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1000 tulosta hakusanalla Monika Bramer

Monika Vol. 2: Vanilla Dolls

Monika Vol. 2: Vanilla Dolls

Thilde Barboni

Titan Comics
2017
sidottu
At the behest of Theo, Monika takes to the erotic stage alongside the Vanilla Dolls, but this new masked charade troubles her and much as it exhausts her. The Crucis Brigade lie in wait, their seductive dream of a new of a new West edging ever closer...and Monika is the only one who can stop her murderous sister, Erika! Incredible erotic thriller by Thilde Barboni, world- renowned novelist and psychologist.
Monika Rags: Birthday Girl

Monika Rags: Birthday Girl

Gabriela Gotay

Createspace Independent Publishing Platform
2017
nidottu
Monika awakes to find the little girl that she loves and used to love her is gone. Now, Monika is all alone. Her one and only wish is to run away, find a new home, maybe a new little girl who might love and keep her. She needs to go, before she's thrown or forgotten again.
Monika Huber

Monika Huber

Monika Huber

De Gruyter
2023
isokokoinen pokkari
One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photographing images from daily news reports that bear witness to protest, riots, war and violence, as well as their consequences. She saves the images digitally, prints them out and reworks them by means of painting and drawing. Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accompanied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives. Artistic exposure of media images and their rhetoric With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk
Monika Huber

Monika Huber

Monika Huber

De Gruyter
2023
isokokoinen pokkari
One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photographing images from daily news reports that bear witness to protest, riots, war and violence, as well as their consequences. She saves the images digitally, prints them out and reworks them by means of painting and drawing. Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accompanied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives. Artistic exposure of media images and their rhetoric With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk
Monika Rinck

Monika Rinck

Springer-Verlag Berlin and Heidelberg GmbH Co. KG
2023
nidottu
Aus Anlass ihrer Frankfurter Poetikvorlesungen erscheint der erste Sammelband über das Werk der Lyrikerin, Essayistin und Übersetzerin Monika Rinck. Die Aufsätze decken ein methodisch und thematisch breites Feld ab: von Close Readings bis zu subjekttheoretischen Fragestellungen, von Barockbezügen bis zur Analyse der Selbstpositionierung der Autorin im Feld der Gegenwartsliteraturen. Insbesondere geraten dabei die für die Autorin charakteristischen Grenzüberschreitungen zwischen Lyrik und Essay, zwischen poetischer Praxis und Lebensform in den Blick. Den Band rundet ein Gespräch mit der Autorin ab.
Monika Fioreschy

Monika Fioreschy

Friedhelm Mennekes

Hirmer Verlag
2014
sidottu
The Austrian artist Monika Fioreschy (b. 1947) was in search of new forms of expression when, in the course of observing heart surgery, she was inspired to use an entirely new material for her work, medical grade silicon tubing, which she uses to weave works of art filled with fluids. Injection Art presents more than 50 of these compelling pieces. Trained in the craft of classic Gobelin weaving, Monika Fioreschy first received international recognition for her large-format, abstract and very colourful wall tapestries. Approximately 15 years ago, she began to use, as a new material, medical grade silicon tubing, similar to that used to move fluids to and from the patient during operations. The tubes range in diameter from the very fine, up to the thickness of a finger. After creating the body-like woven works of art, she uses disposable syringes to fill the tubes with various fluids, such as blood, chlorophyll and the juices of fruits and plants to give the appearance of life and thus stimulate and challenge the viewer.
Monika Fioreschy

Monika Fioreschy

Hirmer Verlag
2016
sidottu
Tearing, cutting, shredding in order to reassemble the elements and create something new: strip by strip the Austrian artist Monika Fioreschy applies lengths of torn paper to her canvases, thereby creating large-format abstract works filled with a harmonious formal language and offering an unexpected wealth of detail when observed more closely. Paper is the main medium used in the new cycles of works by Monika Fioreschy, whereby the strength of her works lies in the reduction of materials and forms. Line by line our eyes follow the course of the collages; the observer is seduced into reading her art. The strict regularity of the works is interrupted by changes in colour, the arrangement of the folds, gaps and overpasting, whereby the real wealth of detail only becomes evident through intensive study. In his essay accompanying the full-page reproductions of the works, art theorist Bazon Brock explains how Fioreschy’s training in classic weaving skills can be rediscovered in these works and the role they play in the artist’s oeuvre as a whole.
Monika Fioreschy: Fields of Flow
From silicone tubes to paint, paper and threads – throughout her artistic career stretching back over more than 50 years, Monika Fioreschy has been constantly discovering new forms of expression in the tradition of the art of weaving. In addition to her textile “woven pieces”, the publication leads through the artist’s other, often completely heterogeneous work groups and also presents recent upcycled works created from older objects. Fabric, which usually provides the background for paintings, becomes the object of the picture in Monika Fioreschy’s works. Horizontal lines of colour flow through her screened picture spaces, which she always colours and weaves herself. Sometimes these abstractions are broken up by slits or acquire sculptural characteristics because of the silicone tubes, evocatively filled with blood or plant extracts. For her latest works she translates older works with nails and threads to create something new, thereby bringing them into the state of experience of today.
Monika Michalko. Here in the Real World: Cat. Kunsthalle Nürnberg
Trees and climbing vines, birds and fungi, dwellings and set-like interiors: Monika Michalko (*1982 Sokolov, Czech Republic) combines figurative and object-like, organic and ornamental, abstract, and architectural elements in her painting. Her pictorial compositions are invariably fictional: memories, phantasms, and dreamlike scenes form a painterly cosmos that is defined by its own laws. The distinctive tonality of her works further amplifies their oneiric quality. These compositions tend to be vaguely reminiscent of modernist artists such as Paul Klee, Kasimir Malevich, Giorgio de Chirico, Odilon Redon, or James Ensor. In 2023, she created her tableau vivant " Ship of Fools" . Various performers, including children and a dog, are shown against a backdrop of towering cardboard waves on the verge of breaking. Monika Michalko succeeds in creating an exhilarating balancing act between the animate and inanimate, statics and movement. The image of a ship full of fools gone astray bears a number of references to the city of Nuremberg, among them: the late medieval satirical allegory " The Ship of Fools" by Sebastian Brant (1457- 1521) was one of the most popular German-language illustrated works of the fifteenth century. Among the artists that worked with Brant in Basel on the illustrations was the young Albrecht D rer. Monika Michalko arrives at a new interpretation of the motif and presents a contemporary metaphor for the state of our chaotic world.
Monika Hauser - Nicht aufhören anzufangen

Monika Hauser - Nicht aufhören anzufangen

Chantal Louis

Ruffer Rub Sachbuchverlag
2012
sidottu
Aufgerüttelt durch die erschütternden Bilder, gründete die Frauenärztin Dr. Monika Hauser während des Bosnien-Krieges ?medica mondiale? - eine Hilfs- und Menschenrechtsorganisation von Frauen für Frauen. Denn: Krieg, Krisen und Gewalt gegen Frauen sind seit jeher untrennbar miteinanderverbunden. Immer wieder wird Gewalt - vor allem sexualisierte Gewalt- zur strategischen Kriegsführung benutzt. Die Täter lassen Frauen und Mädchen zurück, deren Seelen und Persönlichkeit tief verwundet sind, die oft nur noch funktionieren, aber nicht mehr leben. Viele von ihnen haben ihre Männer verloren; diejenigen, die allein und ohne männlichen Schutz vor den Tätern und ihren Waffen fliehen, sind in Flüchtlingslagern erneuten Übergriffen ausgesetzt oder werden gar zur Prostitution gezwungen. Diejenigen, die in ihrer Heimat bleiben, spüren schnell, dass sie auch dort als Frau keine Rechte haben. Für die zahlreichen Kriegswitwen bedeutet das die Wahl zwischen dem sicheren Tod durch Verhungern und der Prostitution, um Geld für sich und ihre Kinder zu verdienen. Besteht dann noch der ?Verdacht?, dass sie vergewaltigt und gefoltert wurden, werden Frauen und Mädchen in vielen Ländern gar von ihren Familien verstoßen. Dieses Buch erzählt die Geschichte der Monika Hauser und wie die engagierte Ärztin zu einer ebenso engagierten ?Anwältin? der von Krieg und Gewalt traumatisierten Frauen wurde. Monika Hauser erhielt für ihre Arbeit zahlreiche Preise, u. a. den Gustav- Heinemann-Preis. In den ARD-Tagesthemen wurde sie 1993 zur ?Frau des Jahres? gewählt. Sie ist eine der Frauen der Initiative ?1000 Peace Women?, die 2005 für den Friedensnobelpreis nominiert wurde.