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76 tulosta hakusanalla Rema Johnson

Vaios Malliaras 1907-1988: The Clarinettist Thriller of Greece 1934-1971.: The Tony Malliaras Discography of Vaios Malliaras's 240 Digitally Rema
Vaios Malliaras 1907-1988: The Clarinettist Thriller of Greece 1934-1971. This is the Offiicial Release of all 240 Digitally Remastered Tracks by Copyright Owner AEPI and Tony Malliaras. Vaios Malliaras recorded with all the leading recording companies from 1934 to 1971 such as His Master's Voice; Columbia Records; Odeon Records; RCA Victor etc. Tony Malliaras has published his Honors in Music Dissertation on the life and career of Vaios Malliaras. The Tony Malliaras Discography of Vaios Malliaras's 240 Digitally Remastered Tracks is a labor of love on the part of his grandson, based in Melbourne, Australia. The collection is ideal for: 1. Ministries of Culture; 2. Universities; 3. Audio Visual Libraries; 4. Greek Festivals; 5. Orthodox Feast Day Yearly Calendar Celebrations and private collectors. Vaios Malliaras popularized Greek Folk Songs such as: 1. Table Songs; 2. Klephtic Ballads; 3. Syrto Dance; 4. Tsamiko Dance; 5. Kalamatiano Dance; 6. Serbian Dance; 7. Albanian Dance; and 8. Aegean Island Dances from 1934 to 1971.
The Road Taken

The Road Taken

Rema Lim

Partridge Publishing Singapore
2017
pokkari
In this book, Rema Menon-Lim discusses her Malaysian childhood and the complexities of intermarriage--being the wife of an internationally known academic, losing her husband to cancer, and falling into severe grief and depression. In the end, she discusses how slow the recovery has been. It is an attempt to reach out to all those who have suffered, are suffering, and will definitely have to face the death of loved ones sooner or later.
The Road Taken

The Road Taken

Rema Lim

Partridge Publishing Singapore
2017
sidottu
In this book, Rema Menon-Lim discusses her Malaysian childhood and the complexities of intermarriage--being the wife of an internationally known academic, losing her husband to cancer, and falling into severe grief and depression. In the end, she discusses how slow the recovery has been. It is an attempt to reach out to all those who have suffered, are suffering, and will definitely have to face the death of loved ones sooner or later.