Kaye and Kern Holoman enjoyed more than fifty years of travel together, often documenting their journeys in diaries beginning with a grand tour of Europe in 1956. Their archive includes some ten bound volumes recording sixteen trips, among them also Eugenia Herring's grand tour of 1928; Kern's post-war journal from Stuttgart, 1946; and later travels of Kern with his companion Jackie Harper. This collection is presented by D. Kern Holoman, their eldest son.
Contemporary British artist Kaye Donachie (b.1970) is best known for her figurative, dream-like portraits of women. Her portraits are not direct representations of her subjects but are “abstract narratives”, informed by art and literature by twentieth century women. Often these women have been historically marginalized and include radical writers, activists, poets, and artists. Donachie describes their biographies as “sparse, but that affords a space in which to interpret narratives in my painting and representation.” This monograph will bring together a selection of the artist's muted, figurative paintings, exploring the complexities of the muse and female agency in art and literature. It includes an introduction by Simon Martin based on interviews with the artist exploring her engagement with modern art and literature, together with short texts by the artist herself. Exhibition Schedule: Pallant House Gallery, Chichester (April 22–October 8, 2023)
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A compact 11-poem collection of poet Phil Kaye's early work. Includes poems such as "Teeth", "Suburbia" and "Funerals are Like Birthday Parties (For My Grandmother)".
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
