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Title: Charlotte's Inheritance. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon] ... Fifth edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, M. E.; 1868. 3 vol.; 8 . 12626.b.4.
Title: Birds of Prey. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon, afterwards Maxwell].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, M. E.; 1867. 3 vol.; 8 . 12625.c.2.
Title: Charlotte's Inheritance. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon] ... Fifth edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The NOVELS OF THE 18th & 19th CENTURIES collection includes books from the British Library digitised by Microsoft. The collection includes major and minor works from a period which saw the development and triumph of the English novel. These classics were written for a range of audiences and will engage any reading enthusiast. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, Mary Elizabeth; 1868. 3 vol.; 8 . 12626.b.4.
Title: Charlotte's Inheritance. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon] ... Fifth edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, M. E.; 1868. 3 vol.; 8 . 12626.b.4.
Title: Birds of Prey. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon, afterwards Maxwell].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The NOVELS OF THE 18th & 19th CENTURIES collection includes books from the British Library digitised by Microsoft. The collection includes major and minor works from a period which saw the development and triumph of the English novel. These classics were written for a range of audiences and will engage any reading enthusiast. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, M. E.; Maxwell; 1867. 3 vol.; 8 . 12625.c.2.
Title: Birds of Prey. A novel. By the author of "Lady Audley's Secret" i.e. Mary Elizabeth Braddon, afterwards Maxwell].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Braddon, M. E.; 1867. 3 vol.; 8 . 12625.c.2.
A captivating look at the remarkable life of this nineteenth-century suffragist, philanthropist, and reformer.Mary Elizabeth Garrett was one of the most influential philanthropists and women activists of the Gilded Age. With Mary's legacy all but forgotten, Kathleen Waters Sander recounts in impressive detail the life and times of this remarkable woman, through the turbulent years of the Civil War to the early twentieth century. At once a captivating biography of Garrett and an epic account of the rise of commerce, railroading, and women's rights, Sander's work reexamines the great social and political movements of the age.As the youngest child and only daughter of the B&O Railroad mogul John Work Garrett, Mary was bright and capable, well suited to become her father's heir apparent. But social convention prohibited her from following in his footsteps, a source of great frustration for the brilliant and strong-willed woman. Mary turned her attention instead to promoting women's rights, using her status and massive wealth to advance her uncompromising vision for women's place in the expanding United States. She contributed the endowment to establish the Johns Hopkins School of Medicine with two unprecedented conditions: that women be admitted on the same terms as men and that the school be graduate level, thereby forcing revolutionary policy changes at the male-run institution. Believing that advanced education was the key to women's betterment, she helped found and sustain the prestigious girls' preparatory school in Baltimore, the Bryn Mawr School. Her philanthropic gifts to Bryn Mawr College helped transform the modest Quaker school into a renowned women's college. Mary was also a great supporter of women's suffrage, working tirelessly to gain equal rights for women.Suffragist, friend of charitable causes, and champion of women's education, Mary Elizabeth Garrett both improved the status of women and ushered in modern standards of American medicine and philanthropy. Sander's thoughtful and informed study of this pioneering philanthropist is the first to recognize Garrett and her monumental contributions to equality in America.
The Trail of the Serpent is the debut novel by Mary Elizabeth Braddon, first published in 1860 as Three Times Dead; or, The Secret of the Heath. The story concerns the schemes of the orphan Jabez North to acquire an aristocratic fortune, and the efforts of Richard Marwood, aided by his friends, to prove his innocence in the murder of his uncle. Portraying many themes associated with the sensation novel - including violence, potential bigamy and the lunatic asylum - it has also been hailed as the first British detective novel; plot devices and elements such as the detective's use of boy assistants, the planting of evidence on a corpse, and the use of disguise to fool the criminal, were later used by this school of fiction in the twentieth century. Initially selling poorly, Braddon condensed and revised Three Times Dead on the advice of the London publisher John Maxwell; re-issued under its current title, the novel achieved greater success - it was serialized in 1864 and then reprinted several times in the following years....... Mary Elizabeth Braddon (4 October 1835 - 4 February 1915) was an English popular novelist of the Victorian era.She is best known for her 1862 sensation novel Lady Audley's Secret.Born in London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years in order to support herself and her mother. In 1860, Mary met John Maxwell (1824-1895), a publisher of periodicals. She started living with him in 1861.However, Maxwell was already married with five children, and his wife was living in an asylum in Ireland. Mary acted as stepmother to his children until 1874, when Maxwell's wife died and they were able to get married. She had six children by him, including the novelist William Babington Maxwell. Braddon was a prolific writer, producing more than 80 novels with inventive plots. The most famous is Lady Audley's Secret (1862), which won her recognition, and a fortune as a bestseller.It has remained in print since its publication and been dramatised and filmed several times. R. D. Blackmore's anonymous sensation novel Clara Vaughan (1864) was wrongly attributed to her by some critics. Braddon wrote several works of supernatural fiction, including the pact with the devil story Gerald, or the World, the Flesh and the Devil (1891), and the ghost stories "The Cold Embrace", "Eveline's Visitant" and "At Chrighton Abbey".From the 1930s onwards, these stories were often anthologised in collections such as Montague Summers's The Supernatural Omnibus (1931) and Fifty Years of Ghost Stories (1935).Braddon's legacy is tied to the sensation fiction of the 1860s. Braddon also founded Belgravia magazine (1866), which presented readers with serialised sensation novels, poems, travel narratives and biographies, as well as essays on fashion, history and science. The magazine was accompanied by lavish illustrations and offered readers a source of literature at an affordable cost. She also edited Temple Bar magazine. She died on 4 February 1915 in Richmond, then in Surrey and now in London, and is interred in Richmond Cemetery.Her home had been Lichfield House in the centre of then town, which was replaced by a block of flats in 1936, Lichfield Court, now listed. She has a plaque in Richmond parish church which calls her simply 'Miss Braddon'. A number of streets in the area are named after characters in her novels - her husband was a property developer in the area. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944).In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work....
Mary Elizabeth Braddon (4 October 1835 - 4 February 1915) was an English popular novelist of the Victorian era. She is best known for her 1862 sensation novel Lady Audley's Secret. Life and works: Born in London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years when she was befriended by Clara and Adelaide Biddle. They were only playing minor roles but Braddon was able to support herself and her mother. Adelaide noted that Braddon's interest in acting waned as she took an interest in writing novels. In 1860, Mary met John Maxwell (1824-1895), a publisher of periodicals. She started living with him in 1861. However, Maxwell was already married with five children, and his wife was living in an asylum in Ireland. Mary acted as stepmother to his children until 1874, when Maxwell's wife died and they were able to get married. She had six children by him, including the novelist William Babington Maxwell. Braddon was a prolific writer, producing more than 80 novels with inventive plots. The most famous is Lady Audley's Secret (1862), which won her recognition, and a fortune as a bestseller.It has remained in print since its publication and been dramatised and filmed several times. R. D. Blackmore's anonymous sensation novel Clara Vaughan (1864) was wrongly attributed to her by some critics. Braddon wrote several works of supernatural fiction, including the pact with the devil story Gerald, or the World, the Flesh and the Devil (1891), and the ghost stories "The Cold Embrace", "Eveline's Visitant" and "At Chrighton Abbey". From the 1930s onwards, these stories were often anthologised in collections such as Montague Summers's The Supernatural Omnibus (1931) and Fifty Years of Ghost Stories (1935). Braddon's legacy is tied to the sensation fiction of the 1860s. Braddon also founded Belgravia magazine (1866), which presented readers with serialised sensation novels, poems, travel narratives and biographies, as well as essays on fashion, history and science. The magazine was accompanied by lavish illustrations and offered readers a source of literature at an affordable cost. She also edited Temple Bar magazine. She died on 4 February 1915 in Richmond (at the time a borough in Surrey, but now part of Greater London), and is interred in Richmond Cemetery. Her home had been Lichfield House in the centre of the town, which was replaced by a block of flats in 1936, Lichfield Court, now listed. She has a plaque in Richmond parish church which calls her simply 'Miss Braddon'. A number of streets in the area are named after characters in her novels - her husband was a property developer in the area. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944). In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work.
Mary Elizabeth Braddon (4 October 1835 - 4 February 1915) was an English popular novelist of the Victorian era. She is best known for her 1862 sensation novel Lady Audley's Secret. Life and works: Born in London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years when she was befriended by Clara and Adelaide Biddle. They were only playing minor roles but Braddon was able to support herself and her mother. Adelaide noted that Braddon's interest in acting waned as she took an interest in writing novels. In 1860, Mary met John Maxwell (1824-1895), a publisher of periodicals. She started living with him in 1861. However, Maxwell was already married with five children, and his wife was living in an asylum in Ireland. Mary acted as stepmother to his children until 1874, when Maxwell's wife died and they were able to get married. She had six children by him, including the novelist William Babington Maxwell. Braddon was a prolific writer, producing more than 80 novels with inventive plots. The most famous is Lady Audley's Secret (1862), which won her recognition, and a fortune as a bestseller.It has remained in print since its publication and been dramatised and filmed several times. R. D. Blackmore's anonymous sensation novel Clara Vaughan (1864) was wrongly attributed to her by some critics. Braddon wrote several works of supernatural fiction, including the pact with the devil story Gerald, or the World, the Flesh and the Devil (1891), and the ghost stories "The Cold Embrace", "Eveline's Visitant" and "At Chrighton Abbey". From the 1930s onwards, these stories were often anthologised in collections such as Montague Summers's The Supernatural Omnibus (1931) and Fifty Years of Ghost Stories (1935). Braddon's legacy is tied to the sensation fiction of the 1860s. Braddon also founded Belgravia magazine (1866), which presented readers with serialised sensation novels, poems, travel narratives and biographies, as well as essays on fashion, history and science. The magazine was accompanied by lavish illustrations and offered readers a source of literature at an affordable cost. She also edited Temple Bar magazine. She died on 4 February 1915 in Richmond (at the time a borough in Surrey, but now part of Greater London), and is interred in Richmond Cemetery. Her home had been Lichfield House in the centre of the town, which was replaced by a block of flats in 1936, Lichfield Court, now listed. She has a plaque in Richmond parish church which calls her simply 'Miss Braddon'. A number of streets in the area are named after characters in her novels - her husband was a property developer in the area. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944). In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work.
Mary Elizabeth Braddon’s The Factory Girl (1863) was a cheap serial intended for working-class readers. The sprawling plot centres on Laura Leslie and her daughter, Dora, who are the targets of a diverse cast of villains. After Laura’s tragic death, Dora and her adoptive mother start a new life working in a cotton mill, but Dora’s beauty attracts unwelcome attention, putting them in danger. Dora is the classic factory girl, a nineteenth-century revision of the Gothic heroine. Republished in the US in both newspapers and as a book, and translated into French, the novel has been out of print since the 1860s. This edition reproduces the original Halfpenny Journal text and illustrations, and adds a scholarly introduction placing the novel in numerous cultural contexts, including the rise of sensation fiction; nineteenth-century popular theatre; the transformation of the genre of the Gothic; and the backdrop of the Industrial Revolution.
Mary Elizabeth Haldane was Naomi Mitchison's paternal grandmother ('Granniema'). Like her granddaughter, she lived to be a centenarian, raised a large family, exhibited varied talents and died beloved by a wide range of family, friends and admirers. Her children included her son Richard, who was Secretary of State for War, and then Lord Chancellor, Mitchison's father, a great scientist whose work saved many lives, and the author/editor of this slim volume, originally compiled really for family and friends, Elizabeth Sanderson Haldane, an outstanding woman who became Scotland's first woman Justice of the Peace. 'Granniema' had five step children and six of her own. Despite a sometimes painful religious upbringing, she was to achieve something near sainthood: a devout believer herself, she had a large-hearted tolerance, and encouraged liberty of thought. No one accuses her of narrowness. Born some half a century too early to achieve fame in the wider world, she nevertheless won the hearts of everyone she knew. She loved painting but was not trained. She was widowed, after a very happy marriage, for forty-eight years, for the last twelve of which she was an invalid. She was first mistress of Cloan, and a great nineteenth-century heroine.
Investigates the representation of Jewish characters in 70 of the prolific and wildly popular Mrs Braddon's novels from the mid-19th century to the eve of World War One. It considers how Braddon changes her descriptions across this timeframe and argues that these changes are reflective of the changing social and economic status of the Anglo-Jewish population.
This work has grown out of a previous study entitled Mary Elizabeth Braddon and the Jewish Question: A Victorian English Novelist and the Worlds of Anglo-Jewry, Zionism and Judaism, 1859-1913, which focused solely upon Braddon’s novels and used them as a lens through which the changes in the Anglo-Jewish community throughout her lifetime could be charted within her work. Although the study examines over seventy of her novels, any understanding of `the Jewish Question’ in relation to Braddon is incomplete without also considering the portrayal of Jewish people and Jewish customs within her periodical, Belgravia: A London Magazine (1866-1899). References to Jews, Judaism or Jewish life in general span the entire time period of the magazine.
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