Like many Jewish Americans, Elizabeth Ehrlich was ambivalent about her background. She identified with Jewish cultural attitudes, but not with the institutions; she had fond memories of her Jewish grandmothers, but she found their religious practices irrelevant to her life. It wasn't until she entered the kitchen--and world--of her mother-in-law, Miriam, a Holocaust survivor, that Ehrlich began to understand the importance of preserving the traditions of the past. As Ehrlich looks on, Miriam methodically and lovingly prepares countless kosher meals while relating the often painful stories of her life in Poland and her immigration to America. These stories trigger a kind of religious awakening in Ehrlich, who--as she moves tentatively toward reclaiming the heritage she rejected as a young woman--gains a new appreciation of life's possibilities, choices, and limitations.
The genesis of this poetry collection includes years of travelling and an internal journey leading to a serene California garden. The map of the stages on the journey is created by the appearances of six angels: Amor, the angel of romance, Eros, the angel of desire, Eloe, the angel of sorrow, Thanatos, the angel of death, Ellenai, the angel of consolation, and Sophia, the angel of timeless wisdom. Eros and Thanatos are Greek twins, Amor is their baby cousin. Eloe died of sorrow and Ellenai carried her on his wings in Juliusz Slowacki's romantic drama, Anhelli. Sophia needs no introductions, since she is the wise Queen, the best friend of Rumi and all Christian mystics. Maja Trochimczyk is a Polish-American poet, music historian and non-profit director based in Los Angeles.
Mark Mathabane first came to prominence with the publication of KAFFIR BOY (Touchstone 1998), which became a NEW YORK TIMES bestseller. MIRIAM'S SONG is the story of Mark's sister who remained in South Africa when his family moved to America. It is the gripping tale of a woman, representative of an entire nation, who came of age amid the violence and rebellion of the 1980s. She saw the destruction of the hated regime of apartheid and the birth of a new and Democratic South Africa. Mark writes in Miriam's voice, based on stories she told him, but he has recreated her unforgettable experience as only someone who has lived through it could. The immediacy of the hardships that brother and sister endured, from daily school beatings to near overwhelming poverty, is balanced by the beauty of their childhood observations and the true affection they had for each other. Miriam emerges as both an innocent child drawn into the war against apartheid and a strong woman forever changed by the struggles, brutality and politics of the world around her. Mark emerges once more as a writer of extraordinary ability, sensitivity and insight.
Discover the captivating world of Miriam Haskell's enduring legacy in the realm of costume jewelry that spans back to 1926 and persists to this day. Unravel the allure of her sought-after creations, which have skyrocketed in value over the years. But amid the claims of owning a genuine "Miriam Haskell" arises a pressing question: Is it truly authentic? In this authoritative and groundbreaking volume, collectors are equipped with the indispensable knowledge to make informed and astute purchasing decisions. The book delves into the minutiae of art, design, style, materials, construction, and signatures, all crucial factors for identifying and accurately dating Haskell jewelry. Dispelling myths that enable counterfeits and imitations to proliferate, this indispensable resource provides invaluable insights. A visual feast awaits readers with over 600 exquisite color photographs showcasing the most extensive collection of Haskell jewelry ever compiled. Organized by designer and delineating significant eras, the book also documents pivotal innovations, style preferences, and profound descriptions that serve as hallmark Haskell identifiers. From the curious admirer to the ardent collector and seasoned dealer, this comprehensive and authoritative guide is a treasure trove of essential information and awe-inspiring imagery. Step into the world of Miriam Haskell and let her extraordinary craftsmanship and artistic brilliance enchant you.
Create bright and colorful designs using crayons as wax. Through 251 color images, artist Miriam Joy shows how to melt the crayons and apply wax to decorate gourds and other art forms. Using less than one crayon on a gourd makes this process easy to learn, inexpensive, and practical – and it can be used on many different kinds of material. Illustrated instructions guide you through five fun projects that are intended to stir your imagination: Peacock in the Moonlight, 3 Setting Suns, Midnight Star, Southwest Dragonfly, and Eye of the Diamond. Chapters include preparing the gourd or other ground, the basics of wax design, embellishing your designs, and suppliers. A gallery of completed works will further inspire your creativity. This instructional how-to guide is a great addition to the library of any gourd artist, woodworker, or other crafter. See for yourself how fun wax can be.
She has prayed for deliverance from Egypt. But perhaps the greatest liberation happens within the heart.From the very beginning, Miriam has lived in her younger brother's shadow. Thrust into the role of protective older sister before Moses was even born, she will grow up into a woman who not only keeps her family's secret but bears the burden of leading a new nation. In her mind, she knows that she is serving both her God and her people. But in her heart, Miriam yearns for more. She longs to experience the privileges Moses has--to talk with God face-to-face. But when God finally does speak directly to her, the outcome is not at all what she expects.With her impeccable research and keen eye for detail, bestselling author Jill Eileen Smith offers this epic novel to fill in the gaps in Miriam's story, following her from childhood to motherhood, obscurity to notoriety, and yearning to fulfillment as she learns that what God promises He provides--in His own perfect timing."Smith does an excellent job of bringing her characters to life . . . A memorable and noteworthy rendering of the atmosphere and figures of the scriptures."--Booklist starred review
The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush.The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.
The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush.The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.
This issue is dedicated to the thought and writing of Miriam Hansen, whose contributions broke ground in film history, film theory, and the politics of mass culture and the public sphere. The collection focuses on the areas in which she was most influential: early cinema, its reception, and the legacy of vernacular modernism, including essays touching on the concept’s impact on contemporary thinking about Russian and Chinese cinemas. The issue also features extensive commentary on Hansen’s pioneering book Cinema and Experience, expanding on the book’s inquiry into the continuing legacy of the Frankfurt School.
