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1000 tulosta hakusanalla Rudolf Lothar
Written by independent authority on Steiner's teachings, Dr. Adrian Anderson, author of 18 books including the Rudolf Steiner Handbook.Leonardo's masterpiece decayed and fell into ruin by about 1550, but the "Idea" that it embodied was inspired from a high spiritual source, and contains deep truths of esoteric Christianity, especially in regard to the link between the zodiac and the Logos, the cosmic Christ, Jesus himself and his 12 Disciples. Rudolf Steiner taught that the Idea behind the painting is what is of value, and his approach to Leonardo's masterpiece was to make use of the superb copy painted by Giampetrino, who was himself a student of Leonardo.Over several years, Dr. Anderson used his expertise in re-freshing damaged artworks of an esoteric nature, to re-create as far as possible, what Leonardo's Last Supper looked like, some 500 years ago; a task that was primarily based on the Giampetrino copy. He then accessed and translated an unpublished Archive document, which records Rudolf Steiner's astonishing comments about the Zodiac in relation to the Last Supper and the Disciples.Using the notes of Rudolf Steiner's archive document, and his expertise in anthroposophy together with his scholarship in the Greek of the New Testament, Adrian reveals the various esoteric meanings alluded to in the painting.The especially re-created version of the Last Supper used in this book is available as an art print.- Rudolf Steiner's comments of the life of Lazaros - The author of John's Gospel and its esoteric nature - The initiatory Last Supper: the ancient Mysteries and the Christian Mysteries - The role of Lazaros-John in the Last Supper events - The 12 Disciples and the 12 Zodiac signs - The Dieciples and the 12 Bodhisattvas in an Italian Renaissance painting95 pages in near A4 size, with 17 pages of graphics.
Written by independent authority on Steiner's teachings, Dr. Adrian Anderson, author of 18 books including the Rudolf Steiner Handbook.Leonardo's masterpiece decayed and fell into ruin by about 1550, but the "Idea" that it embodied was inspired from a high spiritual source, and contains deep truths of esoteric Christianity, especially in regard to the link between the zodiac and the Logos, the cosmic Christ, Jesus himself and his 12 Disciples. Rudolf Steiner taught that the Idea behind the painting is what is of value, and his approach to Leonardo's masterpiece was to make use of the superb copy painted by Giampetrino, who was himself a student of Leonardo.Over several years, Dr. Anderson used his expertise in re-freshing damaged artworks of an esoteric nature, to re-create as far as possible, what Leonardo's Last Supper looked like, some 500 years ago; a task that was primarily based on the Giampetrino copy. He then accessed and translated an unpublished Archive document, which records Rudolf Steiner's astonishing comments about the Zodiac in relation to the Last Supper and the Disciples.Using the notes of Rudolf Steiner's archive document, and his expertise in anthroposophy together with his scholarship in the Greek of the New Testament, Adrian reveals the various esoteric meanings alluded to in the painting.The especially re-created version of the Last Supper used in this book is available as an art print.- Rudolf Steiner's comments of the life of Lazaros - The author of John's Gospel and its esoteric nature - The initiatory Last Supper: the ancient Mysteries and the Christian Mysteries - The role of Lazaros-John in the Last Supper events - The 12 Disciples and the 12 Zodiac signs - The Dieciples and the 12 Bodhisattvas in an Italian Renaissance painting95 pages in near A4 size, with 17 pages of graphics.
In 1924, Rudolf Steiner gave a series of esoteric lessons which became known as the First Class. Meditative verses were included in the 19 lessons, intended to assist students of anthroposophical wisdom in spiritual development. A working knowledge of anthroposophy is well-advised for the use of these verses.
In 1924, Rudolf Steiner gave a series of esoteric lessons which became known as the First Class. Meditative verses were included in the 19 lessons, intended to assist students of anthroposophical wisdom in spiritual development. A working knowledge of anthroposophy is well-advised for the use of these verses.
Rudolf Bultmann
Augsburg Fortress
1991
nidottu
Bultmann's pioneering study of the New Testament initiated a new era in biblical studies in the Twentieth Century. Together with Karl Barth, Bultmann broke with liberal theology, but his often misunderstood program of demythologization took him in a radically different direction from Barth. In many respects Bultmann set the agenda for biblical theology in the decades following World War II. This volume concentrates on the key texts and ideas in Bultmann's thought. It presents the essential Bultmann for students and the general reader. Roger Johnson's introductory essay and notes on the selected texts set Bultmann in his historical context, chart the development of his thought, and indicate the significance of his theology in the development of Christian theology as a whole. Substantial selections from Bultmann's work illustrate key themes: God as "Wholly Other" Jesus and the Eschatological Kingdom Existentialist interpretation Kerygma Faith and Modernity in conflict Demythologizing: controversial slogan and theological focus
On February 17, 1894, the Diesel engine was operated successfully for the first time. Since then it has been a prime mover for civilization, and today much of the world depends on it as a source of power. Nowhere, perhaps, is it in more widespread use than in America, where the word ""diesel"" is a part of our language.Rudolf Diesel: Pioneer of the Age of Power is the first English-language publication of Rudolph Diesel's biography. Authors W. Robert Nitske and Charles Morrow Wilson offer a warm and moving account of Diesel from the time of his birth in Paris in 1858 to his mysterious death in 1913. They present Diesel as he was - a man who lived, worked, and invented so far ahead of his time that the world is only now beginning to catch up to him.
Almond places Otto's theory of religion within the context of his life (1869-1937), looking closely at the significant influences on Otto's thought, among them thinkers as different as Kant and the German Pietists. Elements of Otto's theories are shown to be closely related to the social and intellectual milieu of Germany both before and after World War I. Almond examines Otto's conception of the Holy, of rational and nonrational elements of religion, and compares his views with those of his contemporaries.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Rudolf Laban, the famed dancer-choreographer and 'founding father' of modern dance, also had experience as a painter, sculptor, and architect, and allowed those skills to influence his innovative choreographic techniques. His important works and his creation of one of the most significant forms of dance notation make him an essential component of dance history. Rudolf Laban: The Dancer of the Crystal examines Laban's training, his teaching experiences, and the discovery and development of his principles of form and movement, paying special attention to his choreographic and philosophical work. Author Evelyn Doerr presents intriguing tidbits of the artist's experience, such as Laban's ambivalent position as the 'dance organizer' of the Nazi party in Germany, embedded in a historical and philosophical context, offering insights to his choreographic processes and the events that shaped his life. The book presents the different stages and elements of Laban's choreography discussing, for example, Laban's "dance-sound-word" instructional approach, his concept of the "movement choir" and examples of its realization, the concepts of eukinetics and choreutics, and a description of how these subjects were taught in Laban's school. Doerr also analyzes important elements in Laban's theories of spatial harmony and of effort, and she investigates his various early systems of dance notation, leading to a detailed explanation of kinetography, Laban's final notational system. A complete bibliography and an appendix of works choreographed between 1897 and 1936 help make this book an important contribution to Laban scholarship and to the dance, theater, and cultural history of Europe in the first half of the 20th century.
The Philosophy of Rudolf Carnap, Volume 11
Rudolf Carnap; Paul Arthur Schilpp
Open Court Publishing Co ,U.S.
1999
pokkari
The first volume of the Library of Living Philosophers (LLP) appeared in 1939, the brainchild of the late Professor Paul A. Schilpp. Schilpp saw that it would help to eliminate confusion and endless sterile disputes over interpretation if great philosophers could be confronted by their capable philosophical peers and asked to reply. As well as a number of critical essays with the chosen philosopher's replies to each essay, each volume would include an intellectual autobiography and an up-to-date bibliography The LLP series has exceeded even Schilpp's expectations, enabling great philosophers to do more than clarify by extending and elaborating their thoughts. A volume in the Library of Living Philosophers is not merely a commentary on a philosopher's work; it is a critical part of that work.
Rudolf Laban was one of the leading dance theorists of the twentieth century. His work on dance analysis and notation raised the status of dance as both an art form and a scholarly discipline. This is the first book to combine: an overview of Laban’s life, work and in?uences an exploration of his key ideas, including the revolutionary "Laban Movement Analysis" system analysis of his works Die Grünen Clowns and The Mastery of Movement and their relevance to dance theater from the 1920s onwards a detailed exercise-based breakdown of Laban’s key teachings.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Rudolf Laban was one of the leading dance theorists of the twentieth century. His work on dance analysis and notation raised the status of dance as both an art form and a scholarly discipline. This is the first book to combine: an overview of Laban’s life, work and in?uences an exploration of his key ideas, including the revolutionary "Laban Movement Analysis" system analysis of his works Die Grünen Clowns and The Mastery of Movement and their relevance to dance theater from the 1920s onwards a detailed exercise-based breakdown of Laban’s key teachings.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Rudolf Steiner is indisputably a major thinker in education. Heiner Ullrich's volume offers the most coherent account of Steiner's educational thought. This work is divided into: Intellectual biography; Critical exposition of Steiner's work; The reception and influence of Steiner's work; and, The relevance of the work today.This is a major international reference series providing comprehensive accounts of the work of seminal educational thinkers from a variety of periods, disciplines and traditions. It is the most ambitious and prestigious such project ever published - a definitive resource for at least a generation. The thinkers include: Aquinas, Aristotle, Bourdieu, Bruner, Dewey, Foucault, Freire, Holt, Kant, Locke, Montessori, Neill, Newman, Owen, Peters, Piaget, Plato, Rousseau, Steiner, Vygotsky, West and Wollstonecraft.
Rudolf Polanszky
Hans-Ulrich Obrist; Francesco Stocchi
Rizzoli International Publications
2020
sidottu
Rudolf Polanszky s cerebral and uniquely multidisciplinary work embraces the chance occurrences that arise throughout the creative process. The recent works presented in this volume exemplify the canvas-mounted and floor-based assemblages that he has been developing since the 1990s. To make his richly textured assemblages, Polanszky shatters and recombines salvaged industrial materials including acrylic glass, aluminum, silicone, and wire into purely aesthetic forms, freeing them of their original contexts. An essay by Francesco Stocchi considers the artist s work in relation to the concept of the void, while a conversation with the artist by Hans-Ulrich Obrist offers an overview of Polanszky s career. These illuminating texts are accompanied by full-color plates, ample rich details, and photographs of the artist at work in his studio.
A popular biography of one of the most creative and prolific figures of the early twentieth century.
"Am I going too far if I declare that not a single one of the opponents took a tenth of the pains I took with anthroposophy before I joined the movement?" -- Friedrich RittelmeyerBorn in southern Germany in 1872, Friedrich Rittelmeyer was a leading figure in the Lutheran church at the beginning of the twentieth century. His was an influential pulpit, and he was a pioneer of a new meditative approach, seeking to re-establish the relevance of the Gospels.His life took an unexpected turn when, in 1911, he encountered Rudolf Steiner for the first time. He spent the next ten years critically appraising and investigating Steiner's ideas. This book is a fascinating and insightful autobiographical account of those years, as well a rigorous scrutiny of anthroposophy.In 1922, he made the decision to leave the Lutheran church and lead a new movement for religious renewal, The Christian Community, in association with Steiner. His final conviction was that Steiner's ideas were truly inspired. First published in English in 1929, this book's honest struggle with key anthroposophical concepts has been influential for generations of people.