Academic Crowdsourcing in the Humanities lays the foundations for a theoretical framework to understand the value of crowdsourcing, an avenue that is increasingly becoming important to academia as the web transforms collaboration and communication and blurs institutional and professional boundaries. Crowdsourcing projects in the humanities have, for the most part, focused on the generation or enhancement of content in a variety of ways, leveraging the rich resources of knowledge, creativity, effort and interest among the public to contribute to academic discourse. This book explores methodologies, tactics and the "citizen science" involved.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
From the Introduction In the past, it always seemed strange to me when someone said "I'm a poet." My reaction was that, well really, no one is a poet. I suppose this is an unusual thought coming from someone who writes poetry. But it comes from the feeling that remains with me today - that I don't write poems as much as they write me. My job is to listen and hold the pen. But if the poem writes the poet, then that changes who is or isn't a poet, doesn't it? As human beings, we have language built into our fiber. All of us can write poems if we listen to that voice - whether it speaks from within or without - it's there for all of us. I believe that poetry can do things for us that other forms of writing and, for that matter, the other arts can't do. The ability to be intimate and personal, and yet also shared and universal is something other forms can't quite match. There is something about the portability of a poem that I find serves me well in life. In that spirit, I offer this invitation. Come inside. A crowd of joy is waiting at the door.
One night Mark Cocker followed the roiling, deafening flock of rooks and jackdaws which regularly passed over his Norfolk home on their way to roost in the Yare valley.
1593. Queen Elizabeth's trusted spymaster Walsingham has been dead for two years...As plague sweeps through the streets and stews of London, so suspicion and mistrust sweep through the court and government. No one feels safe. Even the celebrated swordsman, adventurer and philanderer, Will Swyfte, must watch his back.It is when his best friend and colleague, the playwright Christopher Marlowe, is killed in a pub brawl that Will decides he must act. The murder has all the hallmarks of an assassination. But in going in search of Kit's killer, he discovers that there are those in positions of power and influence who are not what they seem...Against a backcloth of growing paranoia and terror, Will detects the malign machinations of England's hidden enemy, the Unseelie Court. With these devils at his back, the country's greatest spy may find that even his vaunted skills are no match for the supernatural powers arrayed against him. The choice is simple: uncover the true nature and intention of this vile conspiracy - or face the executioner's axe...
Set a thief to catch a thief. Set a monster to punish monsters. The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies – The Kindly Ones – against whom even the gods hesitate to stand. Each year one hundred girls are sold to the Academy. Ten years later only three emerge. The Academy’s halls run with blood. The few who survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws. Only the most desperate would sell their child to the Kindnesses. But Rue … she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman’s doorstep. That was a mistake.
In the late eighteenth and early nineteenth centuries, urbanisation ‘revolutionised’ English society as much as industrialisation. Central to this urbanising process, and the civic culture it inspired, was the bringing together of people in large numbers - to celebrate, commemorate, vilify or validate. Contemporary observers found the power and potential of urban crowds both awesome and alarming. They witnessed the capacity of the masses to confer honour and prestige upon a proud city elite or, by turning hostile, to bring civic ruin. Yet this ambivalent relationship between the individual and the crowd, which resonates through not only the nineteenth century but all human history, has remained generally ignored by historians. They have regarded crowds almost exclusively as a riotous, disruptive and protesting force. This book, which is the first systematic historical study of mass phenomena, challenges such preconceptions and re-defines the place of the crowd in history.
The survivor of a brutal academy must exhume her own past in the first book in a new series from the international bestselling author of the Library Trilogy and the Broken Empire series. Set a thief to catch a thief. Set a monster to punish monsters. The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies--known as the kindly ones--against whom even the gods hesitate to stand. Each year a hundred girls are sold to the Academy. Ten years later only three will emerge. The Academy's halls run with blood. The few that survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws. Only the most desperate would sell their child to the Kindnesses. But Rue ... she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman's doorstep. That was a mistake.
Do you know where your money is? More importantly, do you know what your money is doing? Most of us feel confident that we know what money is. But few of us feel confident in taking responsibility for what our money does. We hand over the power of money to banks and mainstream finance with real, often damaging, consequences for people and planet. A unique collaboration between an academic and a practitioner, this book tells the story of money, from ancient Athens to the Bitcoin revolution, to explain how crowdfunding is the way for people to reclaim the power of their money in pursuit of a fairer and greener society.
Award-winning cricket writer Mark Peel charts the development of the England captaincy - from the autocratic captains of the post-war years to the dual captaincy of the present, where power is shared between captain and coach. Peel examines the huge demands the England captaincy imposes on the occupant and why few leave office with their reputation enhanced. You'll learn about the long-lasting legacy of the Hutton captaincy of the mid-1950s, the downfall of mavericks such as Brian Close, Tony Greig and Mike Gatting, the success of the Illingworth and Brearley eras and the chaos of the 1980s, when captains came and went with regular abandon, and finally the glory years of Michael Vaughan and Andrew Strauss. The Hollow Crown contains individual portraits of the 43 England captains, exploring their background, philosophy, strengths, weaknesses and the legacy they left, with special attention given to the likes of Hutton, May, Illingworth, Brearley, Atherton, Hussain, Vaughan and Strauss.
Set in the simpler days of the early 1970s, "And Still the Crows Laugh" is the story of two friends who grow together through their first loves, family difficulties, and their own inward journeys. Through no conscious choices of their own, the boys confront life-altering obstacles. David becomes lost in a world induced by psychedelic drugs, and Ashton unknowingly becomes a member of a clan of crows. With the help of an aged medicine woman, his own recovered ancient memories, and his animal spirits, Ashton enters the underworld and is able to save his friend. David and Ashton get into mischief, solve mysteries, meet a troll, fight monsters, and learn that things are not always what they appear to be. But most importantly, they discover that life is rarely black-and-white and that simply taking the time to listen to the ancient truths they already know may just be the key they need to find happiness.
Set in the simpler days of the early 1970s, "And Still the Crows Laugh" is the story of two friends who grow together through their first loves, family difficulties, and their own inward journeys. Through no conscious choices of their own, the boys confront life-altering obstacles. David becomes lost in a world induced by psychedelic drugs, and Ashton unknowingly becomes a member of a clan of crows. With the help of an aged medicine woman, his own recovered ancient memories, and his animal spirits, Ashton enters the underworld and is able to save his friend. David and Ashton get into mischief, solve mysteries, meet a troll, fight monsters, and learn that things are not always what they appear to be. But most importantly, they discover that life is rarely black-and-white and that simply taking the time to listen to the ancient truths they already know may just be the key they need to find happiness.
Title: The Case for the Crown in re the Wigtown Martyrs proved to be myths versus Wodrow and Lord Macaulay, Patrick the Pedler and Principal Tulloch.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Napier, Mark; Macaulay, Thomas; 1863. 8 . 9509.h.19.
