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Roman Spring Of Mrs Stone

Roman Spring Of Mrs Stone

Tennessee Williams

Vintage Publishing
1999
pokkari
Mrs Stone changed from a famous, rich American actress to a notorious, very rich American widow. But the transition took years and all that time her youth and legendary beauty slipped away. Frantic, she decides to take a lover, a young and very handsome Italian, being prepared to invest in his body for good return.
Roman Seas

Roman Seas

Justin Leidwanger

Oxford University Press Inc
2020
sidottu
That seafaring was fundamental to Roman prosperity in the eastern Mediterranean is beyond doubt, but a tendency by scholars to focus on the grandest long-distance movements between major cities has obscured the finer and varied contours of maritime interaction. This book offers a nuanced archaeological analysis of maritime economy and connectivity in the Roman east. Drawing together maritime landscape studies and network analysis, Roman Seas takes a bottom-up view of the diverse socioeconomic conditions and seafaring logistics that generated multiple structures and scales of interaction. The material record of shipwrecks and ports along a vital corridor from the southeast Aegean across the northeast Mediterranean provides a case study of regional exchange and communication based on routine sails between simple coastal harbors. Rather than a single well-integrated and persistent Mediterranean network, multiple discrete and evolving regional and interregional systems emerge. This analysis sheds light on the cadence of economic life along the coast, the development of market institutions, and the regional continuities that underpinned integration-despite imperial fragmentation-between the second century BCE and the seventh century CE. Roman Seas advances a new approach to the synthesis of shipwreck and other maritime archaeological and historical economic data, as well as a path through the stark dichotomies-either big commercial voyages or small-scale cabotage-that inform most paradigms of Roman connectivity and trade. The result is a unique perspective on ancient Mediterranean trade, seafaring, cultural interaction, and coastal life.
Roman Portable Sundials

Roman Portable Sundials

Richard J.A. Talbert

Oxford University Press Inc
2017
sidottu
In an unscientific era when maps were rarities, how did ancient Romans envisage their far flung empire? This was done by various means for certain, including with the aid of an ingenious type of portable sundial that has barely attracted notice. As the Romans understood before the first century BCE, to track the passage of the sun across the sky hour-by-hour one needed to know one's latitude and the time of year, and that, furthermore, sundials did not have to be fixed objects. These portable instruments, crafted in bronze, were adjustable for the changes of latitude to be expected on long journeys--say, for instance, from Britain to Spain, or from Alexandria to Rome, or even on a Mediterranean tour. For convenient reference, these sundials incorporated lists of twenty to thirty names of cities or regions, each with its specific latitude. One of the insights of Roman Portable Sundials is that the choice of locations offers unique clues to the mental world-map and self-identity of individuals able to visualize Rome's vast empire latitudinally. The sixteen such sundials known to date share common features but designers also vied to create enhancements. Comparison with modern calculations shows that often the latitudes listed are incorrect, in which case the sundial may not perform at its best. But then the nature of Romans' time-consciousness (or lack of it) must be taken into consideration. Richard Talbert suspects that owners might prize these sundials not so much for practical use but rather as prestige objects attesting to scientific awareness as well as imperial mastery of time and space. In retrospect, they may be seen as Roman precursors to comparable Islamic and European instruments from the Middle Ages onwards, and even to today's luxury watches which display eye-catching proof of their purchasers' wealth, sophistication, and cosmopolitanism. Richly enhanced with detailed photographs, line drawings, maps, a gazetteer, and a table of latitudes and locations, Roman Portable Sundials brings these overlooked gadgets out of the shadows at last to reveal their hitherto untapped layers of meaning.
Roman Architecture

Roman Architecture

Janet DeLaine

Oxford University Press
2024
nidottu
Roman Architecture casts new light not only on many familiar monuments of the city of Rome, but also on less well-known examples from across the Roman empire. Rome and its empire were fundamental to the development of western architecture, and its forms and motifs remain significant elements of our own built environments. Roman Architecture places the varied architecture of ancient Rome, from its humble apartment blocks to its grand public structures, within the broader context of Roman society. It takes as its starting point the writings of the Roman architect Vitruvius, as one voice in a broader contemporary debate about the nature and value of architecture. What did the Romans themselves think architecture was for? What was built, by whom and why? How was architecture represented in text and image? The interplay of type and variation that are the hallmark Roman architecture are here traced back to the human actions and choices from which they originated. Janet DeLaine explores how the desires of patrons for novelty and individuality were met by architects and builders working within the practical constraints of available materials and the moral prescriptions of religious and social norms to create new forms. Ranging from early Rome to the late empire, this volume casts new light on many familiar monuments of the city of Rome, but also on less well-known examples from across the empire. Through an examination of the key types of buildings at the heart of Roman society and their decoration, it reveals the symbolic meaning of architecture in terms of competitive power displays and commemoration, and it explores how architecture helped to define being 'Roman' at different times and in different places of the empire.
Roman Imperial Portrait Practice in the Second Century AD

Roman Imperial Portrait Practice in the Second Century AD

Christian Niederhuber

Oxford University Press
2022
sidottu
It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, this book provides new insights into the functioning of the imperial image in Rome in the second century AD that move a difficult, much-discussed subject forward decisively. The new evidence presented here has made it necessary to adjust the established model; more flexibility is needed to describe the processes and practices behind the phenomenon of 'repeated' imperial portraits and how the imperial portrait worked in the mint of Rome and in the metropolitan marble workshops.
Roman Luxuria

Roman Luxuria

Francesca Romana Berno

Oxford University Press
2023
sidottu
In classical Latin, luxuria means 'desire for luxury'; it is linked with the ideas of excess and deviation from a standard. It is in most cases labelled as a vice which contrasts with the innate frugal nature of the Romans. Latin authors do not see it as endemic but as an import from the East in the aftermath of military conquests--and as a cause of fatal decline. Following these etymological and semantic origins, Roman Luxuria: A Literary and Cultural History discusses the influence of Greek culture on the Roman concept and the peculiar characteristics of Roman luxuria. It analyses Roman views on luxuria through close readings in historical order from Cato the Elder, who regards luxuria as the opposite of the ideal Roman way of life, to the Christian poet Prudentius, who represents it in an allegorical fight with Sobriety. The book attends both to key authors and to wider literary genres, such as historiography and satire. Particular consideration is given to the rhetorical device of personification, which can be traced from the first appearances of luxuria in Latin literature to those of late antiquity. Berno devotes detailed attention to Seneca the Younger, whose work is often preoccupied with this passion. Seneca both defends himself from the charge of luxuria and violently attacks it in others, describing it as the archenemy of a philosophical life. Along the centuries, the focus on luxuria shifts from the economic sphere (and the waste of money) to the erotic, to the extent that in the Christian world it becomes one of the Seven Capital Sins representing the vice of lust.
Roman de Brut

Roman de Brut

Oxford University Press
2024
nidottu
'Whoever wishes to hear about, and to know about, kings and heirs, about who first ruled England and which kings it had, Master Wace, who is telling the truth about this, has translated this.' Wace's Roman de Brut (1155) can be seen as the gateway to the history of the Britons for both French and English speakers of the time, and thus to Arthurian history, as the first complete Old French adaptation of Geoffrey of Monmouth's Latin History of the Kings of Britain (late 1130s), in which Arthur appears for the first time as king of the Britons. The Roman de Brut was a foundational work, an inspiration for a series of anonymous verse Bruts of the late twelfth and thirteenth centuries and for the Anglo-Norman Prose Brut -- the most widely read French vernacular text on this material in medieval England -- as well as a forerunner of the Middle English Brut tradition, including Layamon's Brut (c. 1200). Wace's poem thus inaugurates and shapes Brut traditions, including Arthurian tales, in verse and in prose, in historiography and in literature, including Wace's innovation of King Arthur's Round Table. This volume contains an English prose translation of Wace's Roman de Brut, accompanied by an introduction and notes, a select bibliography, a summary of the text, a list of manuscripts, and indexes of personal and geographical names.
Roman Laughter

Roman Laughter

Erich Segal

Oxford University Press Inc
1987
nidottu
'We certainly need in English a book devoted to Plautus alone and here we have it.' Phoenix This reissue of virtually the only book in English devoted to the work of the Roman comedy writer Plautus (c. 254-184 BC) includes a new preface and additional appendices covering the plays Amphitryon and Captivi.
Roman Homosexuality

Roman Homosexuality

Craig A. Williams

Oxford University Press Inc
1999
sidottu
This comprehensive study of Roman sexuality and the ideologies of masculinity discusses a wide range of ancient texts, arguing that native Roman concepts of masculinity did not rely on the distinction between homosexuality and heterosexuality, but were instead structured around such antitheses as free vs. slave, dominant vs. subordinate, and masculine vs. effeminate.
Roman Homosexuality

Roman Homosexuality

Craig A. Williams

Oxford University Press Inc
2010
nidottu
Ten years after its original publication, Roman Homosexuality remains the definitive statement of this interesting but often misunderstood aspect of Roman culture. Learned yet accessible, the book has reached both students and general readers with an interest in ancient sexuality. This second edition features a new foreword by Martha Nussbaum, a completely rewritten introduction that takes account of new developments in the field, a rewritten and expanded appendix on ancient images of sexuality, and an updated bibliography.
Roman Sculpture from the Cotswold Region, with Devon and Cornwall
Roman sculpture from the Cotswolds (principally Gloucestershire and Oxfordshire) forms one of the most consistent regional traditions of Roman Britain. These sculptors, working with the soft local limestone, displayed a considerable feeling for pattern and texture. Many of the pieces are well known and the best are among the most distinguished works of art from Roman Britain, but they have never before been discussed as a whole. This volume features detailed catalogue entries and over 300 illustrations, providing a full record of the material. An introductory essay sets the historical and stylistic contexts. Concluding the text, Dr Henig also covers the Roman sculpture from Devon and Cornwall.
Roman Sculpture from the North West Midlands
This is the first comprehensive catalogue of the sculpture from this region of Roman Britain, including the first proper record of the sculpture from Wroxeter. The sculptures, all in local sandstone, were carved locally and provide an index of Romanisation in the far north-west of the Roman Empire - at the Fortress of Legio II Adivtrix and then Legio XX Valeria Victrix at Devra (Chester), and at the Fortress and subsequently the civil town of the Cornovii at Viroconium (Wroxeter). The sculpture from Letcetum (Wall, Staffs) is also considered. The works range in quality from highly accomplished and decorative altars and tombstones, to rather ham-fisted efforts which hint that it was not always possible to attract sculptors to these relatively remote places. Such factors are discussed in an extended introduction.
Roman Sculpture from London and the South-East

Roman Sculpture from London and the South-East

Penny Coombe; Martin Henig; Francis Grew; Kevin Hayward

Oxford University Press
2015
sidottu
This, the tenth fascicule in the British section of the international series Corpus Signorum Imperii Romani, concerns Roman sculpture from south-east England. Over 200 individual items are catalogued, from the counties of Kent, Surrey and Hertfordshire, as well as from Greater London. In contrast to the rest of Britain, this region has yielded a substantial collection of marble and bronze statuary. The sculptures from the Temple of Mithras in London are notable highlights, as are the busts probably of the emperor Pertinax and his father from the villa at Lullingstone. The famous head of Hadrian from the Thames is one of only three bronze statues of that emperor from the entire Roman world. Scarcely less impressive is the limestone sculpture, which includes important funerary monuments and sarcophagi, alongside depictions of Classical and Romano-British deities. In the last of these categories, a Matronae relief with four rather than the usual three matrons, and several representations of a Hunter God are particularly intriguing. A substantial part of the book concerns architectural sculpture, in particular fragments of three major monuments: the quadrifrons arch at Richborough, and a small arch and screen from London. The figural and floral motifs on the London monuments are analysed in detail, revealing close links with contemporary sculpture in the Rhineland. For the first time in the British CSIR series, this fascicule contains a comprehensive study of the types and sources of the stone. Nearly every item was examined visually by an archaeological petrologist, Dr Kevin Haywood, and approaching half in thin-section. It emerges that in the early Roman period sculptors in Kent used stone quarried in northern France rather than Britain, so demonstrating the importance of cross-Channel connections in the formative years of the province of Britannia.
Roman Portable Sundials

Roman Portable Sundials

Richard J.A. Talbert

Oxford University Press Inc
2020
nidottu
In an unscientific era when maps were rarities, how did ancient Romans envisage their far flung empire? This was done by various means for certain, including with the aid of an ingenious type of portable sundial that has barely attracted notice. As the Romans understood before the first century BCE, to track the passage of the sun across the sky hour-by-hour one needed to know one's latitude and the time of year, and that, furthermore, sundials did not have to be fixed objects. These portable instruments, crafted in bronze, were adjustable for the changes of latitude to be expected on long journeys--say, for instance, from Britain to Spain, or from Alexandria to Rome, or even on a Mediterranean tour. For convenient reference, these sundials incorporated lists of twenty to thirty names of cities or regions, each with its specific latitude. One of the insights of Roman Portable Sundials is that the choice of locations offers unique clues to the mental world-map and self-identity of individuals able to visualize Rome's vast empire latitudinally. The sixteen such sundials known to date share common features but designers also vied to create enhancements. Comparison with modern calculations shows that often the latitudes listed are incorrect, in which case the sundial may not perform at its best. But then the nature of Romans' time-consciousness (or lack of it) must be taken into consideration. Richard Talbert suspects that owners might prize these sundials not so much for practical use but rather as prestige objects attesting to scientific awareness as well as imperial mastery of time and space. In retrospect, they may be seen as Roman precursors to comparable Islamic and European instruments from the Middle Ages onwards, and even to today's luxury watches which display eye-catching proof of their purchasers' wealth, sophistication, and cosmopolitanism. Richly enhanced with detailed photographs, line drawings, maps, a gazetteer, and a table of latitudes and locations, Roman Portable Sundials brings these overlooked gadgets out of the shadows at last to reveal their hitherto untapped layers of meaning.
Roman and Local Citizenship in the Long Second Century CE
Imperial and Local Citizenship in the Long Second Century CE offers a radical new history of Roman citizenship in the long century before Caracalla's universal grant of citizenship in 212 CE. Earlier work portrayed the privileges of citizen status in this period as eroded by its wide diffusion. Building on recent scholarship that has revised downward estimates for the spread of citizenship, this work investigates the continuing significance of Roman citizenship in the domains of law, economics and culture. From the writing of wills to the swearing of oaths and crafting of marriage, Roman citizens conducted affairs using forms and language that were often distinct from the populations among which they resided. Attending closely to patterns at the level of province, region and city, this volume offers a new portrait of the early Roman empire: a world that sustained an exclusive regime of citizenship in a context of remarkable political and cultural integration.
Roman Perspectives on Linguistic Diversity
Thirty years ago Robert Kaster's Guardians of Language: The Grammarian and Society in Late Antiquity investigated ancient Greco-Roman grammarians as social agents within their social and cultural context. This collection of twelve essays develops that line of inquiry by focusing on one dimension of their activity: how Roman grammarians - as well as scholars and intellectuals more broadly - described, made sense of, and resisted linguistic diversity within the Roman republic and empire. This includes social and diachronic variety within Latin as well as multilingual contact with Greek and other Mediterranean languages. The essays cover five centuries of Latin reflection on language, from Varro to the fifth or sixth century CE. The book concludes with an autobiographical Epilogue by Robert Kaster about the origins of Guardians of Language and updates to the prosopography of known ancient grammarians found in Guardians.
Roman Virtue in the Early Christian Thought of Lactantius

Roman Virtue in the Early Christian Thought of Lactantius

Jason M. Gehrke

OXFORD UNIVERSITY PRESS INC
2025
sidottu
Known since the Renaissance as the "Christian Cicero," Lucius Caecilius Firmianus Lactantius was a professor of Latin rhetoric, Christian apologist, and theologian at the court of Emperor Constantine. In this historical study, Jason M. Gehrke examines the central notion ofvirtusin Lactantius's major work,The Divine Institutes of the Christian Religion. This book begins by tracing the reception of classical Roman political and philosophical arguments about divinevirtusfrom their classical sources into the apologetic, exegetical, and doctrinal writings of Lactantius's predecessors — Tertullian, Minucius Felix, and Cyprian. Recognition of their influence illuminates the fundamental notion ofvirtusthat animates Lactantius's doctrine of God and his Christology. In this context, Lactantius's account of divinevirtusrevealed in Christ indicates the profound influence of classical Roman literature, philosophy, and politics upon the development of Christian thought in the third-century Latin West. Lactantius's Christology provides the immediate basis for his attempt to correct and reform classical Roman thinking about moral and political order. Gehrke thus examines Lactantius's arguments about wealth, sexuality, and warfare to show their intimate connection to his Christology and scriptural exegesis. In this account, Gehrke argues, Lactantius attempts a comprehensive synthesis of third century Latin Christian thinking about Christ's revelation and its implications for ethics and politics. Roman Virtue in the Early Christian Thought of Lactantiusthus presentsTheDivine Institutesas the first programmatic expression of early Latin Christian political theology in the Constantinian era. By attending to the traditional character of his arguments, this work provides a new basis for historical accounts of Lactantius and his contributions to Christianity in the pivotal era of Constantine's rise. Foreword by Anthony Briggman.
Roman Inequality

Roman Inequality

Edward E. Cohen

OXFORD UNIVERSITY PRESS INC
2023
sidottu
Roman Inequality explores how in Rome in the first and second centuries CE a number of male and female slaves, and some free women, prospered in business amidst a population of generally impoverished free inhabitants and of impecunious enslaved residents. Edward E. Cohen focuses on two anomalies to which only minimal academic attention has been previously directed: (1) the paradox of a Roman economy dependent on enslaved entrepreneurs who functioned, and often achieved considerable personal affluence, within a legal system that supposedly deprived unfree persons of all legal capacity and human rights; (2) the incongruity of the importance and accomplishments of Roman businesswomen, both free and slave, successfully operating under legal rules that in many aspects discriminated against women, but in commercial matters were in principle gender-blind and in practice generated egalitarian juridical conditions that often trumped gender-discriminatory customs. This book also examines the casuistry through which Roman jurists created "legal fictions" facilitating a commercial reality utterly incompatible with the fundamental precepts--inherently discriminatory against women and slaves---that Roman legal experts ("jurisprudents") continued explicitly to insist upon. Moreover, slaves' acquisition of wealth was actually aided by a surprising preferential orientation of the legal system: Roman law--to modern Western eyes counter-intuitively--in reality privileged servile enterprise, to the detriment of free enterprise. Beyond its anticipated audience of economic historians and students and scholars of classical antiquity, especially of Roman history and law, Roman Inequality will appeal to all persons working on or interested in gender and liberation issues.
Roman Children's Sarcophagi

Roman Children's Sarcophagi

Janet Huskinson

Clarendon Press
1996
sidottu
This book is the first major study of the themes which were used in the decoration of sarcophagi made for children in Rome and Ostia from the late first to early fourth century AD. It provides a selective catalogue of examples of each type, followed by discussion of how these fit into the general pattern. This allows certain themes to be identified which are virtually exclusive to childre's sarcophagi. The second part of the book discusses the choice of subjects and how these reflect the standing of children in Roman society: to what extent, for instance, was childhood shown as a differentiated stage of life, or was it dominated by aspirations of the adult world? How is the death of a child treated in art? There are separate sections on the role of workshops and customers in the development of child-specific imagery, and on material from the early Christian era, providing some interesting differences resulting from differing attitudes towards children and beliefs about life and death.
Roman Freedmen During the Late Republic

Roman Freedmen During the Late Republic

S. Treggiari

Oxford University Press
2000
sidottu
Oxford Scholarly Classics brings together a number of great academic works from the archives of Oxford University Press. Reissued in a uniform series design, they will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.