Nicholas Shakespeareâ??s collected stories take us around the globe and into the intimate lives of his characters and the dilemmas and temptations they face.
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1000 tulosta hakusanalla Nicholas Shakespeare
A fresh portrait of the man behind James Bond, and his enduring impact, by an award-winning biographer with unprecedented access to the Fleming Archive. A fresh portrait of the man behind James Bond, and his enduring impact, by an award-winning biographer with unprecedented access to the Fleming Archive. Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Ian's childhood with his gifted brother Peter and his extraordinary mother set the pattern for his ambition to be 'the complete man', and he would strive for the means to achieve this 'completeness' all his life. Only a writer for his last twelve years, his dramatic personal life and impressive career in Naval Intelligence put him at the heart of critical moments in world history, while also providing rich inspiration for his fiction. Exceptionally well connected, and widely travelled, from the United States and Soviet Russia to his beloved Jamaica, Ian had access to the most powerful political figures at a time of profound change. Nicholas Shakespeare is one of the most gifted biographers working today. His talent for uncovering material that casts new light on his subjects is fully evident in this masterful, definitive biography. His unprecedented access to the Fleming archives and his nose for a story make this a fresh and eye-opening picture of a man who lived his life in the shadow of his famous creation.
Dette er historien om hvordan slaget om Narvik i april 1940 førte til regjeringskrise i England og endret krigens gang. Fra 1939 var Winston Churchill marineminister og en del av det britiske krigskabinettet, og like lenge hadde han vært fiksert på Norge og den tyske malmtransporten gjennom Vestfjorden fra Narvik. Dette var en hovedåre for oppbyggingen av den tyske krigsmaskinen. Statsminister Neville Chamberlain ville lenge ikke høre på Churchills planer om å avskjære tyskernes transportrute, av frykt for å provosere Hitler. Da angrepet på Norge kom, var det for sent, og de britiske aksjonene langs norskekysten ble en katastrofe - for Churchill også personlig. Med en rekke nye kilder og detaljer bringer Nicholas Shakespeare oss tett på begivenhetene som ledet fram til «The Norway Debate» i det britiske parlamentet - som den 10. mai endte med en seks minutters avstemning der Winston Churchill helt uventet ble landets statsminister.
In a world of lies, proof is power John Dyer is living a quiet life when he receives a call that changes everything: an old university friend, Lia, has been killed. Decades have passed since his last heartbreaking conversation with her, but Dyer finds himself driven to investigate. What Dyer uncovers puts him in the path of a political conspiracy with one man at its heart. A man who forty years ago committed a crime witnessed by just four people. When another of the witnesses dies in suspicious circumstances, Dyer finds himself in danger of his life. To combat the forces arrayed against him, he needs incontrovertible proof – but will he find it in time? As Dyer chases his leads from Tasmania to Argentina and finally to Michigan, where it all began, he unwittingly pits himself against an adversary more powerful than he could have imagined, in a race as heartstopping as tomorrow’s headlines. PRAISE FOR NICHOLAS SHAKESPEARE: 'A remarkable contemporary thriller... A triumph' William Boyd 'An absorbing thriller with shades of John le Carré' Evening Standard 'One of our best and truest novelists' The Times 'Exciting... A page-turner' Daily Telegraph ‘Wonderfully well written... with an insidious escalation of menace, and paranoia that fairly shimmers off the pages’ Guardian
Bruce Chatwin is one of the most significant British novelists and travel writers of our time. Comprising material collected over two decades from hundreds of contacts across five continents, Chatwin's letters are a valuable and illuminating record of one of the greatest and most enigmatic writers of the twentieth century.
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Shakespeare in the Theatre: Nicholas Hytner
Abigail Rokison-Woodall
The Arden Shakespeare
2017
sidottu
Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director of the National Theatre from 2003-2015). Featuring case studies of Hytner’s Shakespeare productions and interviews with actors, designers, directors and other practitioners with whom Hytner has worked, it explores Hytner’s own productions of Shakespeare’s plays within their respective socio-cultural contexts and the context of Hytner’s other directing work, and examines his working practices and the impact of his Artistic directorship on the centrality of Shakespeare within the repertoire of the National Theatre.
Shakespeare in the Theatre: Nicholas Hytner
Abigail Rokison-Woodall
The Arden Shakespeare
2017
nidottu
Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director of the National Theatre from 2003-2015). Featuring case studies of Hytner’s Shakespeare productions and interviews with actors, designers, directors and other practitioners with whom Hytner has worked, it explores Hytner’s own productions of Shakespeare’s plays within their respective socio-cultural contexts and the context of Hytner’s other directing work, and examines his working practices and the impact of his Artistic directorship on the centrality of Shakespeare within the repertoire of the National Theatre.
William Shakespeare is an unchanged, high-quality reprint of the original edition of 1865. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The world of Macbeth, with its absolutes of good and evil, seems very remote from the shifting perspectives of Antony and Cleopatra, or the psychological and political realities of Coriolanus. Yet all three plays share similar thematic concerns and preoccupations: the relation of power to legitimating authority, for instance, or of male and female roles in the imagination of (male) heroic endeavour. In this acclaimed study, Nicholas Grene shows how all nine plays written in Shakespeare's main tragic period display this combination of strikingly different milieu balanced by thematic interrelationships. Taking the English history play as his starting point, he argues that Shakespeare established two different modes of imagining: the one mythic and visionary, the other sceptical and analytic. In the tragic plays that followed, themes and situations are dramatised, alternately, in sacred and secular worlds. A chapter is devoted to each tragedy, but with a continuing awareness of companion plays: the analysis of Julius Caesar informing that of Hamlet, discussion of Troilus and Cressida counterpointed by the critique of Othello and the treatment of King Lear growing out from the limitations of Timon of Athens. The aim is to resist homogenising the plays but to recognise and explore the unique imaginative enterprise from which they arose.
The world of Macbeth, with its absolutes of good and evil, seems very remote from the shifting perspectives of Antony and Cleopatra, or the psychological and political realities of Coriolanus. Yet all three plays share similar thematic concerns and preoccupations: the relations of power to legitimating authority, for instance, or of male and female roles in the imagination of (male) heoric endeavour. In this acclaimed study, Nicholas Grene shows how all nine plays written in Shakespeare's main tragic period display this combination of strikingly different milieu balanced by thematic interrelationships. Taking the English history play as his starting point, he argues that Shakespeare established two different modes of imagining: the one mythic and visionary, the other sceptical and analytic. In the tragic plays that followed, themes and situations are dramatised, alternately, in sacred and secular worlds. A chapter is devoted to each tragedy, but with a continuing awareness of companionplays: the analysis of Julius Caesar informing that of Hamlet, discussion of Troilus and Cressida counterpointed by the critique of Othello and the treatment of King Lear growing out from the limitations of Timon of Athens. The aim is to resist homogenising the plays but to recognise and explore the unique imaginative enterprise from which they arose.
Thought of as Shakespeare's most powerful works, the four great tragedies, Hamlet, King Lear, Othello and Macbeth, are texts of unparalleled richness and depth, stimulating and exciting to study. This book takes extracts and examines them, explaining how the critic can use particular techniques to bring out complexities of meaning, understand the patterns of metaphor and the rhythms of the poetry and appreciate the ever-living drama. Chapters on the openings and endings of plays, heroes and heroines, society, humour, imagery and the tragic universe guide the student on a journey of inquiry into the nature of Shakespeare's tragic vision. Far from simplifying Shakespeare, the reader is challenged to confront the depth and subtlety of the dramas, and to enjoy the analytical pursuit of ever finer insight, ever fuller understanding.
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses.Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry.
First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry.
Shakespeare's Serial History Plays provides a re-reading of the two sequences of English history plays, Henry VI-Richard III and Richard II-Henry V. Reconsidering the chronicle sources and the staging practices of Shakespeare's time, Grene argues that the history plays were originally designed for serial performance. He charts the cultural and theatrical conditions that led to serial productions of the histories, in Europe as well as in the English-speaking world, and looks at their original creation in the 1590s and at modern productions or adaptations, from famous stagings such as the Royal Shakespeare Company's 1960s Wars of the Roses through to the present day. Grene focuses on the issues raised by the plays' seriality: the imagination of war, the emergence of character, and the uses of prophecies and curses through the first four; techniques of retrospection, hybrid dramatic forms, and questions of irony and agency in the second.