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798 tulosta hakusanalla Stendhal

Stendhal

Stendhal

Liwi Literatur- Und Wissenschaftsverlag
2025
pokkari
Mit "Rot und Schwarz" entwirft Stendhal das eindringliche Portr t eines jungen Mannes, dessen unb ndiger Wille zur Gr e in der Starrheit einer gesellschaftlichen Ordnung erstickt, die ihn zugleich verf hrt und verachtet. Julien Sorel ist ein napoleonischer Tr umer in einer Welt, die nur noch leere Etikette kennt - ein Mann, der sich gegen seine Herkunft auflehnt und dabei an den unsichtbaren Grenzen einer Gesellschaft zerbricht, die Aufstieg duldet, aber nicht verzeiht. Stendhals Erz hlkunst besticht durch messerscharfe Klarheit, psychologische Pr zision und eine meisterhafte Ironie. Erstmals erschienen 1830. Hier in der vielgelesenen bersetzung von Arthur Schurig. Frisch aufgelegt als Taschenbuch in gut lesbarer Schriftgr e, Stendhal. Rot und Schwarz. bersetzt von Arthur Schurig. Erstdruck: Le Rouge et le Noir, Levasseur, Paris 1830. Durchgesehener Neusatz, der Text dieser Ausgabe folgt: Goldmann Verlag, M nchen 1956. Vollst ndige Neuausgabe, G ttingen 2025. LIWI Literatur- und Wissenschaftsverlag
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Stendhal

Stendhal

Liwi Literatur- Und Wissenschaftsverlag
2025
sidottu
Mit "Rot und Schwarz" entwirft Stendhal das eindringliche Portr t eines jungen Mannes, dessen unb ndiger Wille zur Gr e in der Starrheit einer gesellschaftlichen Ordnung erstickt, die ihn zugleich verf hrt und verachtet. Julien Sorel ist ein napoleonischer Tr umer in einer Welt, die nur noch leere Etikette kennt - ein Mann, der sich gegen seine Herkunft auflehnt und dabei an den unsichtbaren Grenzen einer Gesellschaft zerbricht, die Aufstieg duldet, aber nicht verzeiht. Stendhals Erz hlkunst besticht durch messerscharfe Klarheit, psychologische Pr zision und eine meisterhafte Ironie. Erstmals erschienen 1830. Hier in der vielgelesenen bersetzung von Arthur Schurig. Frisch aufgelegt als gebundene Ausgabe mit Leseb ndchen in gut lesbarer Schriftgr e, Stendhal. Rot und Schwarz. bersetzt von Arthur Schurig. Erstdruck: Le Rouge et le Noir, Levasseur, Paris 1830. Durchgesehener Neusatz, der Text dieser Ausgabe folgt: Goldmann Verlag, M nchen 1956. Vollst ndige Neuausgabe, G ttingen 2025. LIWI Literatur- und Wissenschaftsverlag
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Stendhal's Violin

Stendhal's Violin

Roger Pearson

Clarendon Press
1988
sidottu
This new study of Stendhal's novels takes its title from Stendhal's dictum `Un roman est comme un archet, la caisse du violon qui rend les sons, c'est l'âme du lecteur.' Its central theme is the relationship between novelist and reader, as orchestrated in Armance, Le Rouge et le Noir, Lucien Leuwen and La Chartreuse de Parme. From the author's analyses of these novels it emerges that Stendhal plays upon the reader's reactions and makes him or her experience in the act of reading what his protagonists experience in the act of living. Well written, and without obscure theoretical terminology, Stendhal's Violin is aimed at both the first-degree scholar and specialist reader. It contains full discussion of the views of other critics, and presents individual, challenging new interpretations of Stendhal's novels.
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Stendhal's Less-Loved Heroines

Stendhal's Less-Loved Heroines

Maria C. Scott

Routledge
2020
nidottu
In this book, the author challenges the notion that French Realist fiction is peculiarly and intrinsically hostile to female freedom, arguing that it is criticism itself that has marginalized Stendhal's noncompliant heroines and condemned them as self-centred.
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Stendhal: The Red and the Black

Stendhal: The Red and the Black

Haig Stirling Haig

Cambridge University Press
1989
sidottu
This study places the novel, first published in 1830, in the context of its time and highlights the interpretration of the personal and the fictional in Stendhal's writing. The realism of the novel is derived from an incorporation of history and legal reportage.
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Stendhal: The Red and the Black

Stendhal: The Red and the Black

Stirling Haig

Cambridge University Press
1989
pokkari
Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
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Stendhal's Italy

Stendhal's Italy

Greaves A.E.

University of Exeter Press
1995
sidottu
The essential thrust of this book is an examination of the origins and development of the satirical element of Stendal's writing in Italy, which culminates with the creation of what many critics consider to be his finest achievement, the novel La Chartreuse de Parme. Tony Greaves adduces some of Stendhal's lesser-known, non-fictional 'Italian' works as essential ingredients in the understanding of 'where La Chartreuse comes from', telling how the different Italian themes of the novel emerge from their historical context.
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Stendhal or the Pursuit of Happiness

Stendhal or the Pursuit of Happiness

Matthew Josephson

Jorge Pinto Books
2005
nidottu
On Stendhal: "The study of human nature, 'the observation of the human heart and its passions, ' was his constant preoccupation. But where could he study the passions better than in himself? Though he lived exuberantly, submitting himself to experience... he went on incessantly writing down everything that happened to him just as it happened. he even led to perform some remarkable experiments upon himself.He laid claim to having been a soldier, a man of fortune, a great lover, a society wit, a diplomat, a traveler, and even, sometimes, a revolutionary conspirator. "Fifty years after his death he becomes one of the demigods of the world's letters, taking his place in the ranks of the great social writers who appeared toward the end of the last century. his manner of life itself has fascinated whole regiments of literary scholars in France, Italy and Germany in the last forty years." -Matthew Josephson, From the Introduction (1946) "Like Josephson's Victor Hugo, it is the best and most comprehensive English study of its subject, a careful collection of material, skillfully assembled and organized...When Freud read Stendhal's memoirs of his childhood and adolescence he called them 'a manifestation of psychological genius.' Stendhal, he saw, had been a Freudian some 70 years before Freud himself."-TIME Magazine (1946)
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First Person, Stendhal: Memoirs of a Tourist

First Person, Stendhal: Memoirs of a Tourist

Stendhal; M. D. Elevitch

Literary Licensing, LLC
2011
sidottu
""First Person, Stendhal: Memoirs Of A Tourist"" is a classic travelogue written by the renowned French author Stendhal. The book is a first-person account of Stendhal's travels through Italy in the early 19th century. The author provides vivid descriptions of the places he visited, the people he met, and the experiences he had during his journey. Stendhal's writing style is characterized by his keen observations, witty commentary, and his ability to capture the essence of the places he visited. His memoirs offer a unique insight into the cultural, social, and political climate of Italy during the time period. The book is divided into three parts, each of which covers a different phase of Stendhal's journey. The first part describes his journey from Grenoble to Milan, where he spent time exploring the art and architecture of the city. The second part covers his travels through Florence, where he immersed himself in the city's rich cultural heritage. The final part of the book recounts Stendhal's experiences in Rome, where he was particularly drawn to the city's history and ancient ruins. Overall, ""First Person, Stendhal: Memoirs Of A Tourist"" is a fascinating and engaging read for anyone interested in travel writing, history, or Italian culture. It is a timeless classic that continues to inspire and captivate readers today.Additional Contributors Include Austryn Wainhouse, Richard Gilman, Kimon Friar, And Others. Drawings By Finley Burke.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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