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Art of the Grimoire

Art of the Grimoire

Owen Davies

YALE UNIVERSITY PRESS
2023
sidottu
A copiously illustrated global history of magic books, from ancient papyri to pulp paperbacks “A beautiful production: a typographic and calligraphic treat as treasurable as a rare magical text itself. Almost every page is filled with wonder.”—Suzi Feay, The Spectator Grimoires, textbooks of magic and occult knowledge, have existed through the ages alongside other magic and religious texts in part because of the need to create a physical record of magical phenomena, but also to enact magic through spells and rituals. To understand the history of these texts is to understand the influence of the major religions, the development of early science, the cultural influence of print, the growth of literacy, the social impact of colonialism, and the expansion of esoteric cultures across the oceans. In more than two hundred color illustrations from ancient times to the present, renowned scholar Owen Davies examines little-studied artistic qualities of grimoires, revealing a unique world of design and imagination. The book takes a global approach, considering Egyptian and Greek papyri, ancient Chinese bamboo scripts, South American pulp prints, and Japanese demon encyclopedias, among other examples. This book will enchant readers interested in the history of magic and science, as well as in book and manuscript history.
Art Is

Art Is

Makoto Fujimura

YALE UNIVERSITY PRESS
2025
sidottu
From a widely celebrated artist, this dazzling book takes readers on a profound journey into the heart of creativity When Makoto Fujimura painted as a child, he felt a mysterious electrical charge pass through him. Over decades of art making, writing, and reflecting in his studio, he has come to understand this charge as his Creator—a source he connects with most profoundly when making art. To be human is to be creative, Fujimura believes, and art making is a discipline of awareness, prayer, and praise by which we journey back to our original light. In this book, Fujimura takes readers along on his meandering journey as an artist. We witness him making his “process-driven slow art”—using pulverized minerals, gold, or pigments made from oyster shell—as he considers the plants and wildlife on the land where he lives. He draws on Japanese aesthetics, modernist art, Christian theology, sado (art of tea), literature, ecology, and personal narrative, with inspiration ranging from William Blake’s poetry to the art of Mark Rothko and Josef Albers, and from the wisdom of Scripture and Japanese tea master Sen no Rikyu to the traditional Japanese painting technique called Nihonga. Bringing together the author’s written reflections and his paintings, drawings, and photographs, Art Is invites us to see the world in prismatic and diverse lights, helping us navigate the fractured, divisive times we live in.
Art and Faith

Art and Faith

Makoto Fujimura; N. T. Wright

YALE UNIVERSITY PRESS
2025
pokkari
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise. . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, Mark Rothko, and Japanese Kintsugi technique, he shows how, unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, an “accidental theologian,” one who comes to spiritual questions always through the prism of art.
Art & Histories

Art & Histories

YALE UNIVERSITY PRESS
2026
pokkari
As the first volume in the new series Art &, this book signals a bold new vision for a more dynamic study of art Each essay in this groundbreaking volume—the first in an exciting new series from the Center for Advanced Study in the Visual Arts—engages aesthetic and cultural debates that situate research on the arts at the intersection of various disciplines, including architecture, film, literature, curatorial and museum studies, and the arts of performance. Reflecting the series’ goal to engage with different cultural contexts and time periods, newly commissioned essays from emerging and established scholars address subjects ranging from medieval dance and ancient Assyrian reliefs to expressions of gender embodiment and the art of the Afro-Atlantic. First-person narratives ground theoretical considerations of the theme. Reflecting a commitment to embracing the book form as a space for art itself, Art & Histories includes a detachable accordion-fold insert with a work from Miami-based artist Glexis Novoa. One of his signature horizon lines unites Washington, DC, and the artist’s native Havana. Meticulous drawings executed on travertine marble entangle the two cities and their monuments, symbolizing both violent and triumphant histories and their ideological reversals. Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press
Art & Water: Volume 2 Volume 2

Art & Water: Volume 2 Volume 2

National Gallery Washington
2026
nidottu
Essays, personal meditations, and images that explore water in all its renewing, destructive, corrosive, and connecting power Water and its transmutations link the contributions in Art & Water, the second volume in the series Art & from the Center for Advanced Study in the Visual Arts at the National Gallery of Art. The series situates the study of art at the intersection of various disciplines--here, they include modernist literature, poetry, film, and both natural and built environments. Essayists use water to address hydrolatry practices in India; ritual objects and practices of enslaved Afro-Surinamers; traces of millstones in the architecture of Seville; and visualizations of sea-level change in the nineteenth-century United States. Their research places art within broader conversations in the humanities considering a water-oriented rather than terrestrial historical framework. The book is enlivened by first-person narratives that examine deeply embedded meanings of water. Continuing the series' tradition of exciting book design, an enclosed poster from Brazilian multimedia artist Aline Motta addresses ancestry, memory, and belonging across the Black Atlantic while compellingly conjuring water's capacity to transform, bring together, and renew. Water as a connective theme offers a fitting lens to advance understandings of how art, as both material object and practice, remains entangled with the natural, supernatural, and scientific--and, like water, remains inseparable from our daily lives. Distributed for the National Gallery of Art, Center for Advanced Study in the Visual Arts
Art and Religion in Africa

Art and Religion in Africa

Rosalind Hackett

Continuum International Publishing Group Ltd.
1998
nidottu
The artistic and religious traditions of Africa constitute a primary example of the intelletual and cultural vitality of this vast and fascinating continent. Art plays a vital role - especially when oral traditions dominate - in expressing and communicating ideas about the relationships between the human, spiritual and natural worlds. However, despite the ritual and symbolic significance of many artistic works, the interactive and interdependent relationship between art and religion in the African context remains understudied and misunderstood. This book draws on the methodologies of several disciplines to provide a greater understanding of the philosophical and reigious aspects of artistic works and to challenge Western perceptions of what is 'important'. Case studies and examples reflect the geographical, material and gendered diversity of Africa's visual and performing arts and highlight the changes imposed by Christianity, Islam and the newer religious movements in post-colonial Africa. Rosalind I.J. Hackett is Professor of Religious Studies, University of Tennessee, Knoxville.
Art Talk

Art Talk

Jeanne Siegel

Da Capo Press Inc
1990
pokkari
Art Talk is a stimulating collection of interviews conducted by noted art critics of the most influential and innovative artists of the early 1980s. These interviews explore central themes of contemporary art: what makes art political, the commodification of art, the overarching importance of language, and the increased recognition of female artists. But the interviews are also remarkable for the frankness with which these artists are willing to discuss their work. Here Andy Warhol comments on the influence of Walt Disney Cindy Sherman frames herself as a commodity Walter Robinson elucidates the East Village scene Jenny Holzer and Barbara Kruger expatiate on language as image Laurie Anderson describes the influence of graffiti and traffic jams on her work Georg Baselitz explains why he paints standard motifs upside down and Robert Longo relates style to power. In her introduction, editor Jeanne Siegel identifies the major issues and events that shaped artistic expression in the early 80s: the growing acceptance of photography as fine art, the overwhelming expectations for artists to become "performers," the phenomenon of Postmodernism, and other emerging trends.
Art Isn't Easy

Art Isn't Easy

Joanne Gordon

Da Capo Press Inc
1992
pokkari
The musical theatre of Stephen Sondheim probes deeply into the most disturbing issues of contemporary life. By challenging his audience with intricate music, biting wit, and profound themes, he flouts the traditional wisdom of the musical theatre. Tracing Sondheim's career from his initial success as lyricist for "West Side Story" and "Gypsy" to his most recent work - "Into the Woods" and "Assassins" - Joanne Gordon emphasizes not only the disturbing content of Sondheim's work, but his innovative use of form. In shows such as "A Little Night Music", "Sweeney Todd", and "Sunday in the Park with George", Sondheim's music and lyrics are inextricably woven into the fabric of the entire work.
Art and Anger

Art and Anger

I. Stavans

Palgrave Macmillan
2001
nidottu
Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.
Art, Glitter, and Glitz

Art, Glitter, and Glitz

Praeger Publishers Inc
2004
sidottu
The theatre and drama of the 1920s reflects a great synergy of art, glitter, and glitz—a decade of experimentation and incubation for mainstream American playwrights coexisting with important revivals of European playwrights and Shakespeare, a flourishing commercial theatre, and the vibrant worlds of burlesque, musical comedy, Revues and Follies. The 22 essays gathered by Gewitz and Kolb reflect recent scholarship and research, including several provocative, new readings of the plays of Eugene O'Neill, contrasting essays for and against the significance of Philip Barry, and considerations of less well-known plays by Elmer Rice and Sidney Howard. Essays also address the continuing relevance of Anderson and Stallings' What Price Glory?, the impact of George Pierce Baker on the playwrights of the 1920s, an analysis of the commercial success, Broadway, and a thoroughly detailed account of the Dramatists Guild and its negotiation of a minimum basic agreement. Essays on the popular theatre cover an extraordinary gamut from the popularization of Shakespeare in the hands of John Barrymore to the contrasting acting styles of Jeanne Eagels and Pauline Lord, the one-night Revue presented by members of the Algonquin Circle, grand-guignol, Ring Lardner on Broadway, the Ziegfeld Follies, downtown burlesque, the travesty act of Barbette, the production history of A. H. Woods, and the early musical comedy of Rodgers and Hart. An important resource for scholars, students, and other researchers involved with 20th-century American theatre and drama.
Art and Crime

Art and Crime

John Stubbs

Praeger Publishers Inc
2009
sidottu
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security. Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.
Art Girls are Easy

Art Girls are Easy

Julie Klausner

Poppy
2013
pokkari
Forget everything you think you know about summer camp, and step into the exclusive world of Silver Springs Fine & Performing Arts Camp for Girls. These young women have big aspirations: Broadway. SoHo Galleries. Julliard. They've got more to do with their precious time than worry about hanging your panties on the flagpole. And their idea of 'roughing it' is setting the AC in their cabins to 'low.' Fifteen-year-old Indigo Hamlisch is a teenage art prodigy looking forward to her last summer at Silver Springs. At least, she was looking forward to it, until the second she stepped on the bus and came face to face with her shampoo-commercial model/actress BFF, Lucy. Growing up, Indigo and Lucy were artists taking on the world side-by-side, but this summer, Lucy's a CIT, and that means everything is different. Lucy is old enough now to hang out with the counselors, including Indigo's longtime, scandalous and unrequited crush, paint-splattered instructor Marc Estep. But it's not like anything is going to happen between them. Lucy would never do that her best friend...right? Art Girls Are Easy is a scathing comedy of errors - part Jane Austen, part Gossip Girl, part Wet Hot American Summer - all filtered through the wry, satirical eye of Indigo Hamlisch, a girl who's been there, done that, and looking for a little inspiration.
Art and Science of Java, The

Art and Science of Java, The

Eric Roberts

Pearson
2007
nidottu
In The Art and Science of Java, Stanford professor and well-known leader in CS Education Eric Roberts emphasizes the student-friendly exposition that led to the success of The Art and Science of C. By following the recommendations of the Association of Computing Machinery’s Java Task Force, this first edition text adopts a modern objects-first approach that introduces students to useful hierarchies from the very beginning. Packages are translated into a minimally complex collection of pedagogical resources that make it easier to teach Java while retaining the language’s industrial strength.
Art of Thinking, The

Art of Thinking, The

Vincent Ruggiero

Pearson
2014
nidottu
Accessible and engaging, this unique text offers concrete, practice strategies for critical and creative thinking and includes many opportunities for practicing these fundamental skills. The Art of Thinking introduces students to the principles and techniques of critical thinking, taking them step-by-step through the problem-solving process. Emphasizing creative and active thought processes, the author asserts that good thinking and problem-solving is based on learnable strategies. The book's four parts, “Be Aware,” “Be Creative,” “Be Critical,” and “Communicate Your Ideas,” present students with a process for solving problems and resolving controversial issues. Discussions of how to evaluate ideas and how to question long-held assumptions or biases help students look at concepts critically. This text can be used in freshman experience courses, freshman composition courses, and a wide array of other courses where instructors want to enhance students' critical thinking skills.