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1000 tulosta hakusanalla Marcia McCartt
Title: Marcia: who is her mother? A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Gunthorpe, Louisa M.; 1879. 3 vol.; 8 . 12640.b.2.
Marcia Resnick
Frank H. Goodyear; Lisa Hostetler; Casey Riley; Laurie Anderson
YALE UNIVERSITY PRESS
2022
sidottu
Illuminating the photographer’s contributions to New York’s Downtown art scene and her acute feminist work Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era’s major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene’s mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist’s career, this richly illustrated volume explores Resnick’s early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist’s work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick’s photography.Published in association with the Bowdoin College Museum of Art, George Eastman Museum, and Minneapolis Institute of ArtExhibition Schedule:Bowdoin College Museum of Art, Brunswick, ME (February 24–June 5, 2022)Minneapolis Institute of Art (August 13–December 11, 2022)George Eastman Museum, Rochester, NY (February 10–June 18, 2023)
Marcia's Life Application Bible: A Living Translation
Marcia Zubradt-Cheevers
Not Saved to Be Silent Publications
2014
nidottu
Marcia Muller and the Female Private Eye
McFarland Co Inc
2008
pokkari
In 1977, Marcia Muller invaded the all-male domain of detective literature and within a decade was established as the mother of the female hardboiled private eye. She is now the author of four detective series, including the critically acclaimed Sharon McCone series of more than two dozen novels. This collection critically assesses Marcia Muller's writing and reevaluates current critical views on women's detective fiction in general. In the first two of the book's three sections, essays explore Muller's engagement with modern and postmodern feminism, ethnicity, and the socially underprivileged. The third section focuses on one of Muller's major themes, the trauma of history. Drawing from the feminist, historicist, mythic, psychoanalytic, and cultural approaches found in all three sections, the conclusion offers a panoramic perspective on Muller's accomplishments.
This is a story about love and hope, and like every good story, it has to have a villain. Our villain was cancer. Marcia and I eloped on Valentine's Day, 1986. When a marriage starts like that, it also ends with as much passion as its beginning. There is never, ever enough stories to tell about this woman who was never bored or boring. She embraced life, love, and most of all, me. At least that's how I always felt-but I bet there are a lot of folks who felt they also came first with her-'cause that's how she was. And in the course of her life she literally touched thousands of people-from celebrities like Roseanne, who sent flowers and called, to photographers around the world who became lifelong friends. And so many others. All of whom we shared so very much with. I think it resonated with so many folks because it wasn't a story about cancer-but about love. And that's something always worth sharing. This story is simply a snapshot of this struggle and fear and hope. There's no real before. Our world shrinks when we are ill-and ours shrank a lot. So here is a summary of my posts-now all in one place. A tribute to Marcia Gold, 1952-2018.
Una ricostruzione dell'ascesa politica di Silvio Berlusconi e dei suoi contatti determinanti con il Vaticano e le cerchie affaristiche legate all'ENI
Beaders will rejoice in this long-awaited new collection from world-famous teacher and designer Marcia DeCoster. DeCoster has devised 24 stunning beadwoven jewellery projects that showcase dynamism and movement - from a simple drop that swings from chains to elaborate pieces with intricate components that spin around a core of beads or along a beaded base. They're playful, delightful and inspirational!
Marcia Gates: Angel of Bataan
Melissa Bowersock
Createspace Independent Publishing Platform
2011
nidottu
Marcia L. Gates was an Army nurse and prisoner of war during WWII. As an "Angel of Bataan," she spent three years in a Japanese internment camp in the Philippines. This is her award-winning story, told through her letters and the newspaper clippings, photos and letters collected by her mother.Watch the book trailer here: http: //www.youtube.com/watch?v=ym4AmLynvfo&feature=g-upl
My memoir is a snapshot. You know how it is when you see yourself in a snapshot. Don't you usually look at yourself and judge whether it is a flattering picture of you or not? I recognize that those who might read my memoir, my snapshot, might have a different view of the story than the one I tell. Inevitably each perspective offers its own, sure version of events.I wrote and reviewed these stories, some as brief as to be vignettes, looking for clues of what I was and what I have become. One characteristic I notice is how I learned to become independent during my college years in all that was going on then. When Nick and I were in our first year of marriage, he happened to notice a letter changing our car insurance from one company to another. He wondered why I hadn't talked to him about this. I replied that I had checked different companies' policies and decided this one was the best. Nick took hold of my shoulders tenderly and looked at me with love. "You don't have to do everything alone anymore. We're partners." It was easy to lean on one another.Another characteristic I see developing from a family-learned sense of empathy is a willingness to insert myself into others' lives and situations. I hope each person knows that this has been done in love.
Set in the industrial town of Middleton, to the north of Manchester, MARCIA tells the story of a first-love that continues to haunt two people long after their lives have gone in different directions. Recording the rituals and intimacies of courtship and marriage, the novel evokes the changing faces of Middleton through four decades as it moves towards its post-industrial present.
God Divined All that is Marcia Batiste
Marcia Batiste
Createspace Independent Publishing Platform
2013
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