This stunning graphic novel tell 4 extraordinary tales of heroism set during the World War II Normandy landings on D-Day, June 6th 1944 The biggest military operation of the Second World War. 6th June 1944 - D-Day, the allies launch a great offensive in Normandy in order to definitively rid Europe of the Nazi terror. The strategic and human scale of the operation, led by General Eisenhower, is unrivalled. No less than 160,000 men will be parachuted and land on five beaches in the northern France. Thus begins Operation Overlord
Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more.Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962—the year of To Kill a Mockingbird and The Manchurian Candidate—gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.
Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more.Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema ’62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O’Toole, and Omar Sharif. Above all, 1962-the year of To Kill a Mockingbird and The Manchurian Candidate-gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year’s Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema ’62 makes a strong case that the movies peaked in the Kennedy era.
Managing your money can be stressful. And confusing and complicated advice from the financial industry just makes it harder. But as the authors of this clear, practical, and enlightening book - part financial guide, part expos - prove, there are just three simple rules you need to follow and only a few investment products that are necessary for an ideal portfolio. That's it. And the authors dispense with all that ''expert'' advice by deftly debunking what they call investing's Seven Deadly Temptations. By embracing commonsense solutions and rejecting investments that seem enticing but are needlessly complex, overpriced, and risky, you'll put not only yourself in a stronger position but the entire economy as well.
Over the past several decades, there's been an explosion of investment strategies, products, services, and advisors. Yet, as longtime investment industry insiders show in this powerful expose, almost all the popular investment strategies and products are based on confusion and deception and don't work, and almost all investment services and advisors cost far more than they are worth. The book first explains three simple rules of investing - and why Wall Street and most of the investment industry does not want you to know them. Then the authors examine each of the prevailing claims and recommendations espoused by investment industry professionals as well as journalists and explain, one by one, why each is wrong and not only costly to investors but also enormously enriching to investment firms and advisors. The result is the most powerful guide yet published for what investors should and should not do to protect and grow their investments.
This book takes the reader on a journey through the sensitive and often painful realities of contemporary South African life. Offering a fresh and innovative perspective on psychodynamic psychotherapy, it captures the possibilities of using psychodynamic theory in service of progressive and socially relevant application. Psychoanalysis as a long term modality is inaccessible to the average South African. In this book the authors describe how psychoanalytically orientated or psychodynamic psychotherapy can be practiced as a short-term endeavour and applied to contemporary issues facing the country. Psychodynamic work is currently undertaken by clinical psychologists, therapists, clinicians, trainers, teachers, clinical supervisors, consultants and researchers working in university settings, state hospitals, community projects, private practice and research. The debates, clinical issues, therapeutic practice and nature of research covered in the book are widely representative of the work being done in the country. The need for shorter term therapy models and evidence-based interventions is as acute in global practice as it is locally. The lessons learned in South Africa have broader implications for international practitioners, and the authors stress the potential inherent in psychoanalytic theory and technique to tackle the complex problems faced in all places and settings characterised by increasing globalisation and dislocation. The book is structured in three main sections. The first introduces contemporary issues about race, identity, disavowal and otherness viewed within an intersubejctive theoretical frame. The second section deals broadly with psychodynamic perspectives in trauma, the impact of violence on attachment, family function and individual survival, and the psychotherapeutic dilemmas these conditions raise for psychodynamically orientated therapists. The third section deals with a range of highly relevant social issues, including the complex relationship between psychoanalysis and traditional healing, the politics and psychodynamics of gendered violence, the challenge of running psychodynamic group therapy community projects with South African AIDS orphans, the intergenerational and psychodynamic processes in the proliferation of serial murder in post-apartheid South Africa and the psychodynamic potential for reparative therapy in contemporary South Africa. Psychodynamic Psychotherapy in South Africa is aimed at local and international practitioners and students, while non-specialist readers will find the text informative and accessible.
Anders Fogh Jensen; Bente Halkier; Anders Petersen; Michael Hviid Jacobsen; Ole B. Jensen; Bjørn Schiermer Andersen; Lene Tanggaard Pedersen; Anders Blok; Pernille Tanggaard Andersen; Christian Borch; Claus D. Hansen; Anders Albrechtslund; Anders Kristian Munk; Stine Thidemann Faber; Lars Tønder; Nikolaj Schultz; Jonas Toubøl; Ninna Nyberg Sørensen; Anna Ilsøe; Trine Pernille Larsen; Hjalmar Bang Carlsen; Stine Krøijer; Mia Lunding Christensen; Esben Brøgger Lemminger; Marie Haarmark Nielsen; Jonathan Holm Salka
Bogen analyserer vores samfund ramt af epidemien og ser COVID-19 som en forandrende begivenhed og et historisk brud. Bogen sporer de dybereliggende brud og de myriader af tanker og relationer, som COVID-19 har ført med sig og reflekterer over tilstedeværelsen af epidemien i en historisk kontekst. I bogens analyser aner vi nye former for magt og betragtninger om bl.a. krop, køn, by, klima og klasse. I Det epidemiske samfund opfattes samfundet som en tilstand af refleksivitet, hvis forandringspotentialer er igangsat af tilstedeværelsen af virus. Bogens bidrag er skrevet af førende danske forskere og vækker til eftertanke. Bogen er redigeret af Ole B. Jensen, professor på Institut for Arkitektur og Medieteknologi, Aalborg Universitet, og Nikolaj Schultz, ph.d.-stipendiat i sociologi på Københavns Universitet. Begge kendte for deres engagement i at åbne nye mulige tankerum.
This book by Rodge Glass, the award-winning novelist, short story writer and biographer, is the first ever detailed assessment of Michel Faber’s life and work across genre and form. It draws on intimate, wide-ranging interviews with the author over a two-year period and investigates previously unexplored archival material, from the Canongate Books records to Faber’s own personal archive, to bring fresh perspectives to light. Glass presents detailed interrogations of unpublished texts, including a novel, A Photograph of Jesus, as well as providing deep dives into Faber’s most celebrated works such as Under the Skin and The Crimson Petal and the White. Known for his hybrid creative-critical approach, Glass uses Faber’s interest in generosity and compassion in writing as a focus for this study. Grouping his works by ‘World’, the book ranges across poetry, short stories, novels and novellas to make an argument for Faber as a writer who has consistently sought to explore narrow emotional territory, that of the human instinct to seek connection with others, even if genuine connection seems unlikely or impossible. Glass draws on individual case studies across Faber’s hugely diverse body of work in a way that will be both- interesting for fans and informative for students of Faber’s writing.
This book by Rodge Glass, the award-winning novelist, short story writer and biographer, is the first ever detailed assessment of Michel Faber’s life and work across genre and form. It draws on intimate, wide-ranging interviews with the author over a two-year period and investigates previously unexplored archival material, from the Canongate Books records to Faber’s own personal archive, to bring fresh perspectives to light. Glass presents detailed interrogations of unpublished texts, including a novel, A Photograph of Jesus, as well as providing deep dives into Faber’s most celebrated works such as Under the Skin and The Crimson Petal and the White. Known for his hybrid creative-critical approach, Glass uses Faber’s interest in generosity and compassion in writing as a focus for this study. Grouping his works by ‘World’, the book ranges across poetry, short stories, novels and novellas to make an argument for Faber as a writer who has consistently sought to explore narrow emotional territory, that of the human instinct to seek connection with others, even if genuine connection seems unlikely or impossible. Glass draws on individual case studies across Faber’s hugely diverse body of work in a way that will be both- interesting for fans and informative for students of Faber’s writing.
Michel Faber's short stories are markedly diverse-the voice of each is so distinct that the book reads like an anthology of different writers. But Faber's radically inventive style fastens all fifteen stories into a compelling collection deserving of the high praise it garnered in the United Kingdom. One surreal story, "Fish," projects a futuristic world populated with fish swimming in the air. As sharks hover in abandoned corners and human zealots of the Church of the Armageddon loose their fanaticism on the innocent, it's a mother's full-time job to protect her young daughter. The title story, "Some Rain Must Fall, " tells of a substitute schoolteacher called on in a crisis, and as she encourages her pupils to express their feelings, we learn the source of the class's trouble: a devastating act that resonates with contemporary America. As Garth Morris wrote in the Mail on Sunday (London), "these are well-crafted pieces of quiet forlorn intensity in a very real world."
In this haunting, entrancing novel, Michel Faber introduces us to Isserley, a female driver who cruises the Scottish Highlands picking up hitchhikers. Scarred and awkward, yet strangely erotic and threatening, she listens to her hitchhikers as they open up to her, revealing clues about who might miss them if they should disappear. Under the Skin takes us on a heart-thumping ride through dangerous territory--our own moral instincts and the boundaries of compassion.
At the Heart of this panoramic, multidimensional narrative is the compelling struggle of a young woman to lift her body and soul out of the gutter. Michel Faber leads us back to 1870s London, where Sugar, a nineteen-year-old whore in the brothel of the terrifying Mrs. Castaway, yearns for escape into a better life. Her ascent through the strata of Victorian society offers us intimacy with a host of lovable, maddening, unforgettable characters. They begin with William Rackham, an egotistical perfume magnate whose ambition is fueled by his lust for Sugar, and whose patronage of her brings her into proximity to his extended family and milieu: his unhinged, child-like wife, Agnes; his mysteriously hidden-away daughter, Sophie; and his pious brother Henry, foiled in his devotional calling by a persistently less-than-chaste love for the Widow Fox, whose efforts on behalf of The Rescue Society lead Henry into ever-more disturbing confrontations with flesh. All this is overseen by assorted preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all stripes and persuasions. Twenty years in its conception, research, and writing, The Crimson Petal and the White is a singular literary achievement -- a gripping, intoxicating, deeply satisfying Victorian novel written with an immediacy, compassion, and insight that give it a timeless and universal appeal.
With his elegant prose and perceptive imagination, the bestselling author of The Crimson Petal and the White creates a unique, self-contained world, where the perennial human drama plays out in all its passion and ambiguity. In these acclaimed novellas, Michel Faber takes on the interior world of inventively crafted characters. "The Courage Consort" tells of an a capella vocal ensemble sequestered in a Belgian chateau to rehearse a monstrously complicated new piece. But competing artistic temperaments and sexual needs create as much discordance as the avant-garde music. In "The Hundred and Ninety-Nine Steps," a lonely woman joins an archaeological dig at Whitby Abbey and unearths a mystery involving a long-hidden murder. In "The Fahrenheit Twins," strange children, identical in all but gender and left alone at the icy zenith of the world by their anthropologist parents, create their own ritual civilization.
A monumental, genre-defying novel that David Mitchell calls "Michel Faber's second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents. It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter's teachings--his Bible is their "book of strange new things." But Peter is rattled when Bea's letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea's faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
The Crimson Petal and the White is one of the best-loved novels of recent years. Now a major BBC TV drama, it captured hearts and left readers desperate for more. In The Apple, Faber returns to Silver Street to find it still teeming with life, and conjures further tantalising glimpses of Sugar, Clara, Mr Bodley and many other favourites.
"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more. From the award-winning author of The Crimson Petal and the White and Under the Skin, this idiosyncratic and philosophical book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world.
