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1000 tulosta hakusanalla Marc Giloux

Marc Bloch

Marc Bloch

Carole Fink

Cambridge University Press
1989
sidottu
This is the first biography of Marc Bloch (1886–1944), historian, soldier in both world wars, and leader of the Resistance, who was captured, tortured, and died a heroic death. Based largely on Bloch's private letters, diaries and papers, as well as on other unpublished documents, it traces the remarkable life of this French-Jewish patriot under the Third Republic. As an historian, Bloch is perhaps best known for The Historian's Craft, an inspiring set of meditations on his life's work, and as co-founder of the now legendary journal Annales, which gave rise to a major school of historical writing. Profoundly influenced by the dark events that shaped his era - world wars, anti-semitism, and totalitarianism - Bloch has become something of an intellectual hero of our century, his life an epitome of the endeavour to uphold, in the face of such events, the spirit of unfettered critical enquiry.
Marc Bloch

Marc Bloch

Carole Fink

Cambridge University Press
1991
pokkari
This is the first biography of Marc Bloch (1886–1944), historian, soldier in both world wars, and leader of the Resistance, who was captured, tortured, and died a heroic death. Based largely on Bloch's private letters, diaries and papers, as well as on other unpublished documents, it traces the remarkable life of this French-Jewish patriot under the Third Republic. As an historian, Bloch is perhaps best known for The Historian’s Craft, an inspiring set of meditations on his life’s work, and as co-founder of the now legendary journal Annales, which gave rise to a major school of historical writing. Profoundly influenced by the dark events that shaped his era - world wars, anti-semitism, and totalitarianism - Bloch has become something of an intellectual hero of our century, his life an epitome of the endeavour to uphold, in the face of such events, the spirit of unfettered critical enquiry.
Marc Bloch, Sociology and Geography

Marc Bloch, Sociology and Geography

Susan W. Friedman

Cambridge University Press
1996
sidottu
Marc Bloch has been very influential in the development of both history and social science. Comparative historians, historical geographers, and historical sociologists have all pointed to his work as a model. This book is the first detailed examination of the relationship of his work to both Durkheimian sociology and Vidalian geography. Through a careful examination of the debates in which he was involved and the institutional circumstances in which he worked, it places Bloch’s work within its intellectual context, and assesses the nature of his contribution. Professor Friedman argues that, despite the frequent claims of scholars in history, sociology and geography, Bloch did not adopt either the Durkheimian or Vidalian approach. Both disciplines were central to his intellectual development, but Bloch’s relationships to the two disciplines were interdependent, and the result was his own highly acclaimed and unique approach.
Marc Bloch, Sociology and Geography

Marc Bloch, Sociology and Geography

Susan W. Friedman

Cambridge University Press
2004
pokkari
Marc Bloch has been very influential in the development of both history and social science. Comparative historians, historical geographers, and historical sociologists have all pointed to his work as a model. This book is the first detailed examination of the relationship of his work to both Durkheimian sociology and Vidalian geography. Through a careful examination of the debates in which he was involved and the institutional circumstances in which he worked, it places Bloch’s work within its intellectual context, and assesses the nature of his contribution. Professor Friedman argues that, despite the frequent claims of scholars in history, sociology and geography, Bloch did not adopt either the Durkheimian or Vidalian approach. Both disciplines were central to his intellectual development, but Bloch’s relationships to the two disciplines were interdependent, and the result was his own highly acclaimed and unique approach.
Marc Chagall and His Times

Marc Chagall and His Times

Benjamin Harshav

Stanford University Press
2003
sidottu
This book presents a new and comprehensive biography of one of the most prominent artists of the twentieth century in dialogue with the events and ideologies of his time. It encompasses the 98 years of Chagall's life (1887-1985) in Russia, France, the US, as well as Germany and Israel, his deep roots in folk culture, his personal relationships and loves, his involvement with the art of the Russian Revolution, with Surrealism, Communism, Zionism, Yiddish literature and the state of Israel. The book exposes the complex relationships between Chagall's three cultural identities: Jewish-Russian-French. Indeed, it is a biography of the turbulent times of the twentieth century and the transformations of a Jew in it, his meteoric rise from the "ghetto" of the Russian Pale of Settlement to the centers of modern culture. The book reveals Chagall's endless curiosity, his forays in many directions beyond painting and drawing: public art, theater and ballet, stained glass windows in churches and synagogues, lithographs, etchings, and illustrations of literature and the Bible. We observe the intricate relations between Chagall's life and consciousness and the impact of his life on the iconography of his art. Thus, the book provides an indispensable key to the understanding of Chagall's often enigmatic art. Indeed, it is a contribution to the understanding of some of the central problems of Modern art, such as the question of originality, the interaction between the formal discoveries of the avant-garde and cultural or multi-cultural representation, and the relations between an artist's art and his personal biography. Renowned Israeli-American scholar Benjamin Harshav presents the first comprehensive investigation of Marc Chagall's life and consciousness after the classic 1961 biography by Chagall's son-in-law Franz Meyer. Harshav's narrative includes hundreds of private letters and documents written by Chagall and his contemporaries in Russian, Yiddish, French, English and other languages, translated by Benjamin and Barbara Harshav into English, and placed in their personal and historical context.
Marc Chagall on Art and Culture

Marc Chagall on Art and Culture

Benjamin Harshav

Stanford University Press
2003
sidottu
Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents for the first time a comprehensive collection of Chagall's public statements on art and culture. The documents and interviews shed light on his rich, versatile, and enigmatic art from within his own mental world. The book raises the problems of a multi-cultural artist with several intersecting identities and the tensions between modernist form and cultural representation in twentieth-century art. It reveals the travails and achievements of his life as a Jew in the twentieth century and his perennial concerns with Jewish identity and destiny, Yiddish literature, and the state of Israel. This collection includes annotations and introductions of the Chagall texts by the renowned scholar Benjamin Harshav that elucidate the texts and convey the changing cultural contexts of Chagall's life. Also featured is the translation by Benjamin and Barbara Harshav of the first book about Chagall's work, the 1918 Russian The Art of Marc Chagall.
Marc Chagall on Art and Culture

Marc Chagall on Art and Culture

Benjamin Harshav

Stanford University Press
2003
pokkari
Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents for the first time a comprehensive collection of Chagall's public statements on art and culture. The documents and interviews shed light on his rich, versatile, and enigmatic art from within his own mental world. The book raises the problems of a multi-cultural artist with several intersecting identities and the tensions between modernist form and cultural representation in twentieth-century art. It reveals the travails and achievements of his life as a Jew in the twentieth century and his perennial concerns with Jewish identity and destiny, Yiddish literature, and the state of Israel. This collection includes annotations and introductions of the Chagall texts by the renowned scholar Benjamin Harshav that elucidate the texts and convey the changing cultural contexts of Chagall's life. Also featured is the translation by Benjamin and Barbara Harshav of the first book about Chagall's work, the 1918 Russian The Art of Marc Chagall.
Marc-Antoine Caillot and the Company of the Indies in Louisiana

Marc-Antoine Caillot and the Company of the Indies in Louisiana

Erin M. Greenwald

Louisiana State University Press
2016
sidottu
Between 1717 and 1731, the French Company of the Indies (Compagnie des Indes) held a virtual monopoly over Louisiana culture and trade. Among numerous controls, its administrators oversaw the slave trade, the immigration of free and indentured whites, negotiations with Native American peoples, and the purchase and exportation of Louisiana-grown tobacco. In Marc-Antoine Caillot and the Company of the Indies in Louisiana, Erin M. Greenwald situates the colony within a French Atlantic circuit stretching from Paris and the Brittany coast to Africa's Senegambian region to the West Indies to Louisiana and back. Focusing on the travels and travails of Marc-Antoine Caillot, a company clerk who set sail for Louisiana in 1729, Greenwald deftly examines the company's role as colonizer, developer, slaveholder, commercial entity, and deal maker.As the company's focus shifted away from agriculture with the reversion of Louisiana to the French crown in 1731, so too did the lives of the individuals whose fortunes were bound up in the company's trade, colonization, and agricultural mission in the Americas. Greenwald's micro historical focus on Caillot provides an engaging narrative for readers interested in the culture and society of early Louisiana and its place in the larger French Atlantic world.
Marc-Antoine Charpentier's "Pestis Mediolanensis" (The Plague of Milan)
The Plague of Milan (c. 1680) is commonly called an oratorio but is best described as a motet. The text, a description of the charitable acts of the Bishop of Milan during the bubonic plague of 1576, is based on Charpentier's holograph manuscript and includes a full score for soloists, double chorus, winds, and strings. This edition includes an analysis of the music and text, a translation of the test, a discussion of editorial problems, and a collection of writings on the work.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Marc-Francois Beche's Collection of Eleven Grands Motets by Esprit-Joseph-Antoine Blanchard (1696-1770)
Esprit-Joseph-Antoine Blanchard, a contemporary of Jean-Philippe Rameau, is regarded as a representative composer of religious music in eighteenth-century France. This book focuses on the eleven "grands motets" selected by Marc-Francois Beche, a highly esteemed singer of the Chapelle Royale, who had firsthand experience of Blanchard's music performed during the king's mass at Versailles. The author provides a comprehensive examination of Blanchard's finest motets by exploring concepts and ideas that are appropriate in illuminating the composer's musical style. He also discusses in detail various issues pertinent to the liturgical context and performance of this repertoire."
Marc Simmons of New Mexico

Marc Simmons of New Mexico

Phyllis S. Morgan

University of New Mexico Press
2005
sidottu
New Mexico's best known and most distinguished historian, Marc Simmons, is also fully deserving of the epithet maverick, a term that originally referred to a calf that had strayed from the herd and that is also used to describe a person who takes an independent path in his life, work, and philosophy. An independent scholar who has published at least 42 books, as well as over 1,400 magazine and newspaper articles, over 50 scholarly articles, and 74 chapters or introductions in books by other authors, Simmons is equally remarkable for his lifestyle. He lives in a house he himself built, writing all his books on a manual typewriter because he has forsworn electricity and other modern conveniences. Simmons is internationally recognized as an authority on Spanish Colonial New Mexico, the Santa Fe Trail, the life and times of Kit Carson, and the Spanish documentary records that are the source for so many of his writings. He is known for his determination to write narrative history for general readers rather than speaking strictly to a scholarly audience.Phyllis Morgan presents a biographical essay, a sampling of his writings, and a comprehensive bibliography that traces Simmons's work into 2004. Her work will be essential for all collections and collectors specializing in Marc Simmons or the Southwest.
MARC 21 for Everyone

MARC 21 for Everyone

Deborah A. Fritz; Richard J. Fritz

ALA Editions
2002
nidottu
Evolving from paper ""card catalogues"", MARC (MAchine Readable Catalog) records make the vast network of information-sharing, interlibrary loans, system and consortia data communication possible. MARC records, created in tandem with the Anglo-American Cataloguing Rules, hold the keys to information for librarians and library users alike. Using common conventions and a shared language of tags, subfields, indicators and codes, MARC 21 - the latest code at time of publication - is a powerful integrated record format packed with information so all librarians can do their work more effectively. Covering both the big-picture fundamentals and the basics of nuts-and-bolts details, this volume offers an introduction to MARC 21. Including self-assessment tools such as quizzes, tables, and many examples of tags and subfields, it addresses: how to search MARC records; what the terms and codes mean; how different library departments use MARC; and how MARC record data should be presented to end users.
Marc Quinn

Marc Quinn

Jefferson Hack; Shirley Ngozi Nwangwa

RIZZOLI INTERNATIONAL PUBLICATIONS
2024
sidottu
Recognised as one of the leading artists of his generation, Marc Quinn is not easily reduced to convenient labels. The most comprehensive book on Quinn to date, Self, You, and the World traces the artist’s three-decades-long fascination with the multifaceted experience of being human.Marc Quinn came to international attention in 1991 with Self, a cast of his head made from his own frozen blood. His early explorations of the self would soon broaden to wider reflections on the experiences of others. Prominent in this shift was his acclaimed 2005 sculpture Alison Lapper Pregnant, exhibited on the Fourth Plinth of London’s Trafalgar Square. Quinn has since engaged with a number of urgent social and environmental issues through diverse materials and techniques that frequently animate connections between art and science, wrestling with the dichotomies of beauty and ugliness, the physical and the spiritual, the eternal and the mortal. This seminal overview features many of his most celebrated works alongside conversations with past sitters and fellow thinkers Ai Weiwei, Titus Kaphar, Alison Lapper, Kate Moss, Nella Ngingo, and Jen Reid, painting a picture of an artist insatiably curious about the world that surrounds him.
Marc Bolan

Marc Bolan

Welch Chris; Simon Napier Bell

Plexus Publishing Ltd
2008
nidottu
Released to coincide with the 30th anniversary of Marc Bolan's death, on the 16th September 2007. PREVIOUSLY ANNOUNCED IN MAY 2007 BUYERS' GUIDE, NOW WITH PRE-PUBLICATION DISCOUNT.
Marc Bolan Killed in Crash

Marc Bolan Killed in Crash

Ira A Robbins

Trouser Press Books
2020
pokkari
London, 1972: An ordinary schoolgirl is pulled into the world of a fading rock star and becomes the secret weapon in a plan to revive his career in the time of glam. The mysteries of sex and songwriting, connivance, fame, family and the music business collide to bring her to a life she has never imagined. With a detailed and knowing historical background, Marc Bolan Killed in Crash is a musical romp through an all-but-forgotten pop era by a veteran American music journalist.Praise for Marc Bolan Killed in Crash: "Ira Robbins brings a lifelong immersion in pop music's wish fulfillment to this detailed and note-perfect recreation of a glitter-tinged moment of generational transformation in pre-punk 1970s England. He plays his characters like members of a band, each with their own verse and chorus, I found myself waiting for the soundtrack to come, singing along."-Lenny Kaye, Patti Smith Group guitarist, journalist, author, producer"With the U.K. glam-rock craze of the '70s as his gorgeous, glorious backdrop, Ira Robbins deftly explores the intersection where pop culture, society, and individualism meet. He's written a smart, lively, finely wrought novel that's packed with prose so glittery it positively sparkles."-Doug Brod, former Editor in Chief of SPIN"A deep, abiding love of music and an inexhaustible knowledge of it blend seamlessly in Ira Robbins' moving new novel, Marc Bolan Killed in Crash. He unerringly explores the endless shadings of the English glam-rock scene of the Seventies and why it meant -- and continues to mean -- so much. He is an astute, feeling writer who effortlessly summons the zeitgeist of that time -- and, intriguingly, ours as well."-Anthony DeCurtis, author of Lou Reed: A Life"Transporting us from glam to punk to corporate offices, with period-perfect jargon and keen details about the way the music business manipulates fantasy and reality, Ira Robbins' rollicking Marc Bolan Killed in Crash isn't just the poignant tale of the way musicians and fans alike are swept up in the power of pop music, it's a also novel that reads like history."-David Browne, author of Fire and Rain: The Beatles, Simon & Garfunkel, CSNY, James Taylor and the Lost Story of 1970."Ira Robbins, one of the great American Anglophiles of rock writing, has written a shrewd and witty novel about the business of pop - the manufacture of glamour - in the benighted early '70s Britain of Bolan and Chinnichap."-Barney Hoskyns, author of Small Town Talk, Hotel California, Across the Great Divide, Waiting for the Sun and Editorial Director of Rock's Backpages"You want to inhabit the music world of the '70s? Who better as a guide than esteemed rock journalist Robbins, who's written a feverishly fresh read. From the desperately fading rock stars and their hangers-on to the excitement of the new sound, Marc Bolan Killed in Crash is both a coming of age story of a talented young woman and of a new music moment."-Caroline Leavitt, New York Times bestselling author of Pictures of You, Is This Tomorrow and Cruel Beautiful World"The authentic teenage voice is one of the most difficult feats in fiction as it can so easily veer into contrivance or outright cringe, but Ira Robbins nails it. The sense of time and place is deftly evoked and the story pulls you through from the beginning. Top shelf stuff.-Frank Portman, author of King Dork, King Dork Approximately and Andromeda Klein"In Marc Bolan Killed in Crash, Ira Robbins evokes the mood and mystery of the 70's Glam Rock n Roll zeitgeist."-Clem Burke, Blondie drummer
An Illustrated History of Music / by Marc Pincherle; Translated by Rollo Myers
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.