Ha olvidado a adir el inicio de su menstruaci n?Cuando Paula M ndez ley esa frase en la pantalla de su tel fono, trag saliva y sinti el sudor fr o bajar por su frente. A pesar detus temores, abri la aplicaci n y mir con atenci n el calendario, tratando de calcular cu ntos d as pasaron desde que debi llegarle elper odo.
"Sandra Hoffmann is one of Germany's most exciting contemporary writers. [...] An incredibly dense, finely woven text that immediately grabs you and pulls you mercilessly in." Brigitte Woman. Sandra Hoffmann's "Paula" is a moving piece of autofiction about the writer's relationship to her grandmother, a devout Swabian Catholic who refused to reveal who fathered her child in 1946. Growing up in a family where silence reigns, Hoffmann asks: What kind of person, what kind of writer, does this environment produce?
Isabel Allendes datter er midt i tyverne, da hun bliver ramt af alvorlig sygdom. Under de mange måneders indlæggelse på hospitalet sad Isabel Allende ved hendes side og nedskrev fortællingen om sit og familiens farverige og begivenhedsrige liv – i håbet om at Paula en dag ville vågne op fra sin koma. Det gjorde hun ikke. Paula er en bevægende beretning, fyldt med lykkelige stunder og sorgfyldte øjeblikke fra Allendeslægtens liv og den svære tid med datterens sygdom og død. Isabel Allende har det hele. New York Times En historie om moderkærlighed, som [Isabel Allende] skriver frem med fortvivlelse og lidenskab, fra det punkt, hvor hun må slippe og forvandle den. Politiken.
'Allende's best work to date' New York Times In December 1991, Isabel Allende’s daughter Paula fell into a coma. This book was written by her beside – a memoir, a family history and a letter from mother to daughter Isabel intended to give to Paula once she’d overcome her illness. Revisiting Allende’s childhood, her early career and marriage, and the turbulent political events of 1970s Chile, Paula is an extraordinary blend of memory and retrospective, past and present. A fascinating account of the breakdown of a country and an immensely moving description of parenthood, loss and grief, this is a wholly unique narrative from an exceptional writer. 'An emotionally charged, spellbinding memoir' Washington Post
"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful."--Los Angeles TimesIn this literary classic, New York Times bestselling author Isabel Allende recalls the story of her beloved daughter and her remarkable family's past.When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed along. Like Allende's first novel, The House of the Spirits, this powerful memoir is infused with the real, the magical, and the spiritual, creating a haunting, sad, and beautiful tale.
Ten years on from The Woman Who Walked into Doors, Booker Prize-winning author, Roddy Doyle, returns to one of his greatest characters, Paula Spencer. Paula Spencer is turning forty-eight, and hasnâ??t had a drink for four months and five days.
Picking up nearly ten years after the tale, The Woman Who Walked into Doors, Dublin widow Paula begins her fifth month of sobriety while endeavoring to raise the two children who are still at home, an endeavor during which she struggles to make ends meet, attends parent-teacher conferences, and develops a taste for rock music. Reprint.
The Tell-It-Together Gospel brings together a new translation of Mark's Gospel by renowned biblical scholar Paula Gooder and interactive storytelling tips from bestselling author Bob Hartman. Remaining faithful to the Bible text itself, Paula and Bob combine Mark's Gospel with fun and engaging actions to bring the text to life and make it memorable for all ages - even the very young. Clearly presented with easy-to-read text and accompanying directives for audience participation, this book is ideal for use in churches, children's groups, at home and in many other settings.
Paula Vogel’s plays, including the Pulitzer–prizewinning How I Learned to Drive, initiate a conversation with contemporary culture, staging vexed issues like domestic violence, pornography, and AIDS. She does not write "about" these concerns, but instead examines how they have become framed as “issues”–as sensationalized topics–focusing on the histories and discourses that have defined them and the bodies that bear their meanings. Mobilizing campy humor, keen insight, and nonlinear structure, her plays defamiliarize the identities and issues that have been fixed as "just the way things are." Vogel crafts collage-like playworlds that are comprised of fragments of history and culture, and that are simultaneously inclusive and alienating, familiar and strange, funny and disturbing. At the center of these playworlds are female characters negotiating with the images and discourses that circumscribe their lives and bodies. In this, the first book-length study of Vogel and her work, Joanna Mansbridge explores how Vogel’s plays speak back to the canon, responding to and rewriting works by William Shakespeare, Edward Albee, Sam Shepard, and David Mamet, rearranging their plots, revising their conflicts, and recasting their dramatis personae. The book examines the theories shaping the playwright and her plays, the production and reception of her work, and the aesthetic structure of each play, grounding the work in cultural materialist, feminist and queer theory, and theater and performance studies scholarship.
Paula Vogel’s plays, including the Pulitzer–prizewinning How I Learned to Drive, initiate a conversation with contemporary culture, staging vexed issues like domestic violence, pornography, and AIDS. She does not write "about" these concerns, but instead examines how they have become framed as “issues”–as sensationalized topics–focusing on the histories and discourses that have defined them and the bodies that bear their meanings. Mobilizing campy humor, keen insight, and nonlinear structure, her plays defamiliarize the identities and issues that have been fixed as "just the way things are." Vogel crafts collage-like playworlds that are comprised of fragments of history and culture, and that are simultaneously inclusive and alienating, familiar and strange, funny and disturbing. At the center of these playworlds are female characters negotiating with the images and discourses that circumscribe their lives and bodies. In this, the first book-length study of Vogel and her work, Joanna Mansbridge explores how Vogel’s plays speak back to the canon, responding to and rewriting works by William Shakespeare, Edward Albee, Sam Shepard, and David Mamet, rearranging their plots, revising their conflicts, and recasting their dramatis personae. The book examines the theories shaping the playwright and her plays, the production and reception of her work, and the aesthetic structure of each play, grounding the work in cultural materialist, feminist and queer theory, and theater and performance studies scholarship.
Paula Rego is an artist of astonishing power with a unique and unforgettable aesthetic. Taking its cues from the artist, this fascinating study invites us to reflect on the complexities of storytelling on which Rego’s work draws, emphasizing both the stories the pictures tell, and how it is that they are told. Deryn Rees-Jones sets interpretations of the pictures in the context of Rego’s personal and artistic development across sixty years. We see how Rego’s art intersects with the work of both the literary and the visual, and come to understand her rich and textured layering of reference: her use of the Old Masters; fiction, fairy tales and poems; the folk traditions of Rego’s native Portugal; and her wider engagement with politics, feminism and more. The result is a highly original work that addresses urgent and topical questions of gender, subject and object, self and other.
An accessible introduction to the life and work of this trailblazing pioneer of early modernism, published to coincide with a major exhibition at the Royal Academy, London. Paula Modersohn-Becker is today hailed as one of the great pioneers of modernism. When she died in 1907 at the age of just 31, she had completed more than 700 paintings and 1,000 drawings and prints. Despite selling only a few paintings during her lifetime, her distinct style, daring subject matter and perseverance in overcoming barriers to women left a significant artistic mark on the brief epoch between the old and the new, and paved the way for the German avant-garde. Uwe M. Schneede, one of the foremost experts on Modersohn-Becker’s work, shows how the artist translated her life’s experiences into her own, very distinctive, pictorial language. He focuses in particular on her time in Paris, where she absorbed the luminous palette and expressive brushwork of the French avantgarde, and which so strongly impacted her ambitions and artistic trajectory. Schneede’s lively narrative is supported by some 120 illustrations, and peppered throughout with quotations from Modersohn’s letters and diaries.
The bold, distinctive style of Paula Rego’s paintings has acquired for her not only an ever-increasing critical reputation but also an unusually large and enthusiastic following. Her be-ribboned little-girl heroines and fairy-tale characters seem firmly rooted in childhood, yet the innocence of this art is darkened by the underlying themes of power, domination and rebellion, sexuality and gender, that run through her work. Here Rego has turned to the nursery rhyme as a source for her imagery. It is a genre that perfectly complements her art; full of double meanings, rhymes are written from a child’s perspective but are open to adult interpretation. Twenty-six well-known nursery rhymes are accompanied by a series of etchings which she has executed spontaneously as a child might, drawing directly on the plate without preparatory planning. Following the traditions of earlier artists such as Beatrix Potter, she treats the fantastic realistically, dressing animals in human costume and using dream-like dislocations of scale. These are wonderfully comic and rich illustrations with a hint of the sinister, that turn classic nursery rhymes into colourful stories about folly and delusion, cruelty, convention and sex.
The definitive visual record of the groundbreaking graphic designer and Pentagram partner, Paula Scher. Paula Scher is one of the most influential graphic designers in the world. Described as the ‘master conjurer of the instantly familiar’, Scher straddles the line between pop culture and fine art in her work. Iconic, smart and accessible, her images have entered the American vernacular. Paula Scher: Works is the definitive visual record of the groundbreaking graphic designer and Pentagram partner. Published by Unit Editions, the 522-page book presents the most extensive monograph of Scher’s career to date, featuring over 300 projects from from her early days in the music industry as an art director with CBS and Atlantic Records, through the launch of her first studio, Koppel & Scher, to her 25-year engagement with Pentagram. Co-edited by Tony Brook and Adrian Shaughnessy, the book organizes Scher’s work chronologically into several thematic sections. It opens with a long interview with the designer, then moves into her record covers from the 1970s and 80s. Central chapters look at her innovative approach to identity design and environmental graphics and its impact on contemporary New York’s urban fabric — as seen in work for clients from MoMA to Charter Schools; from the High Line to Shake Shack — as well as her logos for global corporations and cultural institutions. A large section on authorship is devoted to the designer’s socially and politically-motivated posters, New York Times Op-Ed illustrations and campaign work. The book also provides the most up-to-date look at Scher’s idiosyncratic hand-painted maps, a prolific artistic practice that complements her still-growing graphic legacy, as well as her longstanding collaboration with The Public Theater, which spans over twenty years.
Un autorretrato de ins lita emotividad al tiempo que exquisita recreaci n de la sensibilidad de las mujeres de nuestra poca.«Aqu est todo lo que debe tener un libro: o do, perspectiva, cabeza, coraz n y una humanidad sin l mites. - The New York TimesCualquier libro de Isabel Allende es un acontecimiento. Paula lo es especialmente porque se trata del m s conmovedor, m s personal y m s ntimo de todos los que ha publicado hasta la fecha. Cuando la gran autora chilena se encontraba en Espa a con ocasi n de la presentaci n de El plan infinito, su hija entr en estado de coma. Junto al lecho de Paula, mientras segu a con angustia la evoluci n de su enfermedad, Isabel Allende comenz a redactar en un cuaderno una historia de su familia y de s misma con el prop sito de regal rsela a su hija una vez superara el dram tico trance. Sin embargo, ste se prolong durante meses y los apuntes de la autora acabaron convirti ndose en este libro apasionante y revelador. Isabel Allende ejerce aqu su prodigioso talento narrativo para recuperar y asumir sus propias vivencias como mujer y como escritora, as como las de su familia y las de la historia reciente de su pa s. Autorretrato de ins lita emotividad al tiempo que exquisita recreaci n de la sensibilidad de las mujeres de nuestra poca, Paula perdura en el nimo del lector con la intensidad de una experiencia indeleble. ENGLISH DESCRIPTION New York Times Bestselling Author"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful." --Los Angeles TimesWhen Isabel Allende's daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.
