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1000 tulosta hakusanalla Thomas Docherty

Universities at War

Universities at War

Thomas Docherty

SAGE Publications Ltd
2014
sidottu
"Docherty is not only is a brilliant critic of those forces that would like to transform higher education into an extension of the market-place... he is also a man of great moral and civic courage, who under intense pressure from the punishing neoliberal state has risked a great deal to remind us that higher education is a civic institution crucial to creating the formative cultures necessary for a democracy to survive, if not flourish." - Henry Giroux, McMasters University "Docherty engages with the secular university in its present crisis, reflecting on its origins and on its role in the future of democracy. He tackles the urgent issue of inequality with a compelling denunciation of the ways of entrenched privilege; he offers a view of governance and representation from the perspective of those who are silenced; and exposes the fundamental damage done to thought by management-speak. Docherty is moral, passionate and committed and this is a fierce and important book." - Mary Margaret McCabe, King's College London There is a war on for the future of the university worldwide. The stakes are high, and they reach deep into our social condition. On one side are self-proclaimed modernisers who view the institution as vital to national economic success. Here the university is a servant of the national economy in the context of globalization, its driving principles of private and personal enrichment necessary conditions of ‘progress’ and modernity. Others see this as a radical impoverishment of the university’s capacities to extend human possibilities and freedoms, to seek earnestly for social justice, and to participate in the endless need for the extension of democracy. This book analyses the former position, and argues for the necessity of taking sides with the latter. It does so with a sense of urgency, because the market fundamentalists are on the march. The fundamental war that is being fought is not just for scholars, but for a better – more democratic, more just, more emancipatory – form of life. Choose sides.
The New Treason of the Intellectuals

The New Treason of the Intellectuals

Thomas Docherty

Manchester University Press
2018
sidottu
The university is under threat. For forty years this indispensable democratic institution has been systematically betrayed by governments and the political class, who have redirected it from its proper social and cultural functions through a relentless programme of financialisation. Taking his cue from Julien Benda’s classic polemical essay of 1927, Thomas Docherty exposes the forces behind modern university ‘reform’. He demonstrates that the sector has been politicised and now works explicitly to advance a market-fundamentalist ideology that drives an ever-widening wedge between ordinary citizens and the privileged and wealthy. Against this, the intellectual and the university have an urgent duty to extend democracy and social justice. Looking to the future, Docherty concludes the book with seven hypotheses towards a manifesto and calls on intellectuals everywhere to assist in the survival of the species.
Complicity

Complicity

Thomas Docherty

Rowman Littlefield
2016
sidottu
Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism’s fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of ‘reserve’, a mode of commitment that eschews fundamentalism of all kinds.
Complicity

Complicity

Thomas Docherty

Rowman Littlefield
2016
nidottu
Complicity argues that all existing modes of cultural critique are regarded as legitimate and productive if and only if they are complicit with the very ideologies and values that the criticism sets out to undermine. Through philosophical, literary and theoretical analysis, Thomas Docherty shows how easy it has been for criticism to become essentially an act of political collaboration with existing governmental power. The book explores the various ways in which, both historically and theoretically, critical activity has become complicit with the over-arching social and political norms that it aims to undermine. Philosophically, ethically and politically, criticism’s fundamental impulse is too often intrinsically negated. In extreme political form, this places criticism in line with collaborationist activity. Docherty then finds a productive way out of the double-bind in which criticism has traditionally found itself, through an idea of criticism as a mode of ‘reserve’, a mode of commitment that eschews fundamentalism of all kinds.
The Driftwood Ball

The Driftwood Ball

Thomas Docherty

Templar Publishing
2014
sidottu
Every year the badgers and the otters gather to dance at the Driftwood Ball. But thetwo groups never mix - they dance in completely different ways. That is, until otterCelia and badger George decide they want to do things differently... they want todance together, in their own way. On the night of the ball, they show their friendsand family what they've been secretly practising, and through their courage the twogroups become friends, and the two star-crossed dancers win the Driftwood Cup.
The Driftwood Ball

The Driftwood Ball

Thomas Docherty

Templar Publishing
2014
nidottu
Every year the badgers and the otters gather to dance at the Driftwood Ball. But the two groups never mix - they dance in completely different ways. That is, until otter Celia and badger George decide they want to do things differently... they want to dance together, in their own way. On the night of the ball, they show their friends and family what they've been secretly practising, and through their courage the two groups become friends, and the two star-crossed dancers win the Driftwood Cup.
Confessions

Confessions

Thomas Docherty

Bloomsbury Academic
2012
sidottu
This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
Villi, kesytön luonto

Villi, kesytön luonto

Thomas Docherty

KUSTANNUS-MÄKELÄ
2024
sidottu
Jooa rakastaa eläimiä ja villiä luontoa, mutta hänen kotikaupungissaan ei ole mitään kesytöntä... vai onko? Eräänä iltana luonto kutsuu Jooan jännittävään kuutamoseikkailuun. Mitä kaikkea Jooa löytää kaupungin katujen, rakennusten ja autojen seasta? Viehättävä kuvakirja muistuttaa, että jotain korvaamattoman arvokasta elää kaikkialla ympärillämme.
Kuutyttö

Kuutyttö

Thomas Docherty

KUSTANNUS-MÄKELÄ
2025
sidottu
Ninni rakastaa valoa ja kauniita värejä, mutta pimeydestä hän ei erityisemmin pidä. Sitten hän tapaa Kuutytön, jolla on pensseli ja maalipurkki täynnä hohtavaa kuunvaloa. Yhdessä he kokevat jännittävän yöllisen seikkailun, joka avaa Ninnille aivan uuden maailman. Pimeys ei olekaan pelottavaa vaan kiehtovaa, salaperäistä ja jännittävää.
English Question

English Question

Thomas Docherty

Sussex Academic Press
2007
sidottu
To be or not to be free, that is the question, the English question, the question of what is academic English at the beginning of the 21st century. So argues Thomas Docherty in this new and important new study, a study that begins with the claim that the fundamental idea governing the institution of the University is a will to freedom. Tracing a history of the modern European University from Vico onwards and including Hume, Rousseau, Schiller, Hegel, Schopenhauer, Newman, Alain, Benda and Jaspers, the author argues the academy's will to freedom is grounded in study of the 'eloquence' that has shaped literate and humane values. He goes on to explore the current condition of English as a literary discipline, arguing that literary studies is (or should be) a search for the unknown; and that in only that search can the academy establish the real meaning -- or meanings -- of social, political and ethical freedom.
English Question

English Question

Thomas Docherty

Sussex Academic Press
2008
nidottu
To be or not to be free, that is the question, the English question, the question of what is academic English at the beginning of the 21st century. So argues Thomas Docherty in this new and important new study, a study that begins with the claim that the fundamental idea governing the institution of the University is a will to freedom. Tracing a history of the modern European University from Vico onwards and including Hume, Rousseau, Schiller, Hegel, Schopenhauer, Newman, Alain, Benda and Jaspers, the author argues the academy's will to freedom is grounded in study of the 'eloquence' that has shaped literate and humane values. He goes on to explore the current condition of English as a literary discipline, arguing that literary studies is (or should be) a search for the unknown; and that in only that search can the academy establish the real meaning -- or meanings -- of social, political and ethical freedom.
For the University

For the University

Thomas Docherty

Bloomsbury Academic
2011
nidottu
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. For the University is a book both about and for the university in an age of mass and globalized education. Thomas Docherty analyses the current problems facing the university as an institution, and also offers some positive arguments for a revived and vibrant set of institutional arrangements and governing principles. The book considers the place of the university as an important global institution, now in a charged political and international public sphere. Docherty places current debates within their wider economic and political context, focusing on the relationship of the university to current and emerging models of democracy. The question of what the university will be -- rather than it is, was, or might be -- is at the heart of this book, and Docherty ably traces its history and present condition in order to offer us a vision for the future.
Fly, Pigeon, Fly!

Fly, Pigeon, Fly!

John Henderson; Julia Donaldson; Thomas Docherty

Little Tiger Press
2006
nidottu
When a boy finds a young pigeon, half starved, in a derelict warehouse in Glasgow, he names the pigeon Percy and takes him home. He looks after him and even teaches him to fly. Da says that Percy should be set free, but the boy wants him to stay for ever. This atmospheric book tells the story of an unusual friendship.
The Storybook Knight

The Storybook Knight

Helen Docherty; Thomas (ILT) Docherty

Sourcebooks, Inc
2016
sidottu
Even dragons love a good story...Leo was a gentle knight in thought and word and deed. While other knights liked fighting, Leo liked to sit and read...When Leo's mom and dad pack him off to fight a dragon, he takes a shield, a sword--and a pile of his favorite books.But can a story be as mighty as a sword?Praise for The Snatchabook: #1 Indie Next Pick"I dare you to try to read The Snatch-a-book silently to yourself. You can't do it. The book is so wonderful it demands to be read out loud. And besides, if you didn't read the book out loud, how would the Snatch-a-book hear it?"--Caldecott Medalist Brian Selznick"This ever-so-sweet story begs to be read out loud." --Booklist " The gorgeous illustrations are a perfect match for the lively text. This book is a fabulous fit for both storytime and one-on-one reading. Children will be begging for this book to be read to them every night-clever ones will claim they want to keep the Snatchabook happy." --School Library Journal"The husband-and-wife team of the Dochertys have a winner in this heartwarming tribute to the essential role of bedtime reading in the lives of families." --Publishers Weekly"The story is sweet and the illustrations darling." --Kirkus"This whodunit with an uplifting ending will appeal to fans of How the Grinch Stole Christmas . . . it] celebrates bedtime reading as a ritual to be revered, and features a thief who merely wants to share in the fun." --Shelf Awareness Pro
Pre-Code Hollywood

Pre-Code Hollywood

Thomas Doherty

Columbia University Press
1999
pokkari
Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression...and afterward.
Projections of War

Projections of War

Thomas Doherty

Columbia University Press
1999
pokkari
Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam. This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line. Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam. This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line.
Cold War, Cool Medium

Cold War, Cool Medium

Thomas Doherty

Columbia University Press
2003
sidottu
Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming. To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed-and ultimately welcomed-his downfall. In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings. By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white cliches. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.