Originally put together by Wordsworth and Coleridge, this publication of English poetry, includes Coleridge's "The Rime of the Ancient Mariner" and Wordsworth's "Tintern Abbey".
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1000 tulosta hakusanalla Samuel Coleridge
The Rime of the Ancient Mariner
Samuel Coleridge; Herbert Bates
British Library, Historical Print Editions
2011
pokkari
Title: 24 Negro MelodiesComposer: Samuel Coleridge-TaylorOriginal Publisher: Ditson The complete 24 Negro Melodies, Op. 59, by Samuel Coleridge-Taylor, as originally published by Ditson. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.
F. W. J. Schelling's Denkmal Der Schrift Von Den Go Ttlichen Dingen, Andc. Des Herrn F. H. Jacobi, Und Der Ihm in Derselben Gemachten Beschuldigung Eines Absichtlich Ta Uschenden Lu GE Redenden Atheismus.
Friedrich Schelling; Samuel Coleridge
British Library, Historical Print Editions
2011
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Hiawatha's Wedding Feast
Henry Wadsworth Longfellow; Samuel Coleridge-Taylor
Hansebooks
2017
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The Complete Poetical Works of Samuel Taylor Coleridge
Samuel Taylor Coleridge
Oxford University Press
1963
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Oxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.
Samuel Taylor Coleridge and the Sciences of Life
Oxford University Press
2001
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This test focuses on Coleridge's relation to the "sciences of life" - a term which embraces a broader field than modern "science". Accordingly, there are essays on Coleridge and the vitalist debate, political and social ideas, literary relations, chemistry, geology and medicine.
The Complete Poetical Works of Samuel Taylor Coleridge
Samuel Taylor Coleridge
Oxford University Press
1963
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A scholarly edition of works by Samuel Taylor Coleridge. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
The Complete Poetical Works of Samuel Taylor Coleridge
Samuel Taylor Coleridge
Oxford University Press
1963
sidottu
A scholarly edition of works by Samuel Taylor Coleridge. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.' In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.' Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.
Samuel Taylor Coleridge - The Major Works
Samuel Taylor Coleridge
Oxford University Press
2008
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This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Coleridge's poetry and prose - all the major poems, complemented by important criticism, letters, and marginalia - to give the essence of his work and thinking. Samuel Taylor Coleridge, poet, critic, and radical thinker, exerted an enormous influence over contemporaries as different as Wordsworth, Southey and Lamb. He was also a dedicated reformer, and set out to use his reputation as a public speaker and literary philosopher to change the course of English thought. This collection represents the best of Coleridge's poetry from every period of his life, particularly his prolific early years, which produced The Rime of the Ancient Mariner, Christabel, and Kubla Khan. The central section of the book is devoted to his most significant critical work, Biographia Literaria, and reproduces it in full. It provides a vital background for both the poetry section which precedes it and for the shorter prose works which follow. There is also a generous sample of his letters, notebooks, and marginalia, some recently discovered, which show a different, more spontaneous side to his fascinating and complex personality. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The most sustained criticism and ambitious theory that had ever been attempted in English, the Biographia was Coleridge's major statement to a literary culture in which he sought to define and defend all imaginative life. This book offers a reading of Coleridge in the context of that culture and the institutions that comprised it.
Samuel Taylor Coleridge and the Anglican Church
Luke Wright
University of Notre Dame Press
2010
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This book is the first systematic historical examination of Samuel Taylor Coleridge's prose religious works. Coleridge (1772-1834), the son of a clergyman, "was born and died a communicating member of the Church of England." He was a prolific writer on the subject of the relationship between church and state. At age twenty-three, Coleridge published his first theological work, Lectures on Revealed Religion, which focused on the concept of reason facilitating virtue. Luke Wright maintains that this theme unites Coleridge's theological writings, including the posthumous Confessions of an Inquiring Spirit (1935). Although he was an advocate of radical politics in the 1790s, by the time Coleridge published The Friend (1809), he had become high Tory. His major contribution to Anglican religious discourse was the revival of the Tory position on church and state, which saw the two as an organic unity rather than separate entities forming an alliance. His writings were vigorously opposed to the Court Whig theory of church and state. After Coleridge's death in 1834, his arguments were taken up by William Gladstone and carried forward. Wright's careful reconstruction of Coleridge's dedication to church-state issues provides a new perspective on the writer himself and on the intellectual history of early nineteenth-century England.
A biographical study of Coleridge's character and personality.
In the last several decades, interest in this leader of the English romantic movement has increased dramatically. More and more scholars are publishing books and articles about Coleridge; more and more students are writing their theses and dissertations on his works. Even psychologists and theologians are turning to the poet and essayist and finding especially valuable his pre-Freudian interpretations of dreams, guilt, and the sub-conscious mind. This volume provides all students of Coleridge with an up-to-date aid in their research.
The central thread of the book is Coleridge's life-long search--in Professor Willey's words, "for a mind not passive but active; a will not frozen in necessity, but free and responsible; an Imagination not decorative but creative in the highest sense; and a God not identified or confused with Nature, but at once transcendent and redemptive." Basil Willey's rich understanding of Coleridge, and his lucid analysis of the complex philosophical issues in his work, will make this book invaluable to readers interested in English intellectual history.