For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan’s territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan’s territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
It is La Maupin.La Maupin's life is a flame. And then expires too quickly. She dies at only the age of thirty three. This French beauty has a panoply of talents far ranging and effective. The span is from an operatic contralto on the Paris stage to the rarest of them all, a female fencing master; from taking a nun's vows to eschewing decency in a lifetime rife with sexual experimentation; from crimes against the Crown and King to convincing that Sun King to spare her the indignity of being executed; from the heights of a near royal birthright to an unknown pauper's grave of no concern to anyone and the absolute obscurity for her that prevails after. Until now Now she is accidentally sprung from that invisibility and is released to the world once again.La Maupin, otherwise known as Julie d'Aubigny, reached for it all. This 17th century human comet is somehow connected to the fate of Sarah's mother and her dear friend. The connection, its discovery, is critical. A life, maybe lives, depends upon it Parallel to La Maupin's drama, the story of the attempted revival of a business is told as well. Sarah's clan is in pursuit of relics again. And it is the Languedoc of southern France and Castle Montsegur which may reveal the only key to that business surviving.Is a relic found? Does La Maupin's influence that leaps four hundred years into the present batter all?Even salvation lurks in the shadows.
Evil and a half millennium old, older even, a long hidden diamond and chain are rediscovered and unleashed once again upon all who suffer the desire to wear it, wish it for another or fear its pain. It had been made by a dark force in the time of Bavaria's Isabeau. Its sinister, destructive ways reach into both Seattle in the new millennium and into Victorian England at the onset of its Industrial Revolution.A politician of present day Seattle, and five of the Victorian Era, a headstrong female coal miner, a coal mine owner, his wife and daughter and a Quaker barrister find their fortunes forged in the diamond's core.That core comes for each one of them as the shadow of death or the messenger of misery; misery so cruel that it's akin to death.It's also a tale of indomitable female strength as well as of murder, a scorching trial, a hanging and mystery as well.
Eugenie Remy's spirit remains buoyed as she writes frequent love letters to her departed husband while making her way cross country once more to return mementos to her deceased husband's grieving mother.Sidestepping robbers, Indian attacks and drownings, an arrival in Providence, Rhode Island relieves her so. But wait, there's more Becoming a conductor of the Underground Railroad, she casts aside reason and falls in love with the escaping slave she's meant to save. And he's closely pursued by a long ago tormentor of hers. All three face off as the gruesome Civil War rolls on.Who survives? Does Eugenie slip the noose of tragedy once more?She is a flame, a guiding light, wavering some, not always right. May her influence reveal that hatred and violence serve little that empathy and cooperation can't cure.
A priceless journal rolled and hidden in an equally priceless hollow bejeweled scepter is discovered in a dark subterranean royal basement. From huge video monitors in community meeting halls, all citizens gather to hear what will be read to them. The reading shatters all expectations. A benign, friendly society realizes that their founder was a beast not like them at all.Mutant Outcast A diabolic bloodthirsty rebel.And so the story was told beginning on a small planet in a three star system light years away. Panpaniscus. Proxima Centauri. Born with a malefactor gene, Nigel rejected all that he saw around him utterly and violently. Though alone, he was not to be alone long for he found the ally of his dreams. Lenny made two and it wasn't quite enough even still.They must find fertile partners or all was futile. That set them on their first sojourn into unknown oceans in the smallest of sailboats.Impossibility confronted them repeatedly. They encountered windless seas, Neolithic pagans, cannibalistic remnants and then a dormant volcano ready to erupt. Lost at sea came last.Finding shore at last brought murder and the capture of a precious space craft that they rode into the heavens.Nigel feared pursuit. He should have feared an enemy nearer at hand; a grotesque hidden enemy as vicious as he was vicious.Who survives? Obvious seeming but is survival everything? Surviving, ever surviving, again, is that everything? If its taste is ashes, how brutal is that? Brutal enough to hear soft voices calling?His malefactor gene says no.Transformation says yes.The battle goes on.The audience leaves judgement behind and becomes transfixed by it all
Two women and one child named Rose. One family. A century of secrets.Rose Beth Greenhaw and Steven Weberhauser live on opposite sides of the United States. She lives in Savannah, Georgia and he lives in Seattle, Washington. Their mutual belief in the idea of the restoration of gun sanity after a school shooting in Florida brings them together in a massive demonstration in Washington, D.C. He saves her life there after the crowd panics at the sound of a possible gunshot. The two develop a cross country romance. It is so flamingly hot and beneficial that Steven quits his attorney's job and drives out to marry Beth, his Southern fianc e.There is still a wedding and honeymoon to plan in just a few days as Beth, in her impetuousness hasn't wished to delay the ceremonies even remotely. Steven arrives but is a bit confused as to Beth's sudden division of priorities. Though the wedding is still set for the very next weekend, Beth has explained that she and her mama have found an oil painting which has embroiled the family in a search to clarify their very mysterious genealogy; no one in the family knows the reasons behind their Southern location and vast wealth. The woman in the oil painting is nearly identical in looks to Beth. Who is it? Is she the person to unlock the mystery of the Greenhaw past?Steven has no problem with doing the search simultaneous to the wedding happenings.They find out that this possible antecedent of hers is a fanatical proslavery ancestor who had been a spy for the Confederacy. Beth nearly dies in the utter shame of it. Though she lives in the South, she and her family have always been activists and she believes with her entire heart that black lives matter incredibly Her one employee, a dear friend too, is black as well.Will Steven and Beth even get married? Beth's emotions are now so in shambles that Steven wonders. Stumbling through with the help of family, friends and a very capable wedding planner, Beth and Steven do wed and Steven's office is set up. The honeymoon location is established as Tahiti.But Beth is still very angry, anxious and depressed about having found Rose O'Neal Greenhow as the strongest candidate for her family's source of wealth. She despises the woman as a Confederate spy who yields to no one in her rigid belief that slavery is fundamental to the industrial, plantation way of Southern life. Beth thinks that belief is a grotesquery and emotionally can't handle that this might be the grand matriarch of the family.Steven has to take over the search because it is so painful and devastating to Beth. And when he finds that this Confederate spy drowns in an attempt to get gold from the sale of her book along with likely Civil War changing documents to her Confederate allies - she fails as her gold and documents go into River Cape Fear with her seemingly - Steven tells Beth that the search has ended without a conclusion as to Beth's family's genealogical line and wealth.He expects Beth to be relieved and happy to start a new search with some other candidate or maybe even just forget about the search entirely. Instead, Beth goes berserk as she is horribly disappointed that there is no conclusion. She rages that she hates the oil portrait which spawned the search initially and goes to the attic to destroy it. As she is about to exit the attic, painting in hand, she slips and it falls into her lap face up. She stares at it malevolently one last time.And she spies a clue painted into the portrait in the background. She had seen it as she had earlier cleaned up the cellar in the overseer's house, their new home now. She races down to the attic and finds it. What is that clue? Does it hold the answers to all the questions?There's a vase of green roses. Why green roses?Read "How Grows A Green Rose" and join with Rose Beth and Steven to find the answers to the most important questions of Rose Beth's life.
Clotho is the goddess of time and fate. She has bestowed her cruel demonic kiss of eternal life on two friends.Many would presume the kiss a gift. The two friends know differently. The Kiss of Clotho is a curse. Eugenie, born in 1814, has lost husbands, lovers, a child and dear friends as her age never changes. Sarah, born in 1979, senses the horror of it.Mark, Sarah's husband, has been brought into the wild fray. They will try anything. They follow dreams, attempt to locate the goddesses' temple, delve into Eugenie's past in 1863. They explore stick-pin dolls, curse reversals, mirror reflections, consecrations and purification. Abject failure is all they find to remove the curse.Clotho watches without concern.
This book explores and theorises female visions of Japanese girlhood in the work of three women directors: Ninagawa Mika, Miyake Kyoko and Ando Momoko. These directors are all highly diverse in their production background, outputs and style, and yet all three share a common preoccupation with visualizing moments of both girlhood and female ageing. The book takes at its core the debate on the aesthetics of gender - something all three women have engaged in - and explores the idea of feminist film historiography.
This book explores and theorises female visions of Japanese girlhood in the work of three women directors: Ninagawa Mika, Miyake Kyoko and Ando Momoko. These directors are all highly diverse in their production background, outputs and style, and yet all three share a common preoccupation with visualizing moments of both girlhood and female ageing. The book takes at its core the debate on the aesthetics of gender - something all three women have engaged in - and explores the idea of feminist film historiography.
Clotho is the goddess of time and fate. She has bestowed her cruel demonic kiss of eternal life on two friends. Many would presume the kiss a gift. The two friends know differently. The Kiss of Clotho is a curse. Eugenie, born in 1814, has lost husbands, lovers, a child and dear friends as her age never changes. Sarah, born in 1979, senses the horror of it. Mark, Sarah's husband, has been brought into the wild fray. They will try anything. They follow dreams, attempt to locate the goddesses? temple, delve into Eugenie's past in 1863. They explore stick-pin dolls, curse reversals, mirror reflections, consecrations and purification. Abject failure is all they find to remove the curse. Clotho watches without concern.
RAPID Midwifery The Rapids are a series of reference and revision pocket books that cover key facts in a simple and memorable way. Each book contains the common conditions that students and newly qualified nurses encounter on the wards, in the community, and on placements. Only the basic core relevant facts are provided to ensure that these books are perfect and concise ‘rapid refreshers’. To see all the titles in the series, go to: www.wiley.com/go/rapids Rapid Midwifery is an essential read for all midwifery students and newly qualified staff. Designed for quick reference, it explores a broad range of midwifery topics which are mapped against the 6Cs to illustrate the fundamental importance of compassionate midwifery care. Each section is structured around the key criteria used in midwifery examinations, with bite-sized information supported by the latest evidence base, making it the perfect revision tool for OSCEs and written examinations. Every chapter includes key points, essentials of midwifery care, key physiology, professional accountability, and links to further resources. Covering all the key topics in midwifery, for both hospital and community settings, this concise and easy-to-read title is the perfect quick reference book. All content reviewed by students for students Wiley Health Science books are designed exactly for their intended audience. All of our books are developed in collaboration with students. This means that our books are always published with you, the student, in mind. If you would like to be one of our student reviewers, go to www.reviewnursingbooks.com to find out more.
