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1000 tulosta hakusanalla Kathleen Tracy
Kathleen Ferrier has a reputation as the greatest lyric contralto of the twentiety century. Her story, from her humble beginnings as a telephone operator in Blackburn to the height of international fame as one of the world's leading concert artists and her untimely death at the age of forty-one, is told told with compelling insight and perception, using a variety of sources, from photographs, diaries, and private letters to the memoirs and recollections of those who knew her best. Despite having no formal musical training, Kathleen worked with all the celebrated conductors of the time, and is remembered for her performances of music by Brahms, Schubert and Mahler, as well as a handful of operatic roles. Enlarging considerably on many alternative biographies, this excellent account captures the warmth, humour and charm of a figure whose astonishing life and career proved to be, sadly, all too brief.
After the deaths of both her husband and her son, Kathleen Larson's only family is her wicked daughter-in-law, Tillie, and her son's much kinder ex-wife, Carol. A widow from Homewood, Alabama and a crossing guard for the past 20 years, she is nearing sixty-eight and has only just begun to dream of her retirement. But after an accident leaves Kathleen temporarily disabled, Tillie has other plans. Several forged documents and one tall-tale later, Kathleen finds herself locked up at Lakeside Nursing Home, a run-down memory care facility run by a fake doctor with a criminal past. It's now up to Carol to find Kathleen before Tillie steals her home and her money.
Dieses klassische Buch wurde urspr nglich vor Jahrzehnten ver ffentlicht als " An Ocean Tramp ". Es wurde jetzt von Writat f r seine deutschsprachigen Leser ins Deutsche bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit sehr am Herzen. Wir haben dieses Buch ins Deutsche bersetzt, damit es heutige und zuk nftige Generationen lesen und bewahren k nnen.
The harrowing true story of a travelling Irish family bonded by love, broken apart by life, and then betrayed by their carers in a cruel convent in Ireland. “For those who we lost along the way, I tell this story. For all the children who suffered in this terrible place. For all those I consider my brothers and sisters; the ones who died, the ones who lost their minds, the ones who drown their memories everyday in a bottle of whisky, I tell this for you. Because in the end we are all brothers and sisters – and if we don’t feel that bond of love between each other, just as human beings, then we are nothing. We are no better than the monsters that ran the convents.” Based in Ireland in the 1960s and 70s, Kathleen’s story is a story of extreme hardship, suffering and abuse. It is the story of 11 siblings, abandoned by their mother and torn from their father, incarcerated in convents and then driven apart in the cruellest ways imaginable; it is the story of their ruined childhoods and their fight for recompense. But more than that, it is a story of courage, survival and the incredible strength of sibling bonds against overwhelming adversities. Out of terrible darkness comes a remarkable story. In the tradition of Irish storytelling, Kathleen offers a mesmerising account of her family’s experience.
Notes from a Black Woman's Diary: Selected Works of Kathleen Collins
Kathleen Collins
Ecco Press
2019
nidottu
A RECOMMENDED BOOK OF 2019 FROMVanity Fair * Vogue * The Huffington PostA stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmakerRelatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, "To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us."That rediscovery continues in Notes from a Black Woman's Diary, which spans genres to reveal the breadth and depth of the late author's talent. The compilation is anchored by more of Collins's short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she's agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins's raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.Kathleen Collins's writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman's Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.
This is the story of Christopher Isherwood's parents - their meeting in 1895, marriage in 1903 after his father had returned from the Boer War, and his father's death in an assault on Ypres in 1915, which left his mother a widow until her own death in 1960.
Kathleen and Frank: The Autobiography of a Family
Christopher Isherwood
Farrar, Straus and Giroux
2015
nidottu
Kathleen and Frank is a love story set in the glory days of the British Empire, the last decades before World War I It is the story of Christopher Isherwood's parents, the winsome and lively daughter of a successful wine merchant and the reticent, artistically gifted soldier-son of a country squire. They met in 1895 outside a music rehearsal in an army camp and married in 1903 after Christopher's father returned from the Boer War. Frank was killed in an assault near Ypres in 1915; Kathleen remained a widow for the rest of her life. Their story is told through letters and Kathleen's diary, with connecting commentary by Isherwood. Kathleen and Frank is a family memoir, but it is also a richly detailed social history of a period of striking change-- Queen Victoria's funeral, Bl riot's flight across the English Channel, Sarah Bernhardt's Hamlet, suffragettes, rising hemlines, the beginning of the Troubles in Ireland--the period that shaped Isherwood himself. As a young man, Isherwood fled the tragedy that engulfed his parents' lives and threatened his own; in Kathleen and Frank, he reweaves the tapestry of family and heritage and places himself in the pattern.
Kathleen O'Neil, Or A Picture Of Feudal Times In Ireland: A National Melodrama Of The Fourteenth Century In Three Acts
George Pepper; Mary Balfour
Kessinger Pub
2007
pokkari
In compiling her Collected Poems, Kathleen Raine was uniquely placed to look back on more than six decades of her poetry and to decide the canon by which she wished to be judged and remembered. From its first appearance her poetry has been recognised as possessing a rare imaginative integrity, remaining faithful to a formal purity of voice, as well as to an imagery whose resonances are at once her own voice yet speak as if from the heart of the human condition itself. These are poems of wonder, of distillation and, ultimately, of affirmation. This definitive collection demonstrates a lifetime's commitment to the learning of the imagination, and, since original publication in 2000, has confirmed Raine's reputation as a poet who has unfailingly given voice to a vision of life in which the temporal, in all its modes and places, is imbued with the numinous and the eternal.