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1000 tulosta hakusanalla Robert Rauschenberg
Selections from the Private Collection of Robert Rauschenberg
Robert Storr
Rizzoli International Publications
2012
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The accompanying volume to an exhibition of Robert Rauschenberg’s personal collection, held at Gagosian Gallery, New York. Expanding upon the exhibition at Gagosian Gallery in New York (2011), this book doubles as an accompanying "reader" and features works by over sixty-five artists from Rauschenberg’s collection, including Joseph Beuys, Mathew Brady, Alexander Calder, Jim Dine, Jasper Johns, Brice Marden, Henri Matisse, Ed Ruscha, Cy Twombly, and Andy Warhol. Art historian and scholar Robert Storr contributes an essay focusing on Rauschenberg’s inspirations, friendships, and affinities as well as their myriad of interrelations. Biographies of each artist written by Mimi Thompson complement the illustrations of artworks and rare archival photographs, and show the influence of the artist’s work within Rauschenberg’s unique collection.
A lively and accessible introduction to the life and work of Robert Rauschenberg (1925-2008), one of the most inventive and influential artists of the post-war period. An important influence on Pop artists in the 1960s, Rauschenberg worked across a variety of media - painting, drawing, photography, sculpture, silkscreen, lithography, and performance - and actively collaborated with musicians, choreographers and dancers, and with engineers and scientists to pursue the potentials offered by new technologies. Part of the Tate Introduction series, this book offers a concise and engaging account of Rauschenberg's life, his art, and the ongoing debates concerning his significance.
Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of Off the Wall, which deals with the radical changes that have made advanced visual art such a powerful force in the world. Off the Wall chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. Featuring the artists and the art world surrounding Rauschenberg--from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim--Tomkins's stylish and witty portrait of one of America's most original and inspiring artists is fascinating, enlightening, and very entertaining.
Reappraising Rauschenberg across the 20th century, with a particular focus on his relationship to Italy and its most salient artistic movements Italy has always been entwined with the work of Robert Rauschenberg (1925-2008)--from his first visit at the age of 26 to his capturing of the International Grand Prize in Painting at the 1964 Venice Biennale. He continued to reference the country in his oeuvre, whether through found objects and scrap metal picked up in Venice and Naples or through more metaphorical references such as his Bellini print series. In celebration of the centenary of his birth, the Museo del Novecento staged an exhibition to an artist who without hyperbole can be considered one of the 20th century's most revolutionary artists. This bilingual English/Italian catalog interweaves his tireless decades-long experimentation--across sculpture, painting, assemblage, installation and more--with the movements that shaped his philosophy, from Futurism to Arte Povera.
This collection of 100 writings by Robert Rauschenberg reveals the artist’s gift for prose and the importance of his relationship to language The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held assumption that he was not an artist who wrote. This book corrects the record, showcasing 100 passages, many published here for the first time, from Rauschenberg’s robust body of written work. Comprising correspondence, artist notes, testimony, speeches, and more, this collection brings to light the artist’s love of language and reveals that writing was, in fact, central to Rauschenberg’s practice. The writings, illustrated with reproductions in the artist’s distinctive hand, are infused with visual and intellectual lyricism, humor, and insight, and span topics from the freedom of artistic expression to environmental concerns. This beautiful volume, which also features an essay by artist Martha Tuttle (b. 1989) about why artists’ writings matter, adds new depth to our understanding of Rauschenberg’s life and work. Published in association with the Robert Rauschenberg Foundation
A Sketch of the Life of Robert E. Rogers, M. D., LL. D.,
William S. W. Ruschenberger
Hansebooks
2020
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In the novel's Preface, the Author states: "In a few short words, the content of the book is this: A boy dedicates himself to the clerical profession with the fire of childlike enthusiasm, the youth goes astray in his profession, and the man, 'because not all flowering dreams ripened, ' has the notion of giving it up and 'fleeing to the desert.' Yet Heaven has decided otherwise. With resignation he comes back to himself and begins again to believe in his calling. Besides this, everything which is presented in the book belongs partly to the characteristics of the hero appearing in it, partly to the characteristics of our time chiefly with regard to religious, ecclesiastical, and especially clerical matters."
Robert
Createspace Independent Publishing Platform
2014
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Julie, a single mother, and her daughter Karen, are trying to move on after the loss of Julie's soulmate Kmyviks. Kmyviks was an alien who was a criminal on his home planet. He was exiled to Earth for one year until his sentence could be executed. While on Earth he fell in love with Julie and they had an incredible romance. After Kmyviks was taken back to his home planet, Julie discovered she was pregnant with his child. 'Robert' is the story of how Julie and Karen struggled to raise a child who was half alien. Robert quickly discovers he is not like the other children and struggles in a world where he is clearly superior. After awhile, Robert senses a connection with his father whom he has never met. Could Kmyviks still be alive?
Archer's Dynasty1. Delmar2. Peter3. Robert4. William5. Sherman6. DarrelElizabeth Monroe moved from Chicago to a small town in Ohio to live with her grandda, Bingo. He owned the construction company updating Peter's house. Elizabeth was helping out until she could take her medical boards to transfer her license to Ohio.Robert Archer was bored with being an attorney and wanted to try his hand at construction. He had an eye for detail and wanted to help his brother, Peter, out. Robert was focusing so hard on the tile job that when Elizabeth suddenly spoke out of seemingly nowhere, he was startled and fell, hitting his head hard on the tub.Elizabeth went immediately into doctor mode to save Robert. With his head bandaged and his eyes covered, Robert only knew her by the sound of her voice and her surly attitude. Surly or not, Robert was intrigued and falling quickly for the new doctor.
Andr Gide se voit adresser une r ponse pistolaire par Robert X - le mari de la d funt veline X qui fit publier de mani re posthume son journal intime, sous le titre L' cole des femmes, par les soins de sa fille -, qui demande l' crivain de publier son droit de r ponse la suite du d voilement de sa vie de couple par son pouse. Robert, tout la fois scandalis par l'action de sa femme et plus encore de sa fille, pr sente sa version de l' volution de son mariage o il transpara t que son amour, toujours intact d'une certaine mani re pour veline, s'est heurt avec le caract re de plus en plus libre-penseur de sa femme qui s' loignait du mod le bourgeois et profond ment catholique dans lequel il voulait contraindre son m nage. Selon lui, sa femme n'a pas support de le voir tel qu'en lui-m me, s'attachant avant tout l'image id alis e qu'elle se faisait de lui, et sous l'influence de personnes sans morale religieuse a fini par le lui reprocher.
Das fiktive Dokudrama "Robert" ist ein Versuch, die Geschehnisse des Badeunfalls meines Bruders in Erinnerung zu rufen und dadurch sein Ged chtnis zu bewahren. Die erz hlerische Dokumentation will eintauchen in das kurze Leben Roberts (1937-1944), in die damalige Zeit (Drittes Reich) und damit auch in das furchtbare Kriegsjahr 1944, in dem sich der Badeunfall ereignet hatte. Mit den sp rlich vorhandenen Fakten soll der nicht restlos aufgekl rte Ertrinkungstod des Bruders aufge- und verarbeitet werden.
Zwischen Kriegswirren, Machtgier und Intrigen am k niglichen Hof begegnet Thronfolger, David von Tungston, seiner geliebten Anabel und erlebt mit ihr eine tiefe Seelenverwandtschaft, die sie auf unbeschreibliche Weise miteinander verbindet. Als er auf Robert trifft, wei er die Faszination, die dieser auf ihn aus bt, nicht zu deuten und ger t zunehmend in dessen Bann, ohne zu ahnen, dass er durch ihn in einen machtpolitischen Interessenkonflikt verwickelt wird. Erst als David erkennt, dass die Krone in Gefahr ist, trifft er eine folgenschwere Entscheidung.
Lestadiolaisuuden historiaan on kuulunut monia v rikk it persoonia, joiden tarina on painunut vuosien saatossa unohduksiin. Yksi heist on tamperelainen suutari Robert Gr nfors (1851-1934), jonka vaiherikas el m kietoutuu niin Tampereen kenk teollisuuden varhaisvaiheisiin kuin kaupungin kehitykseen ja kaupunkilaisten el m n erityisesti 1800-luvun j lkipuoliskolla. H nelle itselleen merkitt vimm ksi muodostui side esikoislestadiolaiseen her tysliikkeeseen, mink ansiosta h nen tarinansa ei painunut unohduksiin, vaan s ilyi meid n p iviimme asti. T m julkaisu kertoo Robertin el m ntarinan niilt osin kuin se on t ll hetkell kohtuullisella ty m r ll selvitett viss . Sis lt jakautuu suunnilleen puoliksi Tampereen kaupungin ja lestadiolaisuuden historiaan liittyvien teemojen v lille. Teoksen liitteen ovat meid n p iviimme s ilyneet Robert Gr nforsin omat kirjoitukset, jotka omalla tavallaan valottavat h nen persoonaansa ja aikaa, jona h n eli.