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Neale, J: Commentary on the Psalms
Antigonos Verlag
2025
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Neale, J: Commentary on the Psalms from Primitive and Mediae
Antigonos Verlag
2025
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Neale, J: Commentary on the Psalms
Antigonos Verlag
2025
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Neale, J: Commentary on the Psalms from Primitive and Mediae
Antigonos Verlag
2025
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Zora Neale Hurston's Their Eyes Were Watching God
Oxford University Press Inc
2000
sidottu
The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out of print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters - most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century , this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.
Zora Neale Hurston's Their Eyes Were Watching God
Oxford University Press Inc
2000
nidottu
The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out of print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters - most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century , this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.
This new biography takes into account the whole woman—not just the prolific author of such great works as Their Eyes Were Watching God , Moses, Man of the Mountain, Jonah's Gourd Vine, Mules and Men, as well as essays, folklore, short stories, and poetry—but the philosopher and the spiritual soul, examining how each is reflected in her career, fiction and nonfiction publications, social and political activity, and, ultimately, her death. When we ask what animated the woman who achieved all that she did, we must necessarily probe further. Not one of the other existing biographies discusses or analyzes Hurston's spirituality in any sustained sense, even though this spirituality played a significant role in her life and works. As author Deborah G. Plant shows, Zora Neale Hurston's ability to achieve and to endure all she did came from the courage of her convictions—a belief in self that was profoundly centered and anchored in spirituality.
Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. Though she was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, her works are now frequently taught in literature courses and are widely admired for their style and substance. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. One of the most important authors of the Harlem Renaissance and one of the first black anthropologists, she received little recognition during her lifetime. She was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, and her works were largely neglected until the early 1970s. Her works are now frequently taught in literature courses and are widely admired for their style and substance. Her anthropological study,IMules and Men (1935), is a pioneering examination of Voodoo and related folklore. As a novelist, she is best known as the author of Jonah's Gourd Vine (1934) and Their Eyes Were Watching God (1937). In addition, she was a prolific journalist who contributed to the most popular magazines and newspapers of her time.Though long neglected, Hurston has become firmly established in the literary canon, and scores of books and articles have been written about her. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.
A groundbreaking collection of more than five hundred letters, written to such people as Langston Hughes, Dorothy West, Fannie Hurst, and many others, paints an intimate portrait of the enigmatic woman who became one of the greatest literary figures in American history. Reprint. 17,500 first printing.
Zora Neale Hurston, Haiti, and Their Eyes Were Watching God
Northwestern University Press
2013
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Zora Neale Hurston wrote her most famous novel, Their Eyes Were Watching God, while in Haiti on a trip funded by a Guggenheim fellowship to research the region's transatlantic folk and religious culture; this work grounded what would become her ethnography Tell My Horse: Voodoo and Life in Haiti and Jamaica. The essays in Zora Neale Hurston, Haiti, and "Their Eyes Were Watching God" persuasively demonstrate that Hurston's study of Haitian Voudoun informed the characterization, plotting, symbolism, and theme of her novel. Much in the way that Voudoun and its North American derivative Voodoo are syncretic religions, Hurston's fiction enacts a syncretic, performative practice of reference, freely drawing upon Greco-Roman, Judeo-Christian, and Haitian Voudoun mythologies for its political, aesthetic, and philosophical underpinnings. Zora Neale Hurston, Haiti, and "Their Eyes Were Watching God" connects Hurston's work more firmly to the cultural and religious flows of the African diaspora and to the literary practice by twentieth-century American writers of subscripting in their fictional texts symbols and beliefs drawn from West and Central African religions.
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
Zora Neale Hurston and American Literary Culture
University Press of Florida
2005
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Genevieve West examines the cultural history of Zora Neale Hurston's writing and the reception of her work, in an attempt to explain why Hurston died in obscure poverty only to be reclaimed as an important Harlem Renaissance writer decades after her death. Unlike other books on Hurston, this study focuses on how Hurston was marketed and reviewed during her career and how literary scholars reappraised her after her death. While her publisher's approach to marketing Hurston as an African American fiction writer and folklorist increased her popularity among the general reading public, her fellow Harlem Renaissance authors often excoriated her as an exploiter of African American culture and a propagator of black stereotypes. Eventually, the criticism outweighed the popularity, and her writing fell out of fashion. It was only after critics reconsidered her work in the 1960s and 1970s that she eventually regained her status as one of the best writers of her generation. No other book has focused on this aspect of Hurston's career, nor has any book so systematically used marketing materials and reviews to track Hurston's literary reputation. As a result, West's study will provide a new perspective on Hurston and on the ways that the politics of race, class, and gender impact canon formation in American literary culture. This study is based on numerous interviews, short fiction previously undocumented in Hurston scholarship, an innovative analysis of advertisements and dust jackets, examinations of letters by and about Hurston, and the examination of historical/literary contexts, including the Harlem Renaissance, the protest movement, the assimilationist movement, the Black Arts movement, and the rise of black feminist thought.
Zora Neale Hurston and American Literary Culture
M. Genevieve West
University Press of Florida
2025
pokkari
Investigating why Hurston's writing fell out of favor during her lifetime only to be appreciated years after her deathGenevieve West examines the cultural history of Zora Neale Hurston’s writing and the reception of her work to explain why Hurston died in obscure poverty only to be reclaimed as an important Harlem Renaissance writer decades after her death. Unlike other books on Hurston, this study focuses on how Hurston was marketed and reviewed during her career and how literary scholars reappraised her after her death.While her publisher's approach to marketing Hurston as an African American fiction writer and folklorist increased her popularity among the general reading public, her fellow Harlem Renaissance authors often excoriated her as an exploiter of African American culture and a propagator of Black stereotypes. Eventually, the criticism outweighed the popularity, and her writing fell out of fashion. It was only after critics reconsidered her work in the 1960s and 1970s that she eventually regained her status as one of the best writers of her generation. No other book has focused on this aspect of Hurston's career, nor has any book so systematically used marketing materials and reviews to track Hurston's literary reputation. As a result, West's study will provide a new perspective on Hurston and on the ways that the politics of race, class, and gender impact canon formation in American literary culture.This study is based on numerous interviews, short fiction previously undocumented in Hurston scholarship, an innovative analysis of advertisements and dust jackets, examinations of letters by and about Hurston, and the examination of historical/literary contexts, including the Harlem Renaissance, the protest movement, the assimilationist movement, the Black Arts movement, and the rise of Black feminist thought.
Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore. Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction. Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.
Zora Neale Hurston in the Classroom
Renee H. Shea; Deborah L. Wilchek
National Council of Teachers of English
2009
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Filtered through black womanist perspectives, Zora Neale Hurston: The Breath of Her Voice breaks new ground through innovation and imagination, by fusing interpretive methods in ethnographic writing and literary studies. Intrinsically referencing contemporary epistemological issues in ethnographic writing and literary canonicity, Dr. Karanja illuminates fragments of Hurston's life through an exploration of her novels and folklore collections. In doing so, she bridges disciplines to construct a postmodern text that -speaks- directly and formidably to oral literature and to the writer's and reader's collaboration in the production of textual meanings."
The Description of the Planetary Machine, for Which His Majesty Has Granted His Royal Patent. with a Brief Account of the Solar System, from ... Mr. Whiston ... by John Neale.
John Neale
Gale Ecco, Print Editions
2010
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