Mikkel Sørensen; Kristoffer Buck Pedersen; Morten Fischer Mortensen; Peter Steen Henriksen; Lasse Sørensen; Søren Brøgger; Anders Hartvig; Pernille Kruse; Mette Sørensen; Bo Jensen; Niels Hartmann; Anna S. Beck; Mette Lykkegaard-Maes; Julie de Vos; Louise Søndergaard; Louise Felding; Katrine Balsgaard Juul; Lone C. Nørgaard; Maja Kildetoft Schultz; Jens Ulriksen; Toke Hal Bjørn Hansen og Ole Thirup Kastholm
Gefjon – Arkæologiske studier og rapporter er et tidsskrift for arkæologiske emner. Vi publicerer bidrag fra hele Danmark og behandler alt fra de ældste perioder til i dag. Bidragene kan være egentlige videnskabelige studier af arkæologiske problemstillinger såvel som rapporter, som i en mere foreløbig form omhandler for eksempel enkeltstående lokaliteter, individuelle genstande, genstandsgrupper og projekter under udvikling. Både studier og rapporter bliver fagfællebedømt efter gældende praksis. Derudover modtager vi også gerne kommentarer og replikker uden for det fagfællebedømte felt.Artiklerne i dette ottende nummer handler om:• Nye undersøgelser af Bromme locus classicus• Bronzestøbning ved Kong Svends Høj• Skoven, der blev ryddet. Bebyggelsesudvikling på Sundeved i periodenyngre germansk jernalder til højmiddelalder• Arkæologi med folket. Borgerinddragelse på arkæologiske udgravningeri Danmark• Sammensmeltet og splittet – to nye gravfund med romersk import fraSydøstsjælland• Harrested Skovvej - elitært halbyggeri i 500-tallets Sydsjælland• Lune Mølle: En 1200-tals vandmølle i Lejre Ådal
Author, Wes Deep is struggling to produce his next best seller. Brought about by the death of his father, he is suddenly thinking again about his mother. He agrees to meet up with his publicist and best friend Vikki Hart who, although very concerned about him, is getting very agitated by his lack of decent material. As a last resort he agrees to move out of the city to write his book. She devises a plan to kick-start Wes in the right direction with the discovery of a swapped USB memory stick. Fleeing London, before the owner came looking for it, seemed the best idea, but Vikki never knew how real her plan had become. What starts out as an innocent attempt to inspire Wes, turns into a London Gangland, nightmare race against time.
Whether they've seen Aaron Sorkin and Danny Boyle's Steve Jobs movie, read Walter Isaacson's biography, or just own an iPhone, this graphic novel retelling of the Apple innovator's life will capture the imaginations of the legions of readers who live and breathe the technocentric world Jobs created. Told through a combination of black-and-white illustrations and handwritten text, this fast-paced and entertaining biography in graphic format presents the story of the ultimate American entrepreneur, the man who brought us Apple Computer, Pixar, Macs, iPods, iPhones, and more. Jobs's remarkable life reads like a history of the personal technology industry. He started Apple Computer in his parents' garage and eventually became the tastemaker of a generation, creating products we can't live without. Through it all, he was an overbearing and demanding perfectionist, both impossible and inspiring. Capturing his unparalleled brilliance, as well as his many demons, Jessie Hartland's engaging biography illuminates the meteoric successes, devastating setbacks, and myriad contradictions that make up the extraordinary life and legacy of the insanely great Steve Jobs. Here's the perfect book for any teen interested in STEM topics, especially tech. A School Library Journal Best Book of the Year "If a picture is worth a thousand words, then this comic tale can hang with the sprawling biographies." --Macworld.com "An accessible take . . . undoubtedly valuable for kids who are growing up using Apple's products but knowing little about the man who created them." --GeekDad.com
Enter the world of Steve Jobs -- disrupter, icon, hero -- and be inspired by his fascinating life presented here as a graphic novel. This fast-paced and entertaining biography is a perfect complement to text-heavy books on Steve Jobs like Walter Isaacson's biography.
Brutal violence has swept across a strife-torn Poland, a spark that could set the Soviet prison of Eastern Europe ablaze.Desperate to avoid history repeating itself, the West has dangerous plans, and Bill Cable, now the British Ambassador in Vienna, finds himself in grave danger. He is being hunted.The faceless men and women trailing him will do anything to stop the fall of the Soviet Union, even if it means the fall of Cable. To prove their intent, they kidnap his daughter, Sarah.But who will he betray, Sarah or his country and the freedom of millions?Praise for Michael Hartland: 'One of the best thrillers I have ever read' - The Independent'A stunning display of diplomatic and undercover know-how, SAS dare-devilry and global double-cross' - The Sunday Times'Very good Indeed - a cross between le Carre without the longeurs and Adam Hall with intellect' - The Guardian
Cliff thought he was shipping off to his first assignment as a ranger in the wild California Islands, but he never imagined how big the rattlesnakes got there or how soon he'd find himself stranded with six strangers. A sea captain and his mate, artillery mercenaries, an Aztec midwife, a Japanese inventor... only together can they face the strange creatures and mysteries of Circle-X Island. When they discover a desperate village under siege from a reawakening evil, it takes every trick, skill, and iota of courage to mount a defense. But will any of them survive?
Steve Bryant; Tom King; Corinna Sara Bechko; Gabriel Hardman; Will Pfeiffer; Dirk Manning; Genevieve Pearson; Eric Trautmann; Marc Mason; Michael May; Caleb Monroe; Mike Oliveri
Authors Tom King, Corinna Bechko, Genevieve Pearson, Will Pfeifer, and a dozen more tell the swashbuckling tales of globetrotting aviatrix Athena Voltaire! With illustrations by Steve Bryant, this collection of short stories in the spirit of the pulps which inspired the character sees Athena battling adversaries old and new, dodging lethal traps, fighting creatures natural and supernatural, and meeting some of history's most influential figures.
Meeting the Standards in Secondary English provides detailed subject knowledge, including the detailed pedagogical knowledge needed to teach English in secondary schools, support activities for work in schools and self-study and information on professional development for secondary schools.This practical, comprehensive and accessible book should prove invaluable for students on secondary initial teacher training courses, PGCE students, lecturers on English programmes and newly qualified secondary teachers.
Wolfgang Schneider; Stuart Bennet; Eirwen Hopkins; Jeremy Turner; Tony Reekie; Richard Croxford; Paul Harman; Sarah Kettlewell; Henning Fangauf; David Pammenter; Tony Graham; Annie Wood; Steve Ball; Philip Clark; Margaret Jones; David Wood; Dave Holman; Rosamunde Hutt; Thomas Kell; Jude Merrill; Cath Greig; Vicky Ireland; Olivia Jacobs; Toby Mitchell; Claudette Bryanston; Ian Yeoman; Anthony Haddon; Jain Boon; Andrew Breakwell; Carey English; Tim Webb; Peter Rumney; Dominic Rai; Julie Ward; Michael Dalton; David Farmer
It is the first publication to give the whole story of Theatre for Children and Young People and its development in the UK. It is essential reading for drama and theatre practitioners and for students of contemporary British theatre everywhere. Stuart Bennett was one of the original company of Actor-Teachers who developed Theatre in Education at the Belgrade Theatre Coventry. He went on to develop Drama School training for actors in TIE, then as Director of the Cockpit Theatre was involved in theatre in schools and the community.
Dr. Niama Williams' Steven is a psychological triumph. This long overdue Song of Survival, punctuated by the cataclysmic overtures of epiphany, minimalist agreement, and happenstance, is proof that the arrival of the truth does not always come via verbal messenger. From the beginning with "Schindler's List," Dr. Williams asks the film's director to explain, "robbing a people of their origins." She poignantly points out that Middle Passage descendants live without a traceable identity and unlike the majority, "...cannot fabricate what was deliberately stamped out of existence." Dr. Williams' text provides a tracing of the indelible markings each of us makes on the other, and on the collective consciousness of American society.
His father abused his mother and he witnessed it. Sometimes as a 3 year old, he would hide in the closet, and cry while his daddy abused his mother.By the time he was 5 years old he had witnessed a neighbor enter his living room with a butcher knife protruding from her back. Her husband had stabbed her. Her husband had tried to pull the knife out of her back to stab her again, but the knife had gotten stuck between her rib bone. She was able to run for help while he went to get another knife. At 11 he watched a man chase his wife around their home shooting at her. She was able to make it into her home and blockade the door with her body, her husband shot her through the door. That same year "he" stood at the the threshold of his mother and fathers bedroom door with a knife in his right hand, confronting his father and prepared to kill him if he continued to assault his mother. "Take your mutha fucking hands off my mama " Those words should have never been spoken by a 11 year old boy.This book "Steven" represents the horrors of domestic violence.
Bamboozled and lured to the big city, who will offer Steven a plumbing job that he'll love?Steven has and it's not a good feeling. After escaping a small town where he doesn't fit in, Steven's luck turns around when he sits next into a mature and magnetic, plumbing company owner. Sparks soon fly between the Little and his new boss, Joe.Showing up in several Dr. Richards' Littles novels, the two plumbers have gained the attention of readers who have begged for their story. Who knew that a chance encounter could lead to an instant partnership that would be so sweet and burn so hot?Addiction Warning: Pepper's stories will touch your heart and may warm your bottom. While both sweet & spicy, the Dr. Richards' Littles stories may contain more heat than some will find comfortable. Playing doctor with Dr. Richards can be an intense experience that borders on electrifying. The greatest risk, however, is developing an intense craving for more after reading just one. Proceed with caution.
"Steven-A Runner's Life" is my first book and was inspired by being able to attend many of Steven's race events with my husband, Jay, and recording our experiences in my journal. This book includes several of Steven's own blog posts, posted on the Art of [email protected] These posts explain his motivation for trail running and his experiences at many of his races. Also it includes his discipline where he used a special diet, to avoid stomach cramps, and training habits that could be helpful to anyone involved in ultrarunning or ultra sports. (According to Wikipedia, an ultramarathon, also called ultra distance or ultra running, is any footrace longer than the traditional marathon length, which is 26.2 miles. In the last two years of Steven's training for the Ultra trail du Mont Blanc in Chamonix France, he bought and began renovating a cabin in Oregon. This book shows with muti-tasking, discipline and many prayers that all things are possible. I hope you enjoy this book as much as I have enjoyed reliving our experiences.
Find out how Steven Seagull saves Beach City in this hilarious action-packed picture book from the creator of Weasels, Elys Dolan. It's packed with cross-over jokes to appeal to children and adults too. The artwork is full of details for poring over time and time again. And you'll get to see sharks playing volleyball, a goldfish driving a speedboat, crabs building sandcastles . . . oh, and the most hilarious life-guard ever!
After a year of being unlawfully detained in an assessment and treatment unit Steven Neary came home and started to build a life that works for him. Steven is autistic and has learning disabilities and this book reveals his wisdom and humour whilst constructing a fulfilling life.
A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
Steven Dietz is one of America’s most widely produced and published contemporary playwrights. Since 1983, his forty-plus plays have been seen at over one hundred regional theatres in the United States, as well as Off-Broadway, and in eighteen foreign countries and ten languages. He is a two-time winner of the Kennedy Center Fund for New American Plays Award, as well as a two-time finalist for the Steinberg New Play Award. He has received the PEN USA West Award in Drama, the Edgar Award for Drama, and the Yomuiri Shimbun Award (the Japanese “Tony.”)While Dietz is best-known for his adult plays, he has also written important plays for younger audiences. This anthology gathers four of them-The Rememberer, Still Life with Iris, Honus & Me, and Jackie & Me. Though diverse in subject matter, the plays share several hallmarks of Dietz’s writing, including realistic dialogue, strong protagonists, an emphasis on memory and magic, a blue-collar sensibility filled with often loopy humor, and a witty and intelligent playing with the boundaries of reality. Setting the plays in context are essays about Dietz and his creative process, his success in working with other theatre professionals, and the profession of theatre for youth. This introduction to Steven Dietz’s work and anthology of plays will be a valuable resource for teachers, directors, writers, and students.