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1000 tulosta hakusanalla Michelle E. Lowe

A Comprehensive Guide to Hidradenitis Suppurativa

A Comprehensive Guide to Hidradenitis Suppurativa

Vivian Y. Shi; Jennifer L. Hsiao; Michelle A. Lowes; Iltefat H. Hamzavi

Elsevier - Health Sciences Division
2022
sidottu
Despite being a relatively straightforward clinical diagnosis, recognition of hidradenitis suppurativa (HS) is highly variable, and clinical management is challenging and complex. Written by the world's leading experts in HS, A Comprehensive Guide to Hidradenitis Suppurativa brings together up-to-date scientific evidence on the diagnosis, patho-mechanisms, comorbidities, and multi-faceted medical and surgical interventions for this debilitating condition-in one convenient reference. Covers every aspect of this complex skin disorder: etiology, pathophysiology, epidemiology, medical, alternative therapies, a range of surgical options, laser treatments, and comorbidities. Discusses specific patient populations such as children, women of childbearing potential, and pregnant and breastfeeding women. Because HS has higher prevalence in people of skin of color, this patient population is well-documented in the text. Offers insights into multi-disciplinary care, patient support and education, patients at risk for rapid disease progression, and clinical and translational research. Features procedural videos covering laser therapies, de-roofing procedures, excision techniques, cryoinsufflation techniques, and special wound care material selection and techniques. Includes promising future drugs and therapies that are under investigation. Identifies evidence gaps that provide a springboard to the future innovations in HS care to come. Edited and authored by global experts who have helped co-author U.S., Canadian, and European guidelines on HS. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
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Waxworks

Waxworks

Michelle E. Bloom

University of Minnesota Press
2003
sidottu
London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now, " he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802. Artists, too, have been fascinated by wax sculptures, seeing in them--and in the unique properties of wax itself--an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such "wax fictions" as Dickens's The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mad Love (1935) and House of Wax (1953). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworksoffers a provocative cultural history of this enduring--and disturbing--art form.
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Waxworks

Waxworks

Michelle E. Bloom

University of Minnesota Press
2003
nidottu
A provocative and wide-ranging exploration of wax as cultural metaphorLondon, 1921. The world’s greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. “In a thousand years you will be as lovely as you are now,” he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public’s imagination ever since Madame Tussaud established her famous museum in London in 1802.Artists, too, have been fascinated by wax sculptures, seeing in them-and in the unique properties of wax itself-an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such “wax fictions” as Dickens’s The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mystery of the Wax Museum (1933) and Mad Love (1935). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworks offers a provocative cultural history of this enduring-and disturbing-art form.
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Polygynous Marriages among the Kyrgyz

Polygynous Marriages among the Kyrgyz

Michelle E Commercio

UNIVERSITY OF PITTSBURGH PRESS
2022
sidottu
During Soviet rule, the state all but imposed atheism on the primarily Islamic people of Kyrgyzstan and limited the tradition of polygyny - a form of polygamy in which one man has multiple wives. Polygyny did continue under communism, though chiefly under concealment. In the decades since the fall of the Soviet Union, the practice has reemerged. Based on extensive fieldwork, Polygynous Marriages among the Kyrgyz argues that this marriage practice has become socially acceptable and widely dispersed not only because it is rooted in customary law and Islamic practice, but because it can also enable men and women to meet societal expectations and solve practical economic problems that resulted from the fall of the Soviet Union. Michele E. Commercio’s analysis suggests the normalization of polygyny among the Kyrgyz in contemporary Kyrgyzstan is due both to institutional change in the form of altered governmental rules and expectations and to institutional endurance in the form of persistent hegemonic constructions of gender.
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Chicago and the Making of American Modernism

Chicago and the Making of American Modernism

Michelle E. Moore

Bloomsbury Academic
2018
sidottu
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America’s great modernist writers and the nation’s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era—Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald—engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
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Chicago and the Making of American Modernism

Chicago and the Making of American Modernism

Michelle E. Moore

Bloomsbury Academic
2020
nidottu
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America’s great modernist writers and the nation’s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era—Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald—engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
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