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1000 tulosta hakusanalla William Dunlap

André

André

William Dunlap

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT088944Anonymous. By William Dunlap. Verse. With a final advertisement leaf.London: printed for David Ogilvy and Son, 1799. 110, 2]p.; 8
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Andre; a Tragedy, in Five Acts

Andre; a Tragedy, in Five Acts

William Dunlap

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ]+++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryW019850Many scenes in this play were used again in the author's "Glory of Columbia," Andr , though a better play, being unsuccessful. Cf. Croad, O.S. William Dunlap, p. 171-173. Bookseller's advertisements, p. 111-112].New-York: Printed by T. & J. Swords, no. 99 Pearl-Street, --1798-- viii, 1], 10-109, 3] p.; 8
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Pappy Kitchens and the Saga of Red Eye the Rooster

Pappy Kitchens and the Saga of Red Eye the Rooster

William Dunlap

University Press of Mississippi
2019
sidottu
O. W. "Pappy" Kitchens (1901–1986) was born in Crystal Springs, Mississippi, and began painting at age sixty-seven. His self-taught, narrative, visual art springs directly from the oral tradition of parable and storytelling with which he grew up. A self-declared folk artist, Kitchens claimed, "I paint about folks, what folks see and what folks do." His magnum opus, The Saga of Red Eye the Rooster, was painted between 1973 and 1976 and presents a homespun Pilgrim’s Progress in the form of a beast fable. Kitchens’s most ambitious allegorical work, this fable consists of sixty panels, each one measuring fifteen inches square, composed of mixed materials on paper, and executed in three groups of twenty. Kitchens follows Red Eye from foundling to funeral, exploring the life of this extraordinary bird. Red Eye’s quasi-human behavior inevitably maneuvers him into conflicts with antagonists of all sorts. He encounters violence, avarice, lust, greed, and most of the other seven deadly sins, dispatching them in heroic fashion until he finally succumbs to his own fatal flaw. In addition to The Saga of Red Eye the Rooster, the volume features personal photos of Kitchens as well as additional works by the artist. Written by distinguished artist and Kitchens’s once son-in-law William Dunlap, with an introduction by renowned curator Jane Livingston, Pappy Kitchens and the Saga of Red Eye the Rooster brings much-needed exposure to the life and work of a key Mississippi figure.
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