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227 tulosta hakusanalla Neta C Crawford
EDIFICIO DE ENERGÍA NETA CERO
Ms. Bhavana Kushwah; Ms. Harpreet Kaur Channi
Ediciones Nuestro Conocimiento
2023
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Sostenibilidad y ganancia neta de biodiversidad en ecosistemas de gran altitud
Ediciones Nuestro Conocimiento
2025
pokkari
"A Vov e a Neta" um livro emocionante que conta a hist ria de uma av amorosa e sua neta que vivem distantes, mas que mant m sua conex o por meio de videochamadas di rias durante a pandemia. A hist ria come a com a chegada da pandemia e a av , que mora em uma cidade diferente da neta, percebe que n o poder mais visit -la pessoalmente. Ent o, ela tem a ideia de se conectar com sua neta por meio de videochamadas di rias. Atrav s dessas chamadas, a av e a neta compartilham suas rotinas di rias, suas hist rias, brincadeiras e descobertas. A av ensina neta as receitas favoritas de sua inf ncia e conta hist rias sobre seus pr prios av s. A neta, por sua vez, mostra av suas pinturas e desenhos, e as duas brincam juntas, mesmo estando fisicamente distantes. Ao longo do livro, poss vel ver como a rela o entre a av e a neta se fortalece, mesmo diante dos desafios da pandemia. Elas aprendem a valorizar cada momento juntas e a encontrar formas criativas de manter sua conex o. "A Vov e a Neta" um livro emocionante e inspirador que celebra a import ncia dos la os familiares e da conex o humana, mesmo durante tempos dif ceis.
Lo Ye Kaise Neta Hain Bhai
Devotees of Sri Sri Ravi Shankar Ashram
2019
pokkari
Un estudio de la inversión institucional extranjera neta en el mercado de valores indio
Sheela Paluri; Pavan Pavan; GowriLakshmi Vanapalli
Ediciones Nuestro Conocimiento
2024
nidottu
Tres amics ben diferents / Three very different friends: l'Avi, la Néta i la Gossa / the Grandad, the Granddaughter and the Dog
Nora Planella Oliveras; Adel Enderson; Sebastia Oliveras Duran
Createspace Independent Publishing Platform
2016
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edici biling e / bilingual edition: Catal / English What is the book about? The book is a collection of 13 dialogues between a man, his granddaughter and his dog. The first chapter uses fantasy to explain why the dog can speak. In fact it is not a book of fantasy, it is a group of conversations on different themes which can be understood on three levels (that of the grandfather, the granddaughter and the dog). Within the natural conversations they deal with issues such as death, jealousy, anorexia, laziness, war, racism, female intelligence, the manipulation of history, sport, the traditions in Catalonia, the Grandfather's memories of the ways of life in the past and now. In the conversations they talk about experiences with domestic and wild animals. There are many observations about the life of pigs. They also discuss the customs of dogs and other animals. What is this book intended for? 1 To be an enjoyable way to pass the time for those who read it. 2 To increase our understanding of animals, their habits and their actions, through comparison between their world and the human world. 3 To encourage children and adolescents to think. 4 To help understand how we humans are and how we act. Who is the book for? 1 For children from 10 to 12 years old. 2 For animal lovers (young and old). 3 For foreign language teachers and students (of Catalan and English), to broaden the student's knowledge of the second language. 4 For educators and parents of students who think that children should be responsible and have their own opinions. The Authors The grandfather, a retired teacher, knows children and knows what worries them and what doesn't. He is an advocate of speaking clearly about the things that happen, so that they can go on to understand how the world is, stop to think and step out from the bubble of fantasy in which now they are made to live. The granddaughter, a secondary school student, has helped a lot with her ideas and her comments. The dog is a construction that the grandfather and granddaughter have created, to find a third innocent and amusing view of each theme. .... Qu s el llibre Un conjunt de 13 di legs entre un home gran, la seva n ta i la gossa. En el primer cap tol es recorre a la fantasia per explicar per qu la gossa parla, per no s un llibre de fantasia, sin un grup de converses a tres nivells (avi, n ta i gossa) sobre diferents temes. S'hi tracten amb naturalitat q estions com la mort, la gelosia, l'anor xia, la ganduleria, la guerra, el racisme, la intel-lig ncia femenina, la manipulaci de la hist ria, l'esport, les tradicions catalanes, els records de l'avi, les maneres de viure d'abans i les d'ara. S'hi comenten viv ncies amb animals casolans i amb animals en llibertat. Hi ha moltes observacions de la vida dels porcs. Tamb s'hi comenten fets dels gossos i d'altres animals. Qu pret n, aquest llibre? 1 Fer passar bones estones a qui el llegeixi. 2 Fer con ixer els animals, els seus costums i les seves accions, mentre es compara el seu m n amb el dels humans. 3 Acostumar els nens i adolescents a pensar. 4 Ajudar a entendre com som els humans i com actuem. A qui es dirigeix el llibre? 1 A nens i nenes de 10 a 12 anys. 2 Als amants dels animals (joves i grans). 3 A professors i estudiants de llengua estrangera (de catal i d'angl s) per ampliar coneixements de la segona llengua dels alumnes 4 A educadors i a pares d'alumnes que pensin que els fills han de ser responsables i tenir criteris propis. Els autors L'avi, mestre jubilat, coneix els nois i sap qu els preocupa i qu no. s partidari de parlar-los clar de les coses que passen, a fi que vagin comprenent com s el m n, s'aturin a pensar i surtin de l'embolcall de fantasies en qu ara se'ls fa viure. La n ta, estudiant de secund ria, l'ha ajudat molt amb les seves idees i els seus comentaris. La gossa s una construcci que han fet avi i n ta, per trobar una tercera opini i
Not Your Parents' Politics
Neta Kligler-Vilenchik; Ioana Literat
OXFORD UNIVERSITY PRESS INC
2024
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Social media has become a key space for young people to experiment with their political voice and to hone it through interaction with others. However, authors Neta Kligler-Vilenchik and Ioana Literat argue that in order to seriously consider social media as a space for youth political expression, we need to put aside conventional expectations about the forms that political expression should take. According to longstanding criteria for evaluating good citizens, political expression should be serious, focused on facts and rationality, and detached and objective. By contrast, the authors uncover political expression that is humoristic or cynical, colorful, and frequently infused with popular culture references. It is deeply emotional and often profoundly personal. If we look at this political speech through traditional lenses, we may not only miss it, but misunderstand young people's relationship to politics. Grounded in empirical research on three case studies of youth political expression on three different social media sites, Not Your Parents' Politics offers insights into the varied ways young people engage with political issues on the social media platforms most popular with youth audiences. On a theoretical level, the book offers a conceptual framework for analyzing how different platforms shape political expression through the interaction between their affordances, norms, and contents. This empirical and theoretically-based investigation sets the stage for a normative discussion, asking how the forms of expressive citizenship identified throughout the book might bolster-or hinder-democratic engagement. Ultimately, the book considers what it means to take youth political expression on social media seriously, and what the stakes are for political socialization and democratic participation.
In a groundbreaking exploration of modern Jewish literature, Neta Stahl examines the attitudes adopted by modern Jewish writers toward the figure of Jesus, the ultimate ''Other'' in medieval Jewish literature. Stahl argues that twentieth-century Jewish writers relocated Jesus from his traditional status as the Christian Other to a position as a fellow Jew, a ''brother,'' and even as a means of reconstructing themselves. Other and Brother analyzes the work of a wide array of modern Jewish writers, beginning in the early twentieth century and ending with contemporary Israeli literature. Stahl takes the reader through dramatic changes in Jewish life beginning with the Haskalah (or Jewish Enlightenment) and Emancipation, and subsequently Zionism and the Holocaust. The Holocaust and the formation of the state of Israel caused a major transformation in the Jewish attitude toward Jesus. The emergence of quasi-messianic Zionist ideas of returning to the land of Israel, where the actual Jesus was born, helped other features of the image of Jesus to become a source of attraction and identification for Hebrew poets and Hebrew and Yiddish prose writers in the first half of the twentieth century. Stahl's nuanced and insightful historiography of modern Hebrew and Jewish literature will be a valuable resource to anyone interested in the role of Jesus in Jewish culture.
The short story and the short story cycle have long been considered a marginal genre, free to make room for fresh or risk-taking voices. But in thematizing masculinity in crisis, the genre uses the premise of the marginal to elevate recuperative masculinity politics and nostalgia for traditional patriarchy.Despite the scholarly tendency to link marginal genres and marginalized voices, features of the CanLit infrastructure – including genre criticism and literary prize culture – are complicit in normalizing hegemonic masculinity and the Settler colonial project. Bearers of Risk examines how male Canadian writers mobilize the early twenty-first-century short story cycle as an illustration of post-9/11 recuperative masculinity politics, exposing the tendency to position White, heteronormative men’s viewpoints as objective. Neta Gordon introduces the civil bearer of risk, a figure who comprehends the position of men as being marked by or for failure, and who reasserts masculine authority as civil duty towards community. This book looks at contemporary experimental short story cycles, debut cycles by ethnically minoritized and immigrant writers, and cycles unified by setting, whether suburban, urban, or rural.Bearers of Risk unsettles popular notions of the inherent outsider status of the short story cycle while also scrutinizing expressions of recuperative masculinity politics through which men assert their right to reclaim the centre.
The short story and the short story cycle have long been considered a marginal genre, free to make room for fresh or risk-taking voices. But in thematizing masculinity in crisis, the genre uses the premise of the marginal to elevate recuperative masculinity politics and nostalgia for traditional patriarchy.Despite the scholarly tendency to link marginal genres and marginalized voices, features of the CanLit infrastructure – including genre criticism and literary prize culture – are complicit in normalizing hegemonic masculinity and the Settler colonial project. Bearers of Risk examines how male Canadian writers mobilize the early twenty-first-century short story cycle as an illustration of post-9/11 recuperative masculinity politics, exposing the tendency to position White, heteronormative men’s viewpoints as objective. Neta Gordon introduces the civil bearer of risk, a figure who comprehends the position of men as being marked by or for failure, and who reasserts masculine authority as civil duty towards community. This book looks at contemporary experimental short story cycles, debut cycles by ethnically minoritized and immigrant writers, and cycles unified by setting, whether suburban, urban, or rural.Bearers of Risk unsettles popular notions of the inherent outsider status of the short story cycle while also scrutinizing expressions of recuperative masculinity politics through which men assert their right to reclaim the centre.
In 2002, Vertigo/DC Comics published the first issue of Bill Willingham's Fables. The series imagined the lives of fairy tale figures--Snow White, the Big Bad Wolf, Cinderella and the ubiquitous Prince Charming, among many others--as they made new lives for themselves in modern-day New York City, having fled their storied homeworlds following an invasion. After 150 issues and many awards, Fables concluded its run in July 2015. This study, the first about the sprawling, complex series, discusses such topics as Fables' status as a contemporary adaptation of folk and fairy tales; its use of conventional genres like sword-and-sorcery, crime and romance; its portrayal of social and political relationships; and its self-referential moments. Providing a detailed introduction to the themes and ideas in the series, the author explores how Fables portrays redemption, the function of community, and how our hopes and fears influence our ideal of "happily ever after."
GROUNDED Grace Meredith is a beloved contemporary Christian recording artist whose career-and personal life-hits unexpected -turbulence. She feels grounded-in more ways than one. Grace's -fianc , bothered by her outspoken stance on purity and her near-constant travel, has broken off their relationship. Exhausted and unable to continue her current concert schedule, Grace returns home to Chicago, where she is soon stranded in a major snowstorm. Facing new questions about her future and her faith, Grace finds herself connected for the first time with the residents of her neighborhood. What she discovers in these unexpected relationships could change everything. Welcome to the Neighborhood The first in the Windy City Neighbors series, GROUNDED is an uplifting, contemporary story about ordinary people wrestling with the spiritual and practical issues of real life. The series employs the innovative storytelling technique of "parallel novels," each with its own drama and story arc, but whose characters' lives become intertwined and affect one another. GROUNDED welcomes you to Beecham Street-a typical, isolated American neighborhood that might just be a place of hope. GROUNDED was previously published in 2013 by Worthy Publishing, Brentwood, Tennessee.
"Back to bed, sir, if you please... " It's the anthem for most parents at bedtime. Big Boys Sleep in Their Beds, created by Neta Faynboym, offers parents and children a bedtime story to ease children's fears and transition to sleeping in their big boy beds. Alone. Created from real life experience, Big Boys is a welcome bedtime tale that covers everything from monsters under the bed to extra kisses good-night. With humor and whimsy, this mother and son pair has what it takes to create sweet dreams.
Caught in the Rebel Camp: Introducing Frederick Douglass
Neta Jackson; Dave Jackson
Castle Rock Creative, Incorporated
2016
nidottu
CAUGHT IN THE REBEL CAMP, Introducing Frederick Douglass --The Civil War has just begun, and the controversy between the North and the South continues to heat up. Everybody seems to be getting into the action-except for Danny Sims. Danny wants nothing more than to fight with the Fifty-Fourth Massachusetts Infantry, Frederick Douglass's newly formed black regiment. But his young age and a lame foot keep Danny from enlisting. The boy feels good for nothing until Frederick Douglass recommends Danny as the caretaker of Colonel Robert Gould Shaw's horses. Danny knows the importance of this task, and he's confident he will do an excellent job.But when the colonel's own horse escapes one night, Danny goes after him, only to find himself inside the Confederate soldiers' fort. In terror, he remembers the Fifty-Fourth's plans of immediate attack-what if the battle begins while he is inside? When Danny sees that the Confederates are making their own plans for the attack, Danny realizes that the Union soldiers are being set up for a trap Can Danny escape in time to warn his troops?A CRIPPLED BOY HAS NO PLACEIN THE WAR . . . DOES HE?