Maude Adams (1872-1953) was a beloved and talented American Broadway actress who greatly influenced succeeding acting methods and production techniques. She first appeared on stage as an infant in her actress mother's arms, and then moved to a succession of children's parts. Her New York debut came in 1888, supported by E. H. Southern and then Charles Frohman, a demanding mentor. In 1905, she played her most famous role: the star of James M. Barrie's Peter Pan. Beautiful, kind, and very private, this early American actress is chronicled in a biography covering both her life experiences and innovations on the stage.
Showalter's thoughtful, detailed introductory essay is a comprehensive analysis between Rosetti's novella and Craik's essays...the biographical portrait of Christina Rossetti's conflicts makes her a vivid example of the psychological and social barriers to the development of the female poets...her description of Dinah Mulock Craik stressed this woman's common-sense approach to ameliorating the position of the working-class woman in society...useful to students of feminist theory and of Victorian literature. --Academic Library Book Review Cristina Rossetti was nineteen years old when she wrote Maude: Prose and Verse in 1850. Clearly autobiographical, the novel examines the heroine's endeavor to resist the notion that modesty, virtue and domesticity constitute the sole duties of womanhood. For the precocious young poet, the work was only one of several projects of her teens. Growing up in London as the youngest child in a gifted and unusual family of artists and writers, Rossetti had early developed a poetic vocation.But by the time she wrote Maude, the lively, passionate, and adventurous little girl who had hated needlework, delighted in fiercely competitive games of chess, and explored the country with her brothers became a painfully constrained, sickly, and over-scrupulous teenager. Maude makes clear that at least some of Rossetti's affliction came from anxieties about poetic achievement, her wishes both to be admired for her genius and to renounce it as unfeminine. Often overshadowed by her brother Dante Gabriel Rossetti, Christina struggled to express her own independent authorial voice, and to resist a life bound by the constraints and demands of the traditional female role. Other late Victorian attitudes towards Anglican women's communities are brought out in On Sisterhoods by Dinah Mulock Craik which appeared in Longman's magazine in 1883. Craik herself worked on the literary border between feminine gentility and feminist rebellion. In 1850, when Christina Rossetti was writing Maude within the confines of her family, Dinah Mulock was supporting herself and her two younger brothers by her pen. On Sisterhoods confronts head-on 'the woman question.'Asserting that women's role is to find beauty in their lives through altruism and good works--to be more or less 'good women'--Craik provides a radical solution to the 'woman question' by advocating the encouragement of Anglican sisterhoods, effectively women's co-operatives. For her, the strongest argument for such a sisterhood is the alternative life it offers to single women, with no outlets for their maternal emotions. The third text presented here, Craik's A Woman's Thoughts About Women, was a widely circulated manual of advice on female self-sufficiency for unmarried women, based on her own experience in a family left destitute by an eccentric father when she was nineteen. It addressed a pressing contemporary problem: the large number of urban single women who were well educated and qualified but for whom traditional employment offered no place. Craik understood that independence would come hard to middle-class women, yet she was optimistic about the ways women might re-educate themselves, abandoning false pride and learning to manage small businesses or conduct trades.Throughout her career, Craik masked her private feminist views with disdain for women's rights and criticism of women's public activism. Unmarried and self-supporting until the age of forty, she wrote about the problems of single and working women in over fifty popular novels, children's stories and collections of essays.
Published in 1966, this genealogy book provides a detailed record of the ancestors and descendants of John M. Coulter, a prominent landowner and politician in southwestern Arkansas in the 19th century. Compiled by his wife, Maude Graves Coulter, the book draws on a range of primary sources, including family Bibles, wills, and census records, to trace the connections between generations and across geographical borders. With its careful scholarship and personal touch, Genealogy of John M. Coulter is a valuable resource for anyone interested in family history and regional culture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Maude" was written when Christina Rossetti was 19 and examines the heroine's struggle to resist the notion that modesty and domesticity constitute the duties of women. "On Sisterhoods" by Dinah Mulock Craik advocates the encouragement of Anglican sisterhoods.
Title: Maude Talbot.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Lee, Holme; 1854. 3 vol.; 8 . 12628.a.22.
"A young woman searches for the truth about her sister, who boarded a ship headed to the frozen Arctic and never returned. Twenty-year-old Constance Horton has run away from her life in Victorian London, disguising herself as a boy to board the Makepeace, an expedition vessel bound for the icy and unexplored Northwest Passage of the Arctic. She struggles to keep her real identity a secret on the ship, a feat that only grows more difficult when facing off with the constant dangers of the icy North. Even more dangerous than the cold, the storms, and the hunger, are some of the men aboard--including the ship's scientist Edison Stowe. He seems to be watching Constance, and she knows that his attention could be fatal. In London two years later: Maude Horton is searching for the truth. After being told by the British Admiralty that her sister's death onboard the Makepeace was nothing more than a tragic accident, she receives a diary revealing that Edison Stowe had more of a hand in Constance's death than the returning crew acknowledged. In order to get the answers she needs, Maude decides to shadow Edison. She joins him on a new venture he's started to capitalize on the murder mania that has all of London in a frenzy--a travel company that takes guests around the country via train to witness public hangings--to extract the truth from him in any way possible. As tensions and dangers mount, it ultimately falls to Maude to enact the ultimate revenge to get justice for her sister. Maude Horton's Glorious Revenge is a transporting, atmospheric novel about the lengths we will go to for justice--and for love."
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