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88 tulosta hakusanalla Staniszewski Mary Anne

Lo sviluppo moderno di Internet e l'economia basata sulla conoscenza
"I tipi di macchine sono facilmente abbinabili ad ogni tipo di societ - non che le macchine siano determinanti, ma perch esprimono quelle forme sociali in grado di generarle e di utilizzarle" (Gilles Deleuze, Postscript on the Societies of Control). Le tecnologie che utilizziamo sono in stretta corrispondenza con il nostro modo di pensare. Esse riflettono alcuni temi centrali del nostro tempo e forniscono metafore che vengono applicate in altre sfere della vita. Si riferisce in particolare alle tecnologie della comunicazione, quelle che sono alla base del nostro modo di usare il linguaggio. Indipendentemente dal fatto che i cambiamenti descritti in questa tesi siano visti positivamente o negativamente, essi diventano un fattore cruciale che influenza l'intero mondo sociale e le piccole cose ordinarie che facciamo ogni giorno. Sembra che alcuni di essi avvengano in maniera non notata e siano percepiti come conseguenze naturali dello sviluppo tecnologico. Ho cercato di dimostrare che ci sono alcune parti concrete coinvolte e alcuni meccanismi complessi che guidano questi cambiamenti.
Rozwój nowoczesnego Internetu i gospodarki opartej na wiedzy

Rozwój nowoczesnego Internetu i gospodarki opartej na wiedzy

Michal Staniszewski

Wydawnictwo Nasza Wiedza
2020
pokkari
"Rodzaje maszyn są latwo dopasowane do każdego rodzaju spoleczeństwa - nie to, że maszyny decydują, ale dlatego, że wyrażają te formy spoleczne, kt re są w stanie je wygenerowac i wykorzystac" (Gilles Deleuze, Postscriptum o Towarzystwach Kontroli). Technologie, kt rych używamy, są w ścislej zgodności z tym, jak myślimy. Odzwierciedlają one niekt re centralne tematy naszych czas w i dostarczają metafor, kt re są stosowane w innych sferach życia. Odnosi się to zwlaszcza do technologii komunikacyjnych - tych, kt re leżą u podstaw sposobu, w jaki używamy języka. Niezależnie od tego, czy opisane w tej pracy zmiany są postrzegane pozytywnie czy negatywnie, stają się one istotnym czynnikiem wplywającym na caly świat spoleczny, a także na male, zwyczajne rzeczy, kt re robimy na co dzień. Wydaje się, że niekt re z nich zachodzą w spos b niezauważalny i są postrzegane jako naturalne konsekwencje rozwoju technologii. Staralem się pokazac, że istnieją pewne konkretne strony i zlożone mechanizmy, kt re napędzają te zmiany.
Chess For Kids: How To Play For Beginners

Chess For Kids: How To Play For Beginners

Urszula Staniszewska; Adrianna Staniszewska

European Chess School Sp. Z O.O.
2020
nidottu
BEST-SELLING BOOK IN POLAND"A long, long time ago, in a beautiful land called Chessburgh, there lived a brave and prudent King."This is how our story begins, teaching children and their parents about the rules of the game along the way. The fundamentals of chess are laid out in an easy and intuitive way. Enter the magical realm with the King Of Chessburgh and learn how the pieces move on the chessboard. While you're at it, take a look at the provided diagrams to see real chess tactics in action. And find out in the end which son the king has chosen to rule the land and why."I can genuinely recommend this fairy tale to everyone. In a very pleasant way, it immerses you into the magical world of chess and evokes further interest in the game. I am certain that the intellectual duel in Chessburgh will encourage many children to play the game, a portion of who will fall in love with the game forever "-Jacek Szwed, entrepreneur, avid chess player, FIDE Master"Thanks to the beautiful fairy tale and its illustrations, this book is a fantastic introduction for children to the magical world of chess. The approachable tone of the book works sensationally on children's imaginations and causes them to fall in love in the game This is a truly unparalleled for the young "-Jeremiasz de Nowina Konopka, FIDE coach at FIDE's International Academy Culture Echecs in France."This is a delightful and original introduction to chess, and we recommend it highly to children and their parents."-Shaun Tracey, founder of the Cayman Islands Chess-in-Schools programmePut away the dull textbooks and learn chess in a fun and interactive way. Watch your reasoning skills and concentration increase every day
Chess For Kids

Chess For Kids

Adrianna Staniszewska; Urszula Staniszewska

Vivat
2021
sidottu
The fundamentals of chess are laid out in an easy and intuitive way. Enter the magical realm with the King Of Chessburgh and learn how the pieces move on the chessboard. While you're at it, take a look at the provided diagrams to see real chess tactics in action. And find out in the end which son the king has chosen to rule the land and why.
Stanislawski - Theaterarbeit nach System
Das Theater benotigt immer wieder Impulse seiner wichtigsten Apologeten. Stanislawski gehort zu ihnen, und das weltweit. Sich mit seinem Theater und seiner Theatertheorie auseinanderzusetzen, dafur gibt es auch aktuelle Grunde: Da ist eine veranderte politische Landschaft, da sind Archive, die zuganglich wurden und vor allem: da sind Menschen, Theater- und Filmleute, die ofter zusammenkommen denn je. Auf das Wirken des 'Theatermeisters' zuruckblickend, die Irrungen und Wirrungen um sein Werk sichtend, wird seine universelle Lehre, sein "System," betrachtet. Theater erscheint als Tempel der Kunste, als Abbild des Zeitgeistes der beginnenden Moderne sowie als Ort der Widerspruche im Zusammentreffen von Menschen und Meinungen."
Stanislawski, Strasberg, Grotowski. Eine Reflektion uber die 'Kunst des Erlebens'
Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltung: Theatertheorien des 20. Jh., 9 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: This paper investigates the 'menschenbild' behind the acting theories of Strasberg and Grotowski. As well, it examines Stanislavski's technique of accessing the 'emotional memory' and how this technique is used in theatrical performance. Strasberg and Grotowski are both influenced by Stanislavski, yet they each have differing opinions about how an actor can mine their subconscious. Strasberg stresses the primacy of the internal. Whereas Grotowski advocates physical and psychological self-transgression. Both theorists tend to violate the intimate boundaries of the actor. This paper argues that a should 'menschenbild' include respect and the inviolability of the psyche. Strasberg and Grotowski's ideas do not guarantee an emotionally secure situation for the actor on stage. Also, it is debatable if their techniques are even effective in creating visceral performances on stage, since real experience is the aim of naturalistic theatrical performance. This paper maintains, in Stanislavski's tradition, a performance technique that includes the outside world is essential to achieve a vivid and truthful acting style.