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1000 tulosta hakusanalla Marcel Drouets

Marcel Proust

Marcel Proust

Edward J. Hughes

Cambridge University Press
2010
pokkari
Proust's work may sometimes offer a picture of intellectual confidence. But not enough had previously been said about the crisis of hypersensitivity in many of Proust's characters. This 1983 book attempted to fill that gap, and as such should interest all students of Proust. In A la recherche, Proust deliberates on the separation between the troubled artist and the simple, sometimes primitive sensibility of others. It is a separation that many critics have viewed as inevitable. In this book, however, Dr Hughes shows that Proust is constantly exploring the divide, and finally succeeds in harmonising simplicity and complexity - in the unlikely form of music. In this way, several areas of Proust's novel are brought into prominence that would usually have been ignored - for example, his nostalgic depictions of animal life. This book provides a synthesis of these and related experiences: as such it offers a reappraisal of Proust's view of human awareness.
Marcel Duchamp's Fountain in Context
Marcel Duchamp's Fountain has been cited as the most important art 'work' of the Twentieth century. This book gives essential background to any understanding of Duchamp and his art. Duchamp's French language, literary precedents and historical context frame the Fountain and give new insights into it's meaning, or lack thereof...
Marcel Duchamp and Francois Villon

Marcel Duchamp and Francois Villon

Lyn Merrington

ARE PRESS
2020
pokkari
Marcel Duchamp's older artist brothers Jacques Villon and Raymond Duchamp Villon chose to rename themselves after the cheeky mediaeval poet Francois Villon. They were key in the formation of Marcel's ideas, both in his agreement with them and reaction to their actions. Despite this there are to date no studies of Francois Villon's work and its relation to Marcel Duchamp. This in depth study reveals surprising correlations both in attitude and method. It discusses several readymades and explains Duchamp's use of French linguistic nuance clearly. Above all with his humor in mind.
Marcel Mauss

Marcel Mauss

Marcel Fournier

Princeton University Press
2015
pokkari
This book is the first intellectual biography of Marcel Mauss (1872-1950), the father of modern ethnology and a leading early figure in the French school of sociology. Mauss left a rich intellectual legacy in the social sciences, influencing the work of Claude Levi-Strauss and others. His masterpiece, the 1925 essay The Gift, on reciprocity and gift economies among archaic societies, remains required reading in anthropology, and his work more broadly resonates today with students and scholars in fields from the history of religion to sociology. Mauss taught the first generation of French field researchers in anthropology and helped secure the legacy of his uncle, emile Durkheim, the founder of modern sociology. In Marcel Mauss: A Biography, Marcel Fournier situates Mauss's ideas in their biographical context, focusing not only on the details of Mauss's life but also on the people and the academic milieus with which he was associated in early twentieth-century France. He shows how Mauss--through his writings, teaching, and socialist politics--found himself at the center of the intellectual and political life of his country and of Europe through two world wars. The book addresses, among other topics, the effect of the Dreyfus Affair and the First World War on Mauss's thought, and the inner dynamics of the group of scholars around Mauss and Durkheim at the journal they helped establish, Annee Sociologique. The fruit of vast research, Marcel Mauss: A Biography is the life story both of a legendary scholar and of the institutionalization of sociology and anthropology.
The Author of Himself: The Life of Marcel Reich-Ranicki

The Author of Himself: The Life of Marcel Reich-Ranicki

Marcel Reich-Ranicki

PRINCETON UNIVERSITY PRESS
2020
nidottu
Marcel Reich-Ranicki is remarkable for both his unlikely life story and his brilliant career as the "pope of German letters." His sublimely written autobiography is at once a fascinating adventure tale, an unusual account of German-Jewish relations, a personal rumination on who's who in German culture, and a love letter to literature. Reich-Ranicki's life took him from middle-class childhood to wartime misery to the heights of intellectual celebrity. Born into a Jewish family in Poland in 1920, he moved to Berlin as a boy. There he discovered his passion for literature and began a complex affair with German culture. In 1938, his family was deported back to Poland, where German occupation forced him into the Warsaw Ghetto. As a member of the Jewish resistance, a translator for the Jewish Council, and a man who personally experienced the ghetto's inhumane conditions, Reich-Ranicki gained both a bird's-eye and ground-level view of Nazi barbarism. Written with subtlety and intelligence, his account of this episode is among the most compelling and dramatic ever recorded. He escaped with his wife and spent two years hiding in the cellar of Polish peasants--an incident later immortalized by G nter Grass. After liberation, he joined and then fell out with the Communist Party and was temporarily imprisoned. He began writing and soon became Poland's foremost critical commentator on German literature. When Reich-Ranicki returned to Germany in 1958, his rise was meteoric. In short order, he claimed national celebrity and notoriety as the head of the literary section of the leading newspaper and host of his own television program. He frequently flabbergasted viewers with his bold pronouncements and flexed his power to make or break a writer's career. His list of friends and enemies rapidly expanded to include every influential player on the German literary scene, including Grass and Heinrich B ll. This, together with his keen critical instincts, makes his memoir an indispensable guide to contemporary German culture as well as an absorbing eyewitness history of some of the twentieth century's most important events.
Marcel Proust

Marcel Proust

George D Painter Painter

VINTAGE
1996
pokkari
' Raymond Mortimer. ' Anthony Powell. ' Angus Wilson. With A LA RECHERCHE DU TEMPS PERDU Marcel Proust achieved a perfect rendering of life in art, of the past created through memory. George Painter's work has brilliantly captured the life of the great writer in a TOUR DE FORCE of scholarly research and literary craft.
Marcel Pagnol

Marcel Pagnol

Brett Bowles

Manchester University Press
2012
sidottu
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné.In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Marcel Carné

Marcel Carné

Jonathan Driskell

Manchester University Press
2012
sidottu
This book provides a scholarly yet accessible account of the work of Marcel Carné, one of the great directors of classical French cinema and the key figure behind the poetic realist film movement of the 1930s. His films, a number of which were made in collaboration with the poet-turned-scriptwriter Jacques Prévert, include such well-known works as Le Quai des brumes, Le Jour se lève and Les Enfants du paradis. As the first book to be written on Carné for a number of years, it offers a fresh perspective on his cinema, particularly through a re-examination of his post-war work – although many of these films were very popular and offer a fascinating insight into France at the time, they have, until now, largely been neglected.Adopting a carefully crafted aesthetic, his films explore a tension between pessimism and entrapment on the one hand, and transcendence, idealised romantic love and a populist celebration of working-class life on the other. His career traversed key moments in French cinema, including poetic realism, the tradition of quality and the French New Wave, and spanned important historical moments such as the Popular Front of the 1930s, the Second World War and France’s post-war modernisation. This book will be of interest to scholars, students and film-lovers alike.
Marcel Proust in the Light of William James

Marcel Proust in the Light of William James

Marilyn M. Sachs

Lexington Books
2013
sidottu
For a century now, scholars have searched for the “source” of Marcel Proust’s startlingly innovative novel À la recherche du temps perdu. Some have pointed to Henri Bergson, Sigmund Freud, or Paul Sollier. Others have referenced the novels of Henry James. But no one has focused on the more significant influence of the writings of Henry’s older brother, the psychologist and Harvard professor William James. A close comparison reveals the degree to which Proust’s novel stems from James’s psychological and philosophical theories. William James was a prominent member of the scientific, medical and philosophical communities in Proust’s Paris and was close friends with two men well known to Proust. His works were translated into French and reviewed in French journals and newspapers. This book discloses how Proust likely became familiar with William James and illustrates how James’s writings were key to Proust’s ability to craft the book he had been trying to write, extending even to his use of similar language and imagery and a narrative schema that arguably mimics James’s descriptions of consciousness, perception, and memory. Proust’s hero assiduously explores the vague, uncertain, relational aspects of experience, the trials and comforts of habit, the salvational potential of memory, the “moral” aspects of personal history teeming with impression and desire—these are the truths of human psychology and behavior theorized by William James and made fictional flesh in Proust’s rendition of lived experience.
Marcel Proust's Grasset Proofs

Marcel Proust's Grasset Proofs

Douglas Alden

The University of North Carolina Press
1978
nidottu
Douglas Alden provides scholars of Proust a practical means of access to the Grasset Proofs, which include Du cote de chez Swann, A l'ombre des jeunes filles en fleurs and Le Cote de Guermantes. Alden guides the reader in approaching Proust's only work available in its pre-publication form by dividing his book into two sections. His Commentary offers an analysis of the changes Proust made to his work, and his Variants shows the 1913 and 1914 proofs in discourse with the Pleiade edition.
Marcel Duchamp

Marcel Duchamp

Calvin Tomkins; Adina Kamien Kazhdan

Gagosian/Rizzoli
2015
sidottu
A catalog documenting an exhibition of Marcel Duchamp's editioned readymades at Gagosian Gallery, New York, replicating his American debut at Cordier and Ekstrom in the same building in 1965 and including new essays.
Marcel Broodthaers

Marcel Broodthaers

Christophe Cherix

Museum of Modern Art
2016
sidottu
The catalog for the Museum of Modern Art's acclaimed Broodthaer's exhibitionMarcel Broodthaers' extraordinary artistic output placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussel shells, eggshells and books of his own poetry, to his most ambitious project, the Mus e d'Art Moderne, D partement des Aigles (Museum of Modern Art, Department of Eagles), and the D cors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany Broodthaers' first retrospective in New York, this volume examines the artist's work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H.D. Buchloh, Jean Fran ois Chevrier, Thierry de Duve and Doris Krystof, provide historical and theoretical context for the artist's work. The book also features new translations of many of Broodthaers' texts.Marcel Broodthaers (1924-76) worked as a poet and critic until the age of 40, when he declared himself a visual artist. Over the next 12 years, he moved between Brussels, his birth city, and D sseldorf and London. From 1968 to 1972 Broodthaers operated the Mus e d'Art Moderne, D partement des Aigles, an itinerant museum devoted to the exploration of the role of the institution itself and the function of art in society.
Marcel Pursued by the Hounds

Marcel Pursued by the Hounds

Michel Tremblay

Talonbooks
1996
pokkari
An extended tour de force with no act or scene breaks, Marcel Pursued by the Hounds examines how our "innocent" childhood games and fantasies can come back to haunt us in adult life, full of the dangers and realities that were invisible to us as children. An extended dialogue between the characters Marcel (one of the main characters in Tremblay's novel The First Quarter of the Moon) and Therese (one of the main characters in the novel Therese and Pierrette and the Little Hanging Angel), illuminated by a chorus of the fates, it is Michel Tremblay's toughest, most uncompromising play to date. Cast of 4 women and 1 adolescent male.
Marcel & Me: A Memoir of Love, Lust, and Illusion

Marcel & Me: A Memoir of Love, Lust, and Illusion

Paulette Frankl

Lightning Rod Publications
2014
nidottu
A young divorc e, searching for creativity and her true nature, meets the world's greatest mime, Marcel Marceau, backstage after a performance. Attracted to each other, they write and speak on the phone. He invites her on a one-week blind date that develops into a thirty-six-year liaison of love, lust, and illusion. This book is about what happens when the mistress of fantasy meets the master of illusion. Written in the language of the heart, this story has depth of soul. It is funny, erotic, poignant, and filled with wisdom about life, fame, and relationship. It is about the profound longing for union and the ferocious need for independence, being simultaneously vulnerable and daring. Marcel is portrayed onstage and off, as a friend and lover. Frankl unmasks the genius and humanizes the man. Marcel & Me contains original art by both the author and Marceau, as well as photos, along with a richly evocative read that, in the end, is real.