Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Kay Allardyce
![Kay Aitch Ess [1939]; 15](/covers/9781013356919.jpg)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Kay Aitch Ess [1954]; 29](/covers/9781013382154.jpg)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Kay Aitch Ess [1952]; 27](/covers/9781013393235.jpg)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Kay Aitch Ess [1953]; 28](/covers/9781013596155.jpg)
![Kay Aitch Ess [1927]; 3](/covers/9781014133434.jpg)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Kay Aitch Ess [1947]; 22](/covers/9781015004023.jpg)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![Kay Aitch Ess [1928]; 4](/covers/9781015101098.jpg)
![Kay Aitch Ess [1949]; 24](/covers/9781015283695.jpg)
![Kay Aitch Ess [1938]; 14](/covers/9781015308497.jpg)
A remarkable, one-of-a-kind collection. Filled with insight, anecdotes, and fascinating snapshots from the past, ONE WOMAN'S CENTURY is a celebration of the life and work of iconic Saskatchewan author Kay Parley, covering the full scope of her work from 1938 all the way to 2024. That's 86 years of her writing At the age of 101, Kay is still going strong, with a regular column in Folklore Magazine and the Wolseley Bulletin. She is the author of the critically acclaimed memoir Inside the Mental: Silence, Stigma, Psychiatry, and LSD about her time at the Weyburn Mental Institute in the 1950s, first as a patient, and then as a psychiatric nurse, and of the magical novel The Grass People about a world tucked out of sight beneath the leafy plants and tall grass we walk by every day, as well as the dark mystery The Monkey Vault.In 2019, Kay Parley was the subject of an award winning documentary, A Mind of Her Own, by filmmaker Judith Silverthorne. A talented painter, educator, and author, Kay worked with Lorne Greene at CBC Radio and taught sociology for many years at the Kelsey Institute in Saskatoon. ONE WOMAN'S CENTURY is the first comprehensive collection of her work, spanning the Dust Bowl of the Great Depression to the climate change of today. Timely, heart-felt and endlessly fascinating.
Interior Design explores the ups and downs of life, from living with mental illnesses, finding a home in another person, dealing with heartbreak, to learning how to love the person you are. This collection is packed with first hand experience and offers a safe place where judgement won't be found and all feelings are valid.
They were two best friends, who loved each other like sister's. They made plans for their future but those plans changed because of the actions of another. Now one friend has to deal with the loss of the other. A person's life is so important. Will our young people wake up before it's to late? How many of your friends are gone forever? I hope you find something within this story.
Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker’s key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer.Fisker’s output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.
Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing.Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker’s key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer.Fisker’s output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.
Kay Thompson's larger-than-life story is an effervescent toast to show business with a shot of Auntie Mame and a twist of The Devil Wears Prada. A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and Lena Horne, and the godmother/Svengali of Liza Minnelli (who recreated Thompson's nightclub act in her 2009 Tony Award-winning event, Liza's at the Palace). She went to school with Tennessee Williams, auditioned for Henry Ford, got her first big break from Bing Crosby, trained Marilyn Monroe, channeled Elvis Presley, rejected Andy Warhol, rebuffed Federico Fellini, got fired by Howard Hughes, and snubbed Donald Trump. She coached Bette Davis and Eleanor Roosevelt; she created nightclub acts for Marlene Dietrich and Ginger Rogers; and when Lucille Ball had to sing on Broadway, Kay was the wind beneath her wings, too. Kay's legion of fans included Queen Elizabeth of England, King Juan Carlos of Spain, and Princess Grace (Kelly) of Monaco. Danny Kaye masqueraded in drag as her; No l Coward and Cole Porter wrote musicals for her; and The Beatles wanted to hold her hand. She was a charter member of the Rat Pack, costarred in a whodunit with Ronald Reagan, and directed John F. Kennedy's Inaugural Gala. The dame cut a wide swath through the arts. After conquering radio in the 1930s she commandeered MGM's vocal department in the 1940s, where she revolutionized the studio's greatest musicals with her audacious arrangements, from The Harvey Girls to Ziegfeld Follies. In the 1950s she became the highest-paid cabaret attraction in the world with her groundbreaking act "Kay Thompson and the Williams Brothers," featuring her young prot g --and secret lover--Andy Williams. In a stunning feat of reinvention, Thompson next became the bestselling author of Eloise (first published by Simon & Schuster in 1955), chronicling the mischievous adventures of the six-year-old mascot of The Plaza, spawning an industry that is still going strong today. Then Kay took the silver screen by storm as the "Think Pink " fashion magazine editor in Funny Face, stealing the film right out from under Audrey Hepburn and Fred Astaire. The Thompson saga swells from small town wannabe to international headliner, dissolving into self-destruction and madness--the storyline usually reserved for a rags-to-riches potboiler--yet with unexpected twists, outlandish turns, and a last-minute happy ending that, even by Hollywood's standards, is nothing short of preposterous. But that is Kay Thompson. Fascinating. Frustrating. Fabulous
