I should have realized, when you walked out into the dying winter with no shoes and no keys, that you were never coming back.The places we've been and the people we once were have become distant memories, wraiths of the past, blanketed by the fog. I fight through so much, grappling with my own fear and self image trying to find you. Yet it never seems to be enough. All I seem to find are signs of you, but never you.It was the fog that brought me here, to this color-drained land of trees and silence. Everything in this world is so different.Yet there's somebody here that I know.And somebody that I don't...
The author of this book assumes you love life and don't like the idea of dying. He suspects, too, that were you to die today, you are not sure you could do so at peace and be able to say, "I have lived my best possible life." He also takes for granted you have retained fanciful notions you were taught as a child about living, dying, and death, including nonsense about the grim reaper. This book relentlessly pursues truth and life. In the Introduction, Robinson calls you to update your worldview so it's coherent and to be true to your self in behalf of being your best self and living your best life. In Part One, he introduces ten steps that will help you let go of childhood thinking and connect you with realistic understandings of life. He explains how to integrate three basic models of life, adopt a positive view of life that's also realistic, affirm your personal freedom, identify and choose worthy life purposes, engage life with both passion and good sense, be an authentic world citizen, defeat toxic powers and let positive ones nourish you, live creatively in the present, and open yourself to joy as well as happiness. He caps this section helping you understand what it means to trust and practice perfect love. Part Two is also about living robustly. The author distinguishes between the ongoing process of dying and death as a state of being (or non-being), and quickly rejects denial, morbidity and escapist fantasies as adequate ways to deal with them. He then elaborates on 6 creative approaches to dying and death that are honest, liberating and edifying. Along the way, he explains what to kill the grim reaper means, and how to do it. His penetrating point is that until you get real about living, dying and death, you cannot be your best self or live your best possible life. In the first of the book's two postscripts, the author tells the poignant story of his wife's suddenly discovered illness in July of 2008, and of her dying in October. In the second, he tells what was going on in him the next summer, when a life-threatening illness forces him to face his own possible dying. PRAISE for CREATE YOUR BEST LIFE, KILL THE GRIM REAPER "This book should be read by anyone expecting to die some day. Young people live as if it can't happen to them, and a lot of us older folks try not to think about our imminent departure, but the author thinks we should and makes a strong case for doing so. It 's an easy and fun read, and makes more sense than anything I've seen on death and dying. I'm buying copies for all of my children, grandchildren, nieces and nephews. It's a good road map for their remaining years as it is for mine." Robert F. Hanson, Professor-Emeritus, San Diego State University "Here is a very frank, practical and personal book about living and dying well that will greatly benefit not only professionals but also the general reader." Sherellen Gerhart, MD, Chief Medical Officer, Hospice of the East Bay, Pleasant Hill, CA "Robinson's book is magic. It teaches us step by step to transform the fear of dying into a design for creative living." Milton Matz Playwright, Psychologist, Rabbi. Author: Plays in Search of an Ending "Duke Robinson, a very wise pastor, has poured himself into an insightful discussion of living a good life and dying a good death. A thoughtful reading of this book will benefit one greatly." Clifford J. Straehley, M.D. Retired Clinical Associate Professor of Surgery, Stanford Medical School; retired Chief of Surgery, Hawaii Foundation Hospital, Honolulu "Living in a large, active retirement community, Duke Robinson knows how seniors as well as the young fail to prepare for their dying; this book addresses that problem directly...and helpfully." Dr. John Hadsell, Professor-Emeritus, San Francisco Theological Seminary, autho
In this comprehensive self-help guide, Lori Robinson has created a valuable resource for African-American survivors of sexual assault (as well as their families, friends, and communities). Robinson walks readers through the ways survivors can achieve emotional, physical, sexual, and spiritual healing, reflecting her firsthand insight into the particular difficulties African-Americans face on their journey toward recovery. Examining the issue of sexual assault in African-American communities, she discusses why African-American women are more likely than white women to experience sexual crimes-an insightful discussion framed in the context of the American slave system and modern institutionalized racism. Through interviews with prominent African-American lawyers and judges, Robinson offers accessible explanations of police and legal systems, advising readers on ways to navigate them effectively. Doctors and counselors weigh in on the importance of getting good physical care, using self-care techniques to heal, and finding the best therapist. I Will Survive also includes chapters on educating children and adults in Black communities to help prevent sexual assault prayers and affirmations from Black spiritual leaders in a variety of religious traditions an extensive resources section and encouraging first-person accounts from Black women (and men) who have healed from sexual assault and abuse.
Are you ready to A.C.T.?Do you want to learn how to live the life you want? If you do, then you have come to the right place. A.C.T. is the book which will help you to change your life by;Activating your FaithCommitting to a PlanTaking ActionBy following these steps you will begin to see a transformation in your life that you perhaps had never considered possible in the past.With help from the Father, Son and Holy Spirit you will find new inspiration and ways to improve your life, finances and plans for a brighter and happier future, with chapters devoted to;
This is a book about a terrible spate of mass violence. It is also about a rare success in bringing such violence to an end. "If You Leave Us Here, We Will Die" tells the story of East Timor, a half-island that suffered genocide after Indonesia invaded in 1975, and which was again laid to waste after the population voted for independence from Indonesia in 1999. Before international forces intervened, more than half the population had been displaced and 1,500 people killed. Geoffrey Robinson, an expert in Southeast Asian history, was in East Timor with the United Nations in 1999 and provides a gripping first-person account of the violence, as well as a rigorous assessment of the politics and history behind it. Robinson debunks claims that the militias committing the violence in East Timor acted spontaneously, attributing their actions instead to the calculation of Indonesian leaders, and to a "culture of terror" within the Indonesian army. He argues that major powers--notably the United States, Australia, and the United Kingdom--were complicit in the genocide of the late 1970s and the violence of 1999. At the same time, Robinson stresses that armed intervention supported by those powers in late 1999 was vital in averting a second genocide. Advocating accountability, the book chronicles the failure to bring those responsible for the violence to justice. A riveting narrative filled with personal observations, documentary evidence, and eyewitness accounts, "If You Leave Us Here, We Will Die" engages essential questions about political violence, international humanitarian intervention, genocide, and transitional justice.
Frank Cottrell Boyce; William Dalrymple; Margaret Drabble; Simon Callow; Tony Robinson; Tracey Emin; J.K. Rowling; Holly Johnson; Pete Townshend; Melvyn Bragg; Jeffrey Boakye; Onjali Rauf; Will Hutton; Prue Leith; Jonathan Meades; Chris Riddell; Philip Ardagh; Mary Beard; Brian Catling; Shami Chakrabarti; Chris Cleave; Peter J Conradi; Lindsey Davis
How are great turning points in history experienced by individuals?As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.Contributors include:Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young
An elegant riposte to the old jibe that England rugby players lack guile and imagination, the Harlequins' and former Leicester centre has brought a shimmering, magical quality to his team's back play, opening up defences with clever angled running, superb distribution and a gravity-defying ability to stay up in the tackle.
'Darkly angelic prose... a joy to read, with the final part in particular recalling David Foster Wallace at his best' Alex Preston, Observer ________________________________ Will's mother's hokey homily, Waste not, want not... hisses in his ears as he oscillates furiously on the spot, havering on the threshold between the bedroom and the dying one... all the while cradling the plastic leech of the syringe in the crook of his arm. Oscillating furiously, and, as he'd presses the plunger home a touch more... and more, he hears it again and again: Waaaste nooot, waaant nooot..! whooshing into and out of him, while the blackness wells up at the periphery of his vision, and his hackneyed heart begins to beat out weirdly arrhythmic drum fills - even hitting the occasional rim-shot on his resonating rib cage. He waits, paralysed, acutely conscious, that were he simply to press his thumb right home, it'll be a cartoonish death: That's all folks! as the aperture screws shut forever. ________________________________________ 'Self's writing has the same technicolour velocity, malign comedy as his best novels' Evening Standard 'Refreshing . . . Self is never happier than when frolicking in the hinterland between sincerity and performative, winking hyperbole' TLS
One of the most dynamic and globally recognized entertainment forces of our time opens up fully about his life, in a brave and inspiring book that traces his learning curve to a place where outer success, inner happiness, and human connection are aligned. Along the way, Will tells the story in full of one of the most amazing rides through the worlds of music and film that anyone has ever had. Will Smith's transformation from a West Philadelphia kid to one of the biggest rap stars of his era, and then one of the biggest movie stars in Hollywood history, is an epic tale--but it's only half the story. Will Smith thought, with good reason, that he had won at life: not only was his own success unparalleled, his whole family was at the pinnacle of the entertainment world. Only they didn't see it that way: they felt more like star performers in his circus, a seven-days-a-week job they hadn't signed up for. It turned out Will Smith's education wasn't nearly over. This memoir is the product of a profound journey of self-knowledge, a reckoning with all that your will can get you and all that it can leave behind. Written with the help of Mark Manson, author of the multi-million-copy bestseller The Subtle Art of Not Giving a F*ck, Will is the story of how one person mastered his own emotions, written in a way that can help everyone else do the same. Few of us will know the pressure of performing on the world's biggest stages for the highest of stakes, but we can all understand that the fuel that works for one stage of our journey might have to be changed if we want to make it all the way home. The combination of genuine wisdom of universal value and a life story that is preposterously entertaining, even astonishing, puts Will the book, like its author, in a category by itself. *This audiobook includes a downloadable PDF of music credits.
The instant #1 New York Times bestseller "It's the best memoir I've ever read." --Oprah Winfrey "Will Smith isn't holding back in his bravely inspiring new memoir . . . An ultimately heartwarming read, Will provides a humane glimpse of the man behind the actor, producer and musician, as he bares all his insecurities and trauma." --USA Today Winner of the NAACP Image Award for Outstanding Literary Achievement One of the most dynamic and globally recognized entertainment forces of our time opens up fully about his life, in a brave and inspiring book that traces his learning curve to a place where outer success, inner happiness, and human connection are aligned. Along the way, Will tells the story in full of one of the most amazing rides through the worlds of music and film that anyone has ever had. Will Smith's transformation from a West Philadelphia kid to one of the biggest rap stars of his era, and then one of the biggest movie stars in Hollywood history, is an epic tale--but it's only half the story. Will Smith thought, with good reason, that he had won at life: not only was his own success unparalleled, his whole family was at the pinnacle of the entertainment world. Only they didn't see it that way: they felt more like star performers in his circus, a seven-days-a-week job they hadn't signed up for. It turned out Will Smith's education wasn't nearly over. This memoir is the product of a profound journey of self-knowledge, a reckoning with all that your will can get you and all that it can leave behind. Written with the help of Mark Manson, author of the multi-million-copy bestseller The Subtle Art of Not Giving a F*ck, Will is the story of how one person mastered his own emotions, written in a way that can help everyone else do the same. Few of us will know the pressure of performing on the world's biggest stages for the highest of stakes, but we can all understand that the fuel that works for one stage of our journey might have to be changed if we want to make it all the way home. The combination of genuine wisdom of universal value and a life story that is preposterously entertaining, even astonishing, puts Will the book, like its author, in a category by itself.
Unflinching, intoxicating, heartfelt, and propelled by an exceptional energy, Will is the long-awaited memoir by Will Self, whose works have been shortlisted for the Booker Prize and translated into over twenty languages. A portrait of the artist as a young addict, Will is one of the most eloquent and unusual depictions of the allure of hard drugs ever written.Will spins the reader from Self's childhood in a quiet North London suburb to his mind-expanding education at Oxford, to a Burroughsian trip to Morocco, an outback vision in Australia, and, finally, a surreal turn in rehab. Echoing the great Modernist writers of the early twentieth century in its psychedelic stream of consciousness, Will is vividly imagistic and mordantly witty. It is both kunstlerroman and confessional, a tale of excess and degradation, a karmic cycle that leads back to the author's own lack of . . . will.
Unflinching, intoxicating, heartfelt, and propelled by an exceptional energy, Will is the long-awaited memoir by Will Self, whose works have been shortlisted for the Booker Prize and translated into over twenty languages. A portrait of the artist as a young addict, Will is one of the most eloquent and unusual depictions of the allure of hard drugs ever written.Will spins the reader from Self's childhood in a quiet North London suburb to his mind-expanding education at Oxford, to a Burroughsian trip to Morocco, an outback vision in Australia, and, finally, a surreal turn in rehab. Echoing the great Modernist writers of the early twentieth century in its psychedelic stream of consciousness, Will is vividly imagistic and mordantly witty. It is both kunstlerroman and confessional, a tale of excess and degradation, a karmic cycle that leads back to the author's own lack of . . . will.
From USA Today bestselling author Kat Savage comes Will-book two of the wildly popular Men of Bird's Eye series, where each story is an interconnected standalone full of laughs, feel-good moments, steamy, and a perfect HEA. Willette Archer has a secret-though some would argue how well kept it actually is. As right-hand woman and best friend to the owner of Bird's Eye Tattoo Studio, her job has become her whole life. So, she occupies her days with shop decisions to avoid her disappointing dating life. Of course, that might also have something to do with her two-decade old infatuation with her aforementioned best friend's older brother. Derek Tanner is at a loss-with basically everything. His apartment lease is up, most of his belongings are somewhere in storage, and the good doctor has been pulling extra shifts at the hospital due to lack of staff. So, yeah. His life is chaos. Thanks to these wonderful circumstances, dating is nowhere on his radar. When his little brother suggests he stay in Willette's spare room for the time being, he's both grateful and hesitant. Sure, he grew up with Will too, but they've never been as close-let alone in close quarters. It doesn't take very long for Doctor Derek to start seeing Will in a new light. This makes him think perhaps he should be examined. Will, on the other hand, is this close to feigning injury just so he'll touch her already. When boundaries are crossed and relationships are finally taken to the next level, will Willette get exactly what she's been hoping for since childhood, or will her fantasy be forever ruined?
Will is a 9-year-old boy with cerebral palsy. He is a very bright and sensitive child but requires a walker to get around. We discover him playing game cube in his bedroom as the strange face of Elverness appears on the TV screen. Elverness tells Will he needs to go to Acquinistere to help defeat a great evil. Will is diffident and reluctant but agrees to try to help. Will is suddenly transported to a strange place with a yellow sky and blue sun. He discovers he can walk and run unassisted. He and Elverness are joined by two talking horses that transport them to a medieval type city. Yes, the story is derivative and very consistent with the genre. However, despite the 'journey/quest' elements, it is much more a 'life lessons' story.
