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1000 tulosta hakusanalla Ride Morgan
It's the chance of a lifetime: photograph the World Rodeo Championships.There are only a couple of rules: don't get in the way, don't get trampled, and don't get frisky with the cowboys. As if I need to be told. I tried that once when I was dumb, drunk, and eighteen, and no matter how good it felt I'm not about to make that mistake again. I'm here to make a name for myself, not become another buckle bunny.I'm a professional, and I don't care how charming Jackson Cody, two-time World Rodeo Champion, might be.Even if it turns out he does remember our brief encounter all those years ago when I was dumb and drunk.And especially not if he wants to re-start right where we left off.It's a terrible idea. This gig is the beginning of the rest of my life. A foot in the door. A way to prove I can be taken seriously, and Jackson is nothing more than pretty eyes, a cocky smile, and a mouth that makes the phrase yes ma'am sound absolutely filthy.Problem is, I know what else that mouth can do.I've got a five-year plan. He barely thinks more than eight seconds ahead.But when he rides? It's perfect.
Ride
Tra Publishing
2025
sidottu
Buckle up for a wildly entertaining, richly informative, and visually stunning look under the hood of 50 of the most indelible cars and motorcycles ever captured on celluloid. Goldfinger's Aston Martin DB5... Bullitt's Mustang GT 390... Thelma & Louise's '66 Ford Thunderbird convertible... these vehicles are characters in their own right and every bit as stylish and sexy as their famous flesh-and-blood costars. Whether they're stealing scenes, saving the day, or just peeling away from Johnny Law in a cloud of dust, the on-screen cars and motorcycles in these pages are the reason why many of us first went--and continue to go--to the movies. A loving tribute to the machines that made the movies, RIDE is a stunningly designed and boldly opinionated collectors' keepsake packed with fresh interviews with famous car aficionados like Jay Leno, Stephen King, Michael Bay, NASCAR legend Jeff Gordon, and many more. Featuring a fast-and-furious feast of gorgeous photography, immersive maps and illustrations, and insider commentary, RIDE tells the stories behind the stories of some of Hollywood's most celebrated films, including The Spy Who Loved Me, Mad Max, The Dark Knight, Vanishing Point, Christine, Easy Rider, and so many more.
No one rides like Chase Austin. Bad boy. Player. Adrenaline junkie. Snowboarder Chase Austin has a reputation-and not just for being the world's best extreme athlete. He's as cold as the mountains he rides, loyal only to his crew . . . and panties drop wherever he goes. Photographer Brooke Larson knows better than to let him get through her emotional Kevlar. So what if she used to have his poster on her bedroom wall? She's not a teenager with a crush anymore. Chase Austin is her key to the big time, and she's getting his photo no matter what. Too bad the only place Chase wants her is in his bed. Men leave. Success is forever. Brooke knows the drill, and she's not letting anyone get in the way of her career-or into her heart. But whether it's on the slopes or between the sheets, riding with the best means risking it all.
Set in Niagara in the early 2000's, this novel is a raw confrontation of sexuality and addiction in a modern coming-of-age narrative.High school is over, an ex-girlfriend is pregnant, and Troy Brinkman is spiralling out of control. On moving out of his parent's home, Troy enters a landscape of limitless entropy where everybody drinks copious amounts of alcohol, snorts mountains of cocaine, and once Ecstasy is discovered, swallows as many pills as they can get their hands on. When he's not seething for his next high, Troy cruises parties, strip-clubs, and bars for action in a desperate attempt to avoid coming to terms with his best friend's attempted suicide. In this binge-life, Troy recognizes his impending doom and tries to renew feelings for his ex-girlfriend, Danielle, his sole through-line that connects Troy to who he was before he became who he is. It's this struggle which may lead to Troy's own destruction.
What if your most deadly enemy is your closest ally? ‘A brilliant thriller. You’d be mad not to buy this’ BEN AARONOVITCH ’His best thriller yet’SUNDAY TIMES CRIME CLUB––––––––––––––––––––––––– JAY QASIM is finally out of the game and trying to lay low. But then he gets news that rocks his world and drags up everything that he thought he’d left behind. Jay must break his vow never to work with MI5 again and turn to the person who sold him out. But this time he’s determined to do it on his terms. IMRAN SIDDIQUI once tried to kill Jay but now they have a common adversary. The one thing worse than death is watching the people closest to you die. And after the happiest day of Imran’s life becomes the most tragic, he will stop at nothing to take revenge on the people that have taken away his family. But when everyone has their own agenda, who can you really trust?Your most deadly enemy is about to become your closest ally. Ride or Die is an edge-of-your-seat thriller featuring MI5 most reluctant spy Jay Qasim, perfect for fans of Mick Herron’s Jackson Lamb series and A.A. Dhand’s D.I. Harry Virdee thrillers. Make sure you’ve read all of Jay Qasim’s adventures: 1. East of Hounslow2. Homegrown Hero3. Ride or Die
Collins Big Cat supports every primary child on their reading journey from phonics to fluency. Top authors and illustrators have created fiction and non-fiction books that children love to read. Levelled for guided and independent reading, each book includes ideas to support reading. Teaching and assessment support and eBooks are also available. From the very first 1829 'Rocket' train to the super-fast Shanghai Maglev, this fun book is packed with cool train facts. Discover all kinds of trains, big and small, and learn about their amazing journeys. Gold/Band 9 books offer developing readers literary language and stories with distinctive characters. Pages 22 and 23 allow children to re-visit the content of the book, supporting comprehension skills, vocabulary development and recall. Ideas for reading in the back of the book provide practical support and stimulating activities.
Longlisted for the PEN/Robert W. Bingham Prize for Debut FictionA provocative debut novel about a young white chauffeur and his wealthy black employer, an NBA player--a twenty-first century inversion of what we've come to expect stories of race and class to look like, and a discomfiting portrait of envy and obsession.Ride Around Shining concerns the idle preoccupations, and later machinations, of a transplanted Portlander named Jess--a nobody from nowhere with a Master's degree and a gig delivering takeout. He parlays the latter, along with a few lies, into a job as a chauffeur for an up-and-coming Trail Blazer named Calyph West and his young wife, Antonia.Calyph is black and Antonia is white and Jess becomes fascinated, innocuously at first, by all they are that he is not. In striving to make himself indispensable to them, he causes Calyph to have a season-ending knee injury, then brings about the couple's estrangement, before positioning himself at last as their perverse savior.In the tradition of The Talented Mr. Ripley, The Great Gatsby, and Harold Pinter's The Servant--not to mention a certain Shakespeare play about a creepy white dude obsessed with a black dude--Ride Around Shining tries to say the unsayable about white fixation on black culture, particularly black athletic culture, something so common in everyday life it has gone all but unaddressed.
Brotherhood. Club. Family. They live and ride by their own rules. These are the Raven Riders ...Raven Riders Motorcycle Club President Dare Kenyon rides hard and values loyalty above all else. He'll do anything to protect the brotherhood of bikers-the only family he's got-as well as those who can't defend themselves. So when mistrustful Haven Randall lands on the club's doorstep scared that she's being hunted, Dare takes her in, swears to keep her safe, and pushes to learn the secrets overshadowing her pretty smile. Haven fled from years of abuse at the hands of her criminal father and is suspicious of any man's promises, including those of the darkly sexy and overwhelmingly intense Ravens' leader. But as the powerful attraction between them flares to life, Dare pushes her boundaries and tempts her to want things she never thought she could. The past never dies without a fight, but Dare Kenyon's never backed down before ...
Ride On
Oxford University Press
2003
muu
for SATB and organ This confident and majestic anthem for Palm Sunday is a fine piece, perfectly judged and enjoyable to sing. Ives cleverly contrasts the apparent pomp and majesty of Christ's arrival with the ignominy of his approaching sacrifice.
Ride on, King Jesus!
Oxford University Press
2008
muu
for SATB unaccompanied All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus! Wertsch uses the full range of dynamics and so adds intensity and variety to the verses. This is a great concert piece as well as an uplifting hymn for a service.
`Accurst be he that first invented war', wrote Christopher Marlowe - a declaration that most of us would take as a literary, not literal, construction. But in this sweeping overview of the rise of civilization, Robert O'Connell finds that war is indeed an invention - an institution that arose due to very specific historical circumstances, an institution that now verges on extinction. In Ride of the Second Horseman, O'Connell probes the distant human past to show how and why war arose. He begins with a definition that distinguishes between war and mere feuding: war involves group rather than individual issues, political or economic goals, and direction by some governmental structure, carried out with the intention of lasting results. With this definition, he finds that ants are the only other creatures that conduct it - battling other colonies for territory and slaves. But ants, unlike humans, are driven by their genes; in humans, changes in our culture and subsistence patterns, not our genetic hardware, brought the rise of organized warfare. O'Connell draws on anthropology and archeology to locate the rise of war sometime after the human transition from nomadic hunting and gathering to agriculture, when society split between farmers and pastoralists. Around 5500 BC, these pastoralists initiated the birth of war with raids on Middle Eastern agricultural settlements. The farmers responded by ringing their villages with walls, setting off a process of further social development, intensified combat, and ultimately the rise of complex urban societies dependent upon warfare to help stabilize what amounted to highly volatile population structures, beset by frequent bouts of famine and epidemic disease. In times of overpopulation, the armies either conquered new lands or self-destructed, leaving fewer mouths to feed. In times of underpopulation, slaves were taken to provide labor. O'Connell explores the histories of the civilizations of ancient Sumeria, Egypt, Assyria, China, and the New World, showing how war came to each and how it adapted to varying circumstances. On the other hand, societies based on trade employed war much more selectively and pragmatically. Thus, Minoan Crete, long protected from marauding pastoralists, developed a wealthy mercantile society marked by unmilitaristic attitudes, equality between men and women, and a relative absence of class distinctions. In Assyria, by contrast, war came to be an end in itself, in a culture dominated by male warriors. Despite the violence in the world today, O'Connell finds reason for hope. The industrial revolution broke the old patterns of subsistence: war no longer serves the demographic purpose it once did. Fascinating and provocative, Ride of the Second Horseman offers a far-reaching tour of human history that suggests the age-old cycle of war may now be near its end.
Sailor, former henchman and trouble-accruing gangster, travels from Chicago to Santa Fe, New Mexico, looking for revenge and for money. But it's hard to make a dishonest buck when everything seems to be against him. It is Fiesta, it is hot, thousands of people are crowding into town, Sailor has nowhere to stay, the odds are stacked against him - and some important and very violent people are in town, only one of whom he wants to meet. Heat-struck and high-energy, one of Hughes’ most brilliant novels, Ride the Pink Horse transplants noir to an America of vivid colours and bright sunlight, with startling results.
uomo... colui che ha inventato la parolaccia evoluzione, quello che si crede e fa l'onnipotente con la scusa dell'onnipotente che non si crede e non fa, s , il gran vigliacco che si para dietro al potere e si fa grande con gli stupidi e nullo con s stesso... uomo... l'essere pi stupido della natura... ma non lo sa
A "ride-or-die chick" is a woman who holds down her family and community. She's your girl that you can call up in the middle of the night to bail you out of jail, and you know she'll show up and won't ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. "No" is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in every aspect of her life-work, family, church, even if it's not reciprocated, and doesn't require it to be because she's a "strong Black woman" and everyone's favorite ride-or-die chick. To her, love should be earned, and there's no limit to what she'll do for it.In this book, author, adjunct professor of sociology, and former therapist Shanita Hubbard disrupts the ride-or-die complex and argues that this way of life has left Black women exhausted, overworked, overlooked, and feeling depleted. She suggests that Black women are susceptible to this mentality because it's normalized in our culture. It rings loud in your favorite hip-hop songs, and it even shows up in the most important relationship you will ever have-the one with yourself.Compassionate, candid, hard-hitting, and 100 percent unapologetic, Ride or Die melds Hubbard's entertaining conversations with her Black girlfriends and her personal experiences as a redeemed ride-or-die chick and a former "captain of the build-a-brother team" to fervently dismantle cultural norms that require Black women to take care of everyone but themselves.Ride or Die urges you to expel the myth that your self-worth is connected to how much labor you provide others and guides you toward healing. Using hip hop as a backdrop to explore norms that are harmful to Black women, Hubbard shows the ways you may be unknowingly perpetuating this harm within your relationships. This book is an urgent call for you to pull the plug on the ride-or-die chick.
Cultural criticism and pop culture history intertwine in this important book, which dissects how hip hop has sidelined Black women's identity and emotional well-being.A "ride-or-die chick" is a woman who holds down her family and community. She's your girl that you can call up in the middle of the night to bail you out of jail, and you know she'll show up and won't ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. "No" is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in every aspect of her life-work, family, church, even if it's not reciprocated, and doesn't require it to be because she's a "strong Black woman" and everyone's favorite ride-or-die chick. To her, love should be earned, and there's no limit to what she'll do for it.In this book, author, adjunct professor of sociology, and former therapist Shanita Hubbard disrupts the ride-or-die complex and argues that this way of life has left Black women exhausted, overworked, overlooked, and feeling depleted. She suggests that Black women are susceptible to this mentality because it's normalized in our culture. It rings loud in your favorite hip-hop songs, and it even shows up in the most important relationship you will ever have-the one with yourself.Compassionate, candid, hard-hitting, and 100 percent unapologetic, Ride or Die melds Hubbard's entertaining conversations with her Black girlfriends and her personal experiences as a redeemed ride-or-die chick and a former "captain of the build-a-brother team" to fervently dismantle cultural norms that require Black women to take care of everyone but themselves.Ride or Die urges you to expel the myth that your self-worth is connected to how much labor you provide others and guides you toward healing. Using hip hop as a backdrop to explore norms that are harmful to Black women, Hubbard shows the ways you may be unknowingly perpetuating this harm within your relationships. This book is an urgent call for you to pull the plug on the ride-or-die chick.
The love affair between seventeen-year-old Keisha, the daughter of a pastor and social activist determined to drive drugs from the neighborhood, and Jamal, a savvy crack dealer and son of a North Philly drug kingpin, is threatened by the animosity between their fathers and the murder of a high-ranking police official, a crime in which Jamal becomes the prime suspect. Reprint.
In 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians. This is the story of how she grew up with them, mastered their ways, married one of their leaders, and became, in every way, a Comanche woman. It is also the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever....
In this charming contemporary YA novel, neighborhood rideshare driver Charlie Owens embarks on a collision course with love when she crashes into the school’s cute but annoying party boy and wrecks his car and her no-strings-attached attitude toward life.As a driver for her local ride share app, Charlie Owens loves what the open road gives her: freedom, extra cash for an epic road trip, and a path to getting out of her sleepy town of Chester Falls, Massachusetts. She’s seen her fair share of mysterious passengers and explosive break-ups in the backseat of her car, but Charlie lives a no-strings-attached lifestyle and never gets involved.But when a routine post-party pick-up ends with Charlie crashing into Andre, her school’s notorious party boy, she’s forced to make a deal to drive him anywhere he needs to go, anytime, until his car can be repaired. Suddenly Charlie and Andre are stuck together, and they couldn’t be more different. But Andre’s charm wins over Charlie’s passengers, and she soon finds herself at risk of breaking her most sacred rule: don’t fall in love.