieper illustrates the deep interconnections between ethics, creation, and spirituality. For Warne, to posit a binary between the contemplative life and active life creates a false dichotomy. Following Pieper, Warne claims that theology and spirituality cannot be bracketed from ethics and social action—indeed, our lived experience in the world blurs the lines between these practices. Contemplation and action are closer together than are typically assumed, and they have important implications for both our spiritual development and our engagement with the world around us. Ultimately, Warne's emphasis on creation and contemplation represents an attempt to resist a view of ethics and the spiritual life that is divorced from our environment. In response to this view, Warne argues that we need a renewed sense that creation and place are important for self-understanding. Contemplation of creation is, fundamentally, a form of communion with God—we thus need a more robust sense of how ethics and politics are rooted in God's creative action. Taking Pieper as a guide, Warne's study helps to deepen our thinking about these connections.
Josef Koudelka

Josef Koudelka

Thames Hudson Ltd
2007
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When he arrived in Paris, Koudelka had already produced two outstanding works of reportage. One documented the Prague Spring, while the other, on gypsies, could almost have been an ethnological study had its images not been charged with so much emotion. Unknown in 1970, he rose to become one of the most powerful photographers of his day.This book shows that in the lands of exile through which he travels with his amazing urge to see, Koudelka’s own particular talent has been affirmed and expanded.
Josef Albers

Josef Albers

Charles Darwent

Thames Hudson Ltd
2018
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While Josef Albers’ Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers’ life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed ‘Summer Sessions’ with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers’ creative output.
Josef Koudelka: Ruins

Josef Koudelka: Ruins

Josef Koudelka

Thames Hudson Ltd
2020
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Between 1991 and 2015, Josef Koudelka completed an epic journey across twenty countries bordering the Mediterranean, stopping at over 200 Greek and Roman archaeological sites, relentlessly researching the beauty of the ancient world. Before the Magnum photographer, nobody had attempted to make such a comprehensive photographic record of these artefacts with so much persistence and so little assistance. In this book, produced in close collaboration with the photographer, Koudelka’s aim was to use art to re-appropriate a world that is escaping us and that we could lose – a world where the mind alternates between reason and faith, law and liberty.
Josef Originals

Josef Originals

Jim Whitaker; Kaye Whitaker; Dee Harris

Schiffer Publishing Ltd
1999
nidottu
Ceramic figurines of beautiful and romantic young women were made in hundreds of different poses and costumes by Josef Originals. This all-color illustrated, revised and expanded edition follows the art of California ceramicist Mauriel Josef George from 1945 through 1985 with over 700 color photographs. Also included for the first time are photos of Applause figurines next to the matching earlier figurines, and never before published catalog images from the authors' private collection. From the relatively common to the rare, this book is an essential reference for anyone with an interest in figurines designed by Muriel Joseph George.
Josef Originals

Josef Originals

Jim Whitaker; Kaye Whitaker; Dee Harris

Schiffer Publishing Ltd
2008
nidottu
Ceramic figurines of beautiful and romantic young women were made in hundreds of different poses and costumes by Josef Originals. This all-color illustrated, revised and expanded edition follows the art of California ceramicist Mauriel Josef George from 1945 through 1985 with over 700 color photographs. Also included for the first time are photos of Applause figurines next to the matching earlier figurines, and never before published catalog images from the authors' private collection. From the relatively common to the rare, this book is an essential reference for anyone with an interest in figurines designed by Muriel Joseph George.
Josef Fuchs on Natural Law

Josef Fuchs on Natural Law

Mark Graham

Georgetown University Press
2002
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Appointed by Pope John XXIII to the Pontifical Commission on Population, Family, and Birth, Fuchs ultimately found himself disappointed in his three years of service and spent the next thirty years exploring a broad array of issues pivotal to a reconstruction of Roman Catholic natural law theory. This is the first full-length analysis of Fuchs' efforts. Beginning historically by looking at Fuchs' writings and beliefs before the Pontifical Commission appointment, including his defense of natural law during the "situation ethics" debates of the 50s and 60s, the concept of personal salvation, and the status of "nature" and "human nature", Graham moves to the intellectual conversion that inspired Fuchs to reconsider his concepts following the commission appointment. From there, Graham engages in a sustained critique of Fuchs' natural theory, addressing both the strengths and weaknesses to be found there and suggest possible avenues of development that would make a positive contribution to the ongoing quest to rehabilitate the Roman Catholic natural law theory that continues to dominate the landscape of moral theology today.
Josef Albers in Mexico

Josef Albers in Mexico

Guggenheim Museum Publications,U.S.
2018
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Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers’s abstract works on canvas and paper. `Mexico is truly the promised land of abstract art’, Josef Albers once wrote to Vassily Kandinsky. Albers in Mexico reveals the profound link between the magnificent art and architecture of ancient Mesoamerica and Albers’s abstract works on canvas and paper. With his wife, the artist Anni Albers, he visited Mexico and other Latin American countries more than a dozen times from 1935 to 1968, where he toured pre-Columbian archeological sites and monuments. On each visit, Albers took blackand- white photographs of the pyramids, shrines, sanctuaries and landscapes in and around these ancient sites, often grouping multiple images printed at various scales onto 8 x 10 inch sheets. The result was nearly 200 photo-collages that illustrate formal characteristics of the pre-Columbian aesthetic. Albers in Mexico brings together rarely exhibited photographs, photo-collages, prints and significant paintings from the Homage to the Square and Variants/Adobe series from the Guggenheim Museum collection and the Anni and Josef Albers Foundation. This catalogue includes two scholarly essays, Albers’s poetry from the period and an illustrated map, as well as rich colour reproductions of paintings and works on paper.
Josef Dobrovský and the Origins of the Igor' Tale

Josef Dobrovský and the Origins of the Igor' Tale

Edward L. Keenan

Harvard Ukrainian Research Institute,U.S.
2004
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This controversial and groundbreaking book revisits the origins of one of the most beloved works of East Slavic literature, the Slovo o polku Igoreve (The Igor' Tale). Edward Keenan delves into the history of the publication of the Tale and produces a meticulous analysis of its language in order to demonstrate that the text is not an authentic twelfth-century document. Rather, Keenan argues that it is a product of the late eighteenth century, created by the Bohemian scholar Josef Dobrovský. Keenan’s thought-provoking insights into the creation and publication of the Tale will spark scholarly debate for many years.
Josef Strau – The New World 2, Travels in Turtle Island

Josef Strau – The New World 2, Travels in Turtle Island

Fernando Mesta; Solveig Øvstebø; José Rojas; Jay Sanders; Josef Strau; Stefan Tcherepnin; Bernadette Van–huy; Antek Walczak

Renaissance Society at the University of Chicago
2014
nidottu
The second of two books published alongside Strau's 2014 Renaissance Society exhibition, The New World, Application for Turtle Island, this features an essay by Jay Sanders alongside introductions to different aspects of Strau’s practice by artists with whom he has recently collaborated: Bernadette Van-Huy, Stefan Tcherepnin, Antek Walczak, Fernando Mesta, and José Rojas. Also included are full color images of the installation and an exhibition checklist, as well as an introduction by Solveig Øvstebø and a text by Strau.
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