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1000 tulosta hakusanalla Rene Ruler

Rene- De wraak van een sergeant

Rene- De wraak van een sergeant

Freddy Van Schil

Lulu.com
2018
pokkari
Ren een dokwerker wordt tegen zijn zin opgeroepen om het land te verdedigen. Na de capitulatie loopt het fout tussen hem en zijn sergeant . Die werkt nu voor Duitsland en wil allen uitschakelen die weten van zijn laf gedrag tijdens de strijd. Ren krijgt de hulp van het plaatselijk verzet om uit de handen van de Gestapo te blijven. Toch zijn al die helpende handen niet genoeg om hem uit de hel te houden. Tot na de vrede beslist hij om wraak te nemen op al zijn belagers . De wraak van een sergeant.
René Girard and Secular Modernity

René Girard and Secular Modernity

Scott Cowdell

University of Notre Dame Press
2013
nidottu
In René Girard and Secular Modernity: Christ, Culture, and Crisis, Scott Cowdell provides the first systematic interpretation of René Girard's controversial approach to secular modernity. Cowdell identifies the scope, development, and implications of Girard's thought, the centrality of Christ in Girard's thinking, and, in particular, Girard's distinctive take on the uniqueness and finality of Christ in terms of his impact on Western culture. In Girard's singular vision, according to Cowdell, secular modernity has emerged thanks to the Bible's exposure of the cathartic violence that is at the root of religious prohibitions, myths, and rituals. In the literature, the psychology, and most recently the military history of modernity, Girard discerns a consistent slide into an apocalypse that challenges modern ideas of romanticism, individualism, and progressivism. In the first three chapters, Cowdell examines the three elements of Girard's basic intellectual vision (mimesis, sacrifice, biblical hermeneutics) and brings this vision to a constructive interpretation of "secularization" and "modernity," as these terms are understood in the broadest sense today. Chapter 4 focuses on modern institutions, chiefly the nation state and the market, that function to restrain the outbreak of violence. And finally, Cowdell discusses the apocalyptic dimension of Girard's theory in relation to modern warfare and terrorism. Here, Cowdell engages with the most recent writings of Girard (particularly his Battling to the End) and applies them to further conversations in cultural theology, political science, and philosophy. Cowdell takes up and extends Girard's own warning concerning an alternative to a future apocalypse: "What sort of conversion must humans undergo, before it is too late?"
René Girard, Unlikely Apologist

René Girard, Unlikely Apologist

Grant Kaplan

University of Notre Dame Press
2016
sidottu
Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.
René Girard, Unlikely Apologist

René Girard, Unlikely Apologist

Grant Kaplan

UNIVERSITY OF NOTRE DAME PRESS
2022
nidottu
Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.
René Girard and the Nonviolent God

René Girard and the Nonviolent God

Scott Cowdell

University of Notre Dame Press
2018
sidottu
In his latest book on the ground-breaking work of René Girard (1923–2015), Scott Cowdell sets out a new perspective on mimetic theory and theology: he develops the proposed connection between Girardian thought and theological dramatic theory in new directions, engaging with issues of evolutionary suffering and divine providence, inclusive Christian uniqueness, God's judgment, nonviolent atonement, and the spiritual life. Cowdell reveals a powerful, illuminating, and life-enhancing synergy between mimetic theory and Christianity at its best. With religion widely seen as increasingly violent and intransigent, the true Christian emphasis on divine solidarity, mercy, and healing is in danger of being lost. René Girard provides a countervailing voice. He emerges from Cowdell's study not only as a necessary dialogue partner for theology today, but as a global prophet offering hope and challenge in equal measure. René Girard was a Catholic cultural theorist whose mimetic theory achieved a powerful symbiosis of social science with scripture and theology, yielding a unique perspective on humanity's origins, violent history, and future prospects. Cowdell maps this synergy, revealing theological themes present from Girard's earliest writings to the latest, less-familiar publications. He resolves a number of theological challenges to Girard's work, engaging mimetic theory in fruitful dialogue with key themes, movements, and thinkers in theology today. Bringing a distinctive Anglican voice to a largely Catholic debate, Cowdell gives an orthodox theological account of Girard's intellectual achievement, bearing witness to Christianity's nonviolent God. This book will be of great interest to theologians, seminarians and clergy of all traditions, Girardians, and Christian peace activists.
René Girard and Secular Modernity

René Girard and Secular Modernity

Scott Cowdell

UNIVERSITY OF NOTRE DAME PRESS
2024
sidottu
In René Girard and Secular Modernity: Christ, Culture, and Crisis, Scott Cowdell provides the first systematic interpretation of René Girard's controversial approach to secular modernity. Cowdell identifies the scope, development, and implications of Girard's thought, the centrality of Christ in Girard's thinking, and, in particular, Girard's distinctive take on the uniqueness and finality of Christ in terms of his impact on Western culture. In Girard's singular vision, according to Cowdell, secular modernity has emerged thanks to the Bible's exposure of the cathartic violence that is at the root of religious prohibitions, myths, and rituals. In the literature, the psychology, and most recently the military history of modernity, Girard discerns a consistent slide into an apocalypse that challenges modern ideas of romanticism, individualism, and progressivism. In the first three chapters, Cowdell examines the three elements of Girard's basic intellectual vision (mimesis, sacrifice, biblical hermeneutics) and brings this vision to a constructive interpretation of "secularization" and "modernity," as these terms are understood in the broadest sense today. Chapter 4 focuses on modern institutions, chiefly the nation state and the market, that function to restrain the outbreak of violence. And finally, Cowdell discusses the apocalyptic dimension of Girard's theory in relation to modern warfare and terrorism. Here, Cowdell engages with the most recent writings of Girard (particularly his Battling to the End) and applies them to further conversations in cultural theology, political science, and philosophy. Cowdell takes up and extends Girard's own warning concerning an alternative to a future apocalypse: "What sort of conversion must humans undergo, before it is too late?"
René Magritte: Newly Discovered Works
René Magritte (1898–1967) was a surrealist artist whose thought-provoking works used ordinary objects to challenge how viewers perceived reality. His extensive oeuvre was documented in a comprehensive five-volume project, led by distinguished art critic and writer David Sylvester. In the years that followed the publication of the final volume in 1997, numerous works purporting to be by Magritte appeared on the art market. Under the auspices of the Fondation Magritte, a committee was established to verify the authenticity of newly discovered works as well as those previously recorded as "whereabouts unknown" or listed as appendix items in the original volumes of the René Magritte Catalogue Raisonné.René Magritte: Newly Discovered Works includes color illustrations of 130 previously unpublished or unknown works authenticated by the committee between September 2000 and March 2010. Like its predecessors, this volume is the culmination of years of research, which synthesizes new discoveries about the artworks and details of the life of Magritte himself. Accompanying text and comparative documentation provide a wealth of complementary information, including the circumstances of a work's discovery, references to letters, quotations in their original languages, and citations from previous volumes.Distributed for Mercatorfonds
René Magritte and the Art of Thinking
For René Magritte, painting was a form of thinking. Through paintings of ordinary objects rendered with illusionism, Magritte probed the limits of our perception—what we see and cannot see, the nature of representation—as a philosophical system for presenting ideas, and explored perspective as a method of visual argumentation. This book makes the claim that Magritte’s painting is about vision and the act of viewing, of perception itself, and the process of how we see and experience things in the world, including paintings as things.
Rene Descartes
A collection of the most significant contributions to Cartesian scholarship. Nearly 120 articles are brought together on Cartesian method, epistemology, metaphysics and Descartes' contributions to mathematics and science
Rene Descartes' Meditations on First Philosophy in Focus
This volume presents the excellent and popular translation by Haldane and Ross of Descartes' Meditations on First Philosophy, an introduction by Stanley Tweyman which explores the relevance of Descartes' Regulae and his method of analysis in the Meditations, and six articles which indicate the diversity of scholarly opinion on the topic of method in Descartes' philosopy.
Rene Descartes' Meditations on First Philosophy in Focus
This volume presents the excellent and popular translation by Haldane and Ross of Descartes' Meditations on First Philosophy, an introduction by Stanley Tweyman which explores the relevance of Descartes' Regulae and his method of analysis in the Meditations, and six articles which indicate the diversity of scholarly opinion on the topic of method in Descartes' philosopy.
Rene Girard and Myth

Rene Girard and Myth

Richard Golsan

Routledge
2002
nidottu
In this comprehensive introduction to the work of contemporary French critic Rene Girard, Richard Golsan focuses on Girard's theory of myth and its connections to his broader exploration of the origins of suffering and violence in Western culture. Golsan highlights two of Girard's primary concepts--mimetic desire and the scapegoat--and employs the concepts to illustrate the ways Girardian analysis of violence in biblical, classical, and folk myths has influenced recent work in theology, psychology, literary studies, and anthropology. The book concludes with an interview between Golsan and Girard, who offers his own analysis of the appropriation (and criticism) of his work by a politically and intellectually diverse company of scholars.
René Descartes: Meditations on First Philosophy
Descartes's Meditations on First Philosophy, published in Latin in 1641, is one of the most widely studied philosophical texts of all time, and inaugurates many of the key themes that have remained central to philosophy ever since. In his original Latin text Descartes expresses himself with great lucidity and elegance, and there is enormous interest, even for those who are not fluent in Latin, in seeing how the famous concepts and arguments of his great masterpiece unfold in the original language. John Cottingham's acclaimed English translation of the work is presented here in a facing-page edition alongside the original Latin text. Students of classical philosophy have long had the benefit of dual-language editions, and the availability of such a resource for the canonical works of the early-modern period is long overdue. This volume now makes available, in an invaluable dual-language format, one of the most seminal texts of Western philosophy.
Oda a Rene Barrios Amaya

Oda a Rene Barrios Amaya

Rene Barrios Avelar

Lulu.com
2010
nidottu
Los traidores, los imbeciles y los cobardes alardean en contra de Rene Barrios Amaya; yo, como poeta, tomo la pluma y respondo por mi ausente padre. Yo soy el eco de aquel canto libertario, yo tomo la palabra.
Rene I Am the Best Artist

Rene I Am the Best Artist

Rene Moncada

Rene Iatba
2021
sidottu
The life and art of Rene Moncada, otherwise known as The Best Artist, covering his early life, philosophy, major exhibitions and performances in both New York and Venezuela, as well as photographs of his art.For 25 years as the owner of a gallery in New York City's SoHo, Rene, best known for a series of murals undertaken between 1979 to 2000 proclaiming I AM THE BEST ARTIST Rene, is also known as Nature's Ambassador. Rene receives messages from Nature in the form of inspiration and it is his duty as her Ambassador to translate those messages into a transcendental language that everyone can understand. That language is ART, and drawing is its written form. Through his fiber art, Rene created unique haute couture fashions. Called Nudismos because in Spanish the word to knot is nudo, Rene also ties wood and wire together into sculptural constructions and creates paintings using the same Nudismo design.Rene noticed a subliminal image embedded within the label of the Mott's apple juice can. The label, showing a detailed rendering of a halved apple, contained an obvious representation of a vulva. Rene painted a replica of the can and held an exhibition showcasing his Mott's painting. This event was written up in numerous magazines of the 80's. Soon thereafter, Mott's redesigned the label, covering the center of the apple. Rene regards the vulva as the purest image in nature and it is a regular part of his art. "The shape is a basic structure, a universal image." Created to liberate art from the dictatorship of religion, his most provocative image, Sex and Violence, depicts a Christian cross with a vulva at its center. Rene has put together the creation of God to give life to his son with the creation of man to kill him, and asks the question, which is more sacred?Rene has created a series of sculptures by recycling Styrofoam, an ecological dilemma because it isn't biodegradable. Just as nature encapsulates toxic materials with vegetation, these sculptures are encapsulated with paper pulp and painted.As a vocal opponent of censorship, hypocrisy and oppression, Rene dedicated his artistic career to bring about the respect women deserve, justifying his actions as a desire to liberate not only the art world but the world at large. It is this attribute that qualifies him as The Best Artist.
Any Given Moment - The artwork of René Capone 1999-2011
Prolific figure painter and independent LGBT artist. This 158 page full color collection is an overview of artists from 1999-2011. Capone created a body of narrative paintings that succinctly juxtaposes both eroticism and a lurking secrecy commonplace on the covers of childhood Nancy Drew Mystery books. Revealing a fragmented moment of action, his paintings work like incomplete mysteries that inspire us to finish the detailing. Rene Capone's art conveys a sense of wonder, exploration and discovery. Set against a fantastical world of mythical dreamscapes the figures in his work appear to be on a deeply personal quest for identity and their place in the world.
A Boy Named: The artwork of Rene Capone

A Boy Named: The artwork of Rene Capone

Rene C. Capone

Capone Fine Art
2014
nidottu
Figure painter Ren Capone returns with his sophomore book, "A Boy Named". This full color paperback features 85 of Capone's paintings and drawings as well as a collection of photos of the artist taken by several photographers over the years. Forewords are included by arts educator Stephen Honicki and musician Lian Fitz.The "A Boy Named" painting series featured in this book were created about metaphorically searching for someone after they had suffered a traumatic brain injury. Examining the core of personality with one word, such as "A Boy Named Truth". It has been said that the characters in Ren Capone's artwork look as if they are on a deeply personal quest for identity and their place in the world. This is still true ... only now that the characters are more comfortable in their skin, the road is not as treacherous and the destination no longer frightens them.
Rene Char

Rene Char

Lawler James R.

Princeton University Press
2015
pokkari
Although Rene Char's distinctive voice has brought him to the forefront of contemporary French writers; his complex poetry has remained virtually inaccessible to the general reader. In this book an eminent authority on French literature describes Char's evolution and, through close readings, offers a clear and rewarding introduction to the poet's /uvre. James Lawler first traces Char's growth by delineating the myth that has guided his poetry for forty years. While the Surrealists exerted an early influence on the writer, his work diverged from theirs as he gave voice to a more personal attitude toward nature and art, to a refashioned poetics and thought. The author shows how Char's development culminates in the visionary symbolism of La Paroi et la Prairie, in which wall and prairie epitomize the unresolved tension of his mature writings. Throughout his readings, Professor Lawler supplements close textual analysis with consideration of thematic, mythological, and moral elements of the poetry, discussing each aspect as it illuminates the nature of Char's sensibility. "The ten short poems [of La Paroi et la Prairie] are typical of their author," he writes, "and paradigmatic of a work that is a summit of French poetry since Valery and Apollinaire." Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
René Burri Photographs

René Burri Photographs

Koetzle Hans-Michael

Phaidon Press Ltd
2012
sidottu
Known the world over, especially for his iconic images of Che Guevara, Swiss-born René Burri (1933-2014) was one of the greatest humanist photographers. Now, for the first time ever and featuring countless previously unpublished images, Burri's remarkable and adventurous work is brought together in this career retrospective of over 400 duotone photographs. Edited and compiled by the distinguished writer Hans-Michael Koetzle, in close collaboration with Burri, this unprecedented retrospective is a historic book of the major political events and key personalities of the twentieth century - as seen through the eyes of one photographer. Nothing like this book on Burri has ever been published before, and it is a real coup for Phaidon to be the first to publish his entire career's work. A member of the prestigious Magnum photo agency, Burri is a photographer whose curiosity and humanity as a photographer have afforded him almost unrestricted access to the major events and personalities of the last 50 years. In this way, René Burri Photographs is a fascinating personal account of the major artists, politicians and personalities that Burri has made a part of his life. First achieving international recognition with the seminal photography book on post-World War II Germany Die Deutschen in 1962, Burri has since become one of the most important figures in the history of photography: he is universally revered by his peers for his sympathetic eye and his capacity to capture larger-than-life personalities on film. René Burri Photographs comprises the culmination of years of scholarly research by distinguished writer Hans Michael Koetzle into Burri's important contribution to reportage photography, resulting in an incisive introduction, a series of in-depth essays at the beginning of each chapter and in extended captions that accompany each image. The book is designed by prominent Swiss graphic designer Werner Jeker of ADN Design, Lausanne. In 21 thematically-organized chapters, we accompany Burri across Europe to the Middle East, Vietnam, Brazil, Cuba and beyond; we visit Picasso, Le Corbusier, Yves Klein and Giacometti in their studios; we witness political figures such as Che Guevara in repose, and Fidel Castro at the helm. A work of epic scope in its own right, this book is a magnificent tour de force.