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1000 tulosta hakusanalla Walter Alvarez

Walter

Walter

Derren Riley

Derren Riley
2018
pokkari
A heartwarming, heart-stopping tale of an unloved street dog. With temperatures below freezing, an abandoned, frightened and hungry hound struggled to survive. Follow the journey of how Walter miraculously found a family to love and completely turned their lives upside down.
Walter

Walter

Barbara Wersba

Boyds Mills Press
2012
pokkari
Two lonely creatures find that companionship is closer than they thought in this charming tale of friendshipThis is the story of a writer and a reader. The writer is a person. The reader is a rat. They share an old house on Long Island, but have never met. How these two lonely creatures discover one another is the essence of this story.
Walter

Walter

Terry W Motes

Writers Republic LLC
2023
pokkari
Walter is a children's book about a frog with an umbrella. The umbrella is rainbow colored to representinclusion, acceptance, unity, and diversity. More specifically, the umbrella is a metaphor for Walter's outlook onlife, which is the focus of the book. Walter, older and more seasoned than all his other pond dwelling neighbors, sees life a bit differently than others. Walter's message is one of community, teamwork, understanding, patience, inclusion, and coming together for the common good in times of crisis. Having learned this lesson after aharrowing experience involving a natural disaster, the pond community sees the light and in turn realizes theimportance, truth, and value in Walter's message.
Walter

Walter

Sylve Wahlström

BoD - Books on Demand
2024
pokkari
Min roman handlar om Johan Conrad Walter som var född 1744 i Stralsund, om hans liv på Gotland fram till sin död. Han lever i boken som soldat, stuckatör och kakelugnsmakare på Gotland och han gör resor med segelskepp mellan Visby och Stockholm. Han rör sig i Stockholm och reser till Penningby i Uppland och Uppsala i dåtidens Sverige. På sin färd får han vänner och kärleksrelationer som hänger med genom boken. Han utbildar sig till kakelugnsmakare i Stockholm vid Rörstrands slott och blir sedan verksam på Gotland. Följ med till Gustav III,s tid.
Walter Sickert

Walter Sickert

Matthew Sturgis

HarperPerennial
2005
nidottu
The first major life of the outstanding British painter – and Jack the Ripper suspect – Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley. Walter Richard Sickert is perhaps the outstanding figure of British art during the last hundred years. Many contemporary painters, from Hodgkin and Bacon to Auerbach and Kossof, acknowledge a debt to his influence. His career spanned six decades of unceasing experiment and achievement. As a young artist, he was welcomed and encouraged by Degas. He was the disciple of Whistler and mentor of Beardsley. He founded the London Impressionists and the Camden Town Group. He was taken up by both the Woolfs and the Sitwells. He gave painting lessons to Winston Churchill. His energy was prodigious and his personality fascinating: he was also an illustrator, cartoonist, writer, polemicist, teacher and wit. He relished controversy: his early paintings of London music halls and his late works, based on 18th-century etchings and contemporary news photographs, provoked outraged criticism from conventional commentators. Sturgis also devotes an appendix to charting in detail Sickert's posthumous life as a player in the 'Jack the Ripper' circus, assessing (and demolishing) the arguments of Patricia Cornwell and others in the light of his own discoveries.
Walter Tull: Footballer, Soldier, Hero
Build your child’s reading confidence at home with books at the right level Walter Tull was a successful footballer and officer in the British Army in World War One. These achievements are even more exceptional because Walter was Afro-Caribbean, succeeding in a world that still considered black people inferior. Follow him from the orphanage to the football field and final days in the trenches, in this inspiring biography. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view.A biographyA timeline on pages 54 and 55 presents the key events in Walter Tull's life chronologically, allowing plenty of recapping and further discussion.Curriculum Links: History: What was it like to live here in the past?This book has been quizzed for Accelerated Reader.
Walter the Farting Dog: Trouble at the Yard Sale

Walter the Farting Dog: Trouble at the Yard Sale

William Kotzwinkle; Glenn Murray

Puffin Books
2006
nidottu
Due to his horrible farting problem, Walter the dog is sold and forced to move away with his new owner who decides to use Walter in his plots to rob banks, but Walter wants no part of the evil plans and so puts a stop to it all--becoming a hero and reuniting with his loving family. Reprint.
Walter the Farting Dog Goes on a Cruise

Walter the Farting Dog Goes on a Cruise

William Kotzwinkle; Glenn Murray; Elizabeth Gundy

Puffin Books
2008
nidottu
Walter the Farting Dog is now a hero of the high seas Everybody is having a great time on a cruise . . . until a terrible odor permeates the ship. All signs point to Walter, and so he is first banished down below, with the stinky cheeses, and then into a lifeboat to float behind the ocean liner. Then catastrophe strikes How long will the great cruise ship and its frightened passengers be marooned on the high seas? About as long as it takes Walter to digest that cheese
Walter the Farting Dog: Banned from the Beach

Walter the Farting Dog: Banned from the Beach

Kotzwinkle William; Murray Glenn; Gundy Elizabeth

Penguin USA
2009
pokkari
Mr. and Mrs. Crabbe are enjoying their seaside vacation . . . until a certain dog blows away their umbrella with an enormous fart. Before long, Walter is banned from the beach. While Walter is stuck in the beach house, Betty and Billy hunt for treasure out on a sandbar. As soon as they find a nickel, Mr. and Mrs. Crabbe elbow their way in. Soon all four get marooned during high tide. Will Walter hear their cries for help?
Walter Pater's European Imagination

Walter Pater's European Imagination

Lene Østermark-Johansen

Oxford University Press
2022
sidottu
Walter Pater's European Imagination addresses Pater's literary cosmopolitanism as the first in-depth study of his fiction in dialogue with European literature. Pater's short pieces of fiction, the so-called 'imaginary portraits', trace the development of the European self over a period of some two thousand years. They include elements of travelogue and art criticism, together with discourses on myth, history, and philosophy. Examining Pater's methods of composition, use of narrative voice, and construction of character, the book draws on all of Pater's oeuvre and includes discussions of a range of his unpublished manuscripts, essays, and reviews. It engages with Pater's dialogue with the visual portrait and problematises the oscillation between type and individual, the generic and the particular, which characterises both the visual and the literary portrait. Exploring Pater's involvement with nineteenth-century historiography and collective memory, the book positions Pater's fiction solidly within such nineteenth-century genres as the historical novel and the Bildungsroman, while also discussing the portraits as specimens of biographical writing. As the 'Ur-texts' from which generations of modernist life-writing developed, Pater's 'imaginary portraits' became pivotal for such modernist writers as Virginia Woolf and Harold Nicolson. Walter Pater's European Imagination explores such twentieth-century successors, together with French contemporaries like Sainte-Beuve and followers like Marcel Schwob.
Walter Lippmann

Walter Lippmann

Mark Thomas Edwards

Oxford University Press
2023
sidottu
Walter Lippmann was arguably the most recognized and respected political journalist of the twentieth century. His "Today and Tomorrow" columns attracted a global readership of well over ten million. Lippmann was the author of numerous books, including the best-selling A Preface to Morals (1929) and U.S. Foreign Policy (1943). His Public Opinion (1922) remains a classic text within American political philosophy and media studies. Lippmann coined or popularized several keywords of the twentieth century, including "stereotype," the "Cold War," and the "Great Society." Sought out by U.S. Presidents and by America's allies and rivals around the world, Lippmann remained one of liberalism's most faithful proponents and harshest critics. Yet few people then or since encountered the "real" Walter Lippmann. That was because he kept crucial parts of himself hiding in plain sight. His extensive commentary on politics and diplomacy was bounded by his sense that America had to adjust to the loss of a common faith and morality in a "post-Christian" era. Over the course of his life, Lippmann traded in his fame as a happy secularist for the stardom of a grumpy Western Christian intellectual. Yet he never committed himself to any religious system, especially his own Jewish heritage. Walter Lippmann: American Skeptic, American Pastor considers the role of religions in Lippmann's life and thought, prioritizing his affirmation and rejection of Christian nationalisms of the left and right. It also yields fresh insights into the philosophical origins of modern American liberalism, including liberalism's blind spots in the areas of sex, race, and class. But most importantly, this biography highlights the constructive power of doubt. For Lippmann, the good life in the good society was lived in irreconcilable tension: the struggle to be free from yet loyal to a way of life; to recognize the dangers yet also necessity of a civil religion; and to strive for a just and enduring world order that can never be. In the end, Lippmann manufactured himself as the prophet of limitation for an extravagant American Century.
Walter Sickert: The Complete Writings on Art

Walter Sickert: The Complete Writings on Art

Walter Sickert

Oxford University Press
2000
sidottu
Walter Richard Sickert (1860-1942) was a major European artist and critic of the late nineteenth and early twentieth century, whose statements on art from the 1880s to the 1930s have been used by artists and writers on art for more than half a century. His criticism is provocative and penetrating, his writing style brilliant and entertaining. The need for a comprehensive edition of Sickert's art-critical writings is overwhelming, and the texts gathered together here for the first time in one volume by Anna Gruetzner-Robins, a leading expert on the subject, prove that his contribution as an art-writer was a major one in its own right. The texts are presented chronologically and supported by notes which give the information necessary to situate the figures and events to which Sickert refers. Containing over 400 entries this collection offers much new insight into Sickert as an artist and provides valuable information about other British artists of the late nineteenth and early twentieth centuries. Sickert was as much at home in Paris and Venice as in London: his record of conversations with Degas and meetings with other French artists, and the new provenances and exhibition histories he gives of many well-known works of art, make this book indispensable also for the historian of French art.
Walter Hilton, The Scale of Perfection, Book II
The Scale of Perfection is the major work of the late fourteenth-century contemplative writer, Walter Hilton, an Augustinian canon, presumed to have studied canon law at Cambridge before renouncing a promising legal career in order to become a recluse. He gave up the solitary religious life to enter the priory of Thurgarton, Nottinghamshire, where he died, some ten years later, in 1396. The Scale was composed in two books, the first written in the 1380s for a woman recluse, who is likewise addressed in Book II; Hilton was still working on the second book at his death. The two books have different textual histories, and have been edited separately. This long-awaited edition of the second book of the Scale has been brought to completion by Michael Sargent after the death of Stanley Hussey, who had worked on this edition for many years. The Scale is a major work of Middle English prose, a guide to the contemplative life moving from the elements of Christian faith to 'the pilgrimage to the Jerusalem of contemplation'. Thus, though there are indications that Hilton knew the work of the anonymous author of The Cloud of Unknowing, the second book of the Scale describes the work of contemplation, integrated into the lives of all Christians, whether living in the world or professed religious. Owing to Hilton's reputation and through modern translations and commentaries, the Scale has become a spiritual classic. This edition of Book II will be the only one to have taken account of all of the surviving medieval and early modern manuscripts. It presents the text of the two most important manuscripts in parallel, with an Introduction, containing full discussion of the Scale's textual history and presentation of the evidence, manuscript descriptions, textual and explanatory notes, and glossary.
Walter Scott and Fame

Walter Scott and Fame

Robert Mayer

Oxford University Press
2017
sidottu
Walter Scott and Fame is a study of correspondences between Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century. Examining authorship, reading, and fame, the book is based on extensive archival research, especially in the collection of letters to Scott in the National Library of Scotland. Robert Mayer demonstrates that in Scott's literary correspondence constructions of authorship, reading strategies, and versions of fame are posited, even theorized. Scott's reader-correspondents invest him with power but they also attempt to tap into or appropriate some of his authority. Scott's version of authorship sets him apart from important contemporaries like Wordsworth and Byron, who adhered, at least as Scott viewed the matter, to a rarefied conception of the writer as someone possessed of extraordinary power. The idea of the author put in place by Scott in dialogue with his readers establishes him as a powerful figure who is nevertheless subject to the will of his audience. Scott's literary correspondence also demonstrates that the reader can be a very powerful figure and that we should regard reading not just as the reception of texts but also as the apprehension of an author-function. Thus, Scott's correspondence makes it clear that the relationship between authors and readers is a dynamic, often fraught, connection, which needs to be understood in terms of the new culture of celebrity that emerged during Scott's working life. Along with Byron, the study shows, Scott was at the centre of this transformation.
Walter Pater and Persons

Walter Pater and Persons

Stephen Cheeke

Oxford University Press
2024
sidottu
Walter Pater and Persons investigates the vital concept of the Person in the work of Walter Pater, a major influence on late nineteenth- and early twentieth-century literature. Stephen Cheeke explores the intersections of the person, persona, and personality in Pater's work; re-examines arguments about his famously personal prose style; traces Pater's ambivalent fascination with impersonality and asceticism; considers the poetics of personification in his writings about Greek myth and religion, in the divine logos of early Christianity, and in the theory of Platonic Universals; and explores his fascination with metempsychosis (the many persons through whom the individual soul transmigrates). Cheeke also explores the networks in which Pater was interpreted and misinterpreted by different persons and personalities, such as Oscar Wilde, Arthur Symons, and W.B Yeats. Their (mis)readings of Pater, and rebellions against his work from Decadent, antinomian, and 'mystical' perspectives, reveal the ways in which Pater's writing had always been in a critical dialogue with its own thinking, as well as a prescient one in relation to his reception. The philosophical question of 'what is a person?'--a crucial one for the nineteenth century, and with an increasing urgency in our own times--is illuminated throughout this work.