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1000 tulosta hakusanalla Alexandra Linett

Scribbling the Cat: Travels with an African Soldier

Scribbling the Cat: Travels with an African Soldier

Alexandra Fuller

PENGUIN BOOKS
2005
nidottu
When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K.K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians--and K, like all the veterans of the war, has blood on his hands.Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way--by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere.Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity.
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The Legend of Colton H. Bryant

The Legend of Colton H. Bryant

Alexandra Fuller

PENGUIN BOOKS
2009
nidottu
A heartrending story of the human spirit from the author of the bestselling Don't Let's Go to the Dogs Tonight Alexandra Fuller returns with the unforgettable true story of Colton H. Bryant, a soulful boy with a mustang-taming heart who comes of age in the oil fields and open plains of Wyoming. After surviving a sometimes cruel adolescence with his own brand of optimistic goofiness, Colton goes to work on an oil rig-and there the biggest heart in the world can't save him from the new, unkind greed that has possessed his beloved Wyoming during the latest boom. Colton's story could not be told without telling of the land that grew him, where the great high plains meet the Rocky Mountains to create a vista of lonely beauty. It is here that the existence of one boy is a true story as deeply moving as the life that inspired it.
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Cocktail Hour Under the Tree of Forgetfulness

Cocktail Hour Under the Tree of Forgetfulness

Alexandra Fuller

PENGUIN BOOKS
2012
nidottu
"Fuller brings Africa to life, both its natural splendor and the harsher realities of day-to-day existence, and sheds light on her parents in all their humanness--not a glaring sort of light, but the soft equatorial kind she so beautifully describes in this memoir." --Bookpage A story of survival and war, love and madness, loyalty and forgiveness, Cocktail Hour Under the Tree of Forgetfulness is an intimate exploration of Fuller's parents, whom readers first met in Don't Let's Go to the Dogs Tonight, and of the price of being possessed by Africa's uncompromising, fertile, death-dealing land. We follow Tim and Nicola Fuller hopscotching the continent, restlessly trying to establish a home. War, hardship, and tragedy follow the family even as Nicola fights to hold on to her children, her land, her sanity. But just when it seems that Nicola has been broken by the continent she loves, it is the African earth that revives and nurtures her. Cocktail Hour Under the Tree of Forgetfulness is Fuller at her very best. Alexandra Fuller is the author of several memoirs: Travel Light, Move Fast, Leaving Before the Rains Come and Don't Let's Go to the Dogs Tonight.
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Leaving Before the Rains Come

Leaving Before the Rains Come

Alexandra Fuller

PENGUIN BOOKS
2016
nidottu
NEW YORK TIMES BESTSELLER Looking to rebuild after a painful divorce, Alexandra Fuller turns to her African past for clues to living a life fully and without fear A child of the Rhodesian wars and of two deeply complicated parents, Alexandra Fuller is no stranger to pain. But the disintegration of Fuller's own marriage leaves her shattered. Looking to pick up the pieces of her life, she confronts tough questions about her past, about the American man she married, and about the family she left behind in Africa. Fuller soon realizes that what is missing from her life is something that was always there: the brash and uncompromising ways of her father. "Tim Fuller of No Fixed Abode"--familiar to readers from Alexandra Fuller's New York Times-bestselling memoir Don't Let's Go to the Dogs Tonight--was a man who regretted nothing and wanted less, even after fighting harder and losing more than most men could bear. Leaving Before the Rains Come showcases Fuller at the peak of her abilities, threading panoramic vistas with her deepest revelations as a fully grown woman and mother. Fuller reveals how--after spending a lifetime fearfully waiting for someone to show up and save her--she discovered that, in the end, we all simply have to save ourselves. An unforgettable book, Leaving Before the Rains Come is a story of sorrow grounded in the tragic grandeur and rueful joy only to be found in Fuller's Africa. "One of the gutsiest memoirs I've ever read. And the writing--oh my god the writing." --Entertainment Weekly Alexandra Fuller is the author of several memoirs: Travel Light, Move Fast, Leaving Before the Rains Come, Cocktail Hour Under the Tree of Forgetfulness, and Don't Let's Go to the Dogs Tonight
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In Praise of Litigation

In Praise of Litigation

Alexandra Lahav

Oxford University Press Inc
2019
nidottu
While the right to have one's day in court is a cherished feature of the American democratic system, alarms that the United States is hopelessly litigious and awash in frivolous claims have become ubiquitous. According to this view, litigation wastes precious resources, stifles innovation and productivity, and corrodes our social fabric and the national character. Calls for reform have sought, often successfully, to limit people's access to the court system. Alexandra Lahav's In Praise of Litigation provides a much needed corrective to this flawed perspective, reminding us of the irreplaceable role of litigation in a well-functioning democracy and debunking many of the myths that cloud our understanding of this role. Exploring cases involving freedom of speech, foodborne illness, defective cars, business competition, and more, the book shows that despite its inevitable limitations, litigation empowers citizens to challenge the most powerful public and private interests and hold them accountable for their actions. In Praise of Litigation shows how our court system protects our liberties and enables civil society to flourish, and serves as a powerful reminder of why we need to protect people's access to justice.
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Puccini's La Boheme

Puccini's La Boheme

Alexandra Wilson

Oxford University Press Inc
2021
sidottu
Giacomo Puccini's La Boheme is one of the most frequently performed operas in the world. But how did it come to be so adored? In this book, author Alexandra Wilson traces La Boheme's rise to fame and demonstrates that its success grew steadily through stage performances, recordings, filmed versions and the endorsements of star singers. More recently, popular songs, film soundtracks and musicals that draw on the opera's music and themesadded further to its immense cultural impact.This cultural history offers a fresh reading of a familiar work. Wilson argues that La Boheme's approach to realism and its flouting of conventions of the Italian operatic tradition made it strikingly modern for the 1890s. She explores how Puccini and his librettists engaged with gender, urban poverty and nostalgia-themes that grew out of the work's own time and continue to resonate with audiences more than 120 years later. Her analysis of the opera's depiction of Paris revealsthat La Boheme was not only influenced by the romantic mythologies surrounding the city to this day but also helped shape them. Wilson's consideration of how directors have reinvented this opera for a new age completes this fascinating history of La Boheme, making it essential reading for anyone interested in thisopera and the works it inspired.
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American Opinion on Trade

American Opinion on Trade

Alexandra Guisinger

Oxford University Press Inc
2017
sidottu
Americans have contradictory beliefs about how international trade affects the country as whole and specific communities. Yet notwithstanding the heat of political rhetoric, these beliefs are rarely mobilized into political action. Alexandra Guisinger examines this apparent disconnect by examining the bases of Americans' trade preferences in today's post-industrial economy and why do so few politicians attempt to take advantage of these preferences. The changing American economy has made the direct effects of trade less obvious, making the benefits and costs more difficult to determine. In addition, information sources, including the media, have changed in content and influence over time, their influence varies across different groups of individuals, and partly as a result individuals hold countervailing beliefs about the effect of trade on their own and others' economic outcomes. American Opinion on Trade provides a multi-method examination of the sources of attitudes, drawing on survey data and experimental surveys; it also traces how trade issues become intertwined with attitudes toward redistribution as well as gender and race.
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American Opinion on Trade

American Opinion on Trade

Alexandra Guisinger

Oxford University Press Inc
2017
nidottu
Americans have contradictory beliefs about how international trade affects the country as whole and specific communities. Yet notwithstanding the heat of political rhetoric, these beliefs are rarely mobilized into political action. Alexandra Guisinger examines this apparent disconnect by examining the bases of Americans' trade preferences in today's post-industrial economy and why do so few politicians attempt to take advantage of these preferences. The changing American economy has made the direct effects of trade less obvious, making the benefits and costs more difficult to determine. In addition, information sources, including the media, have changed in content and influence over time, their influence varies across different groups of individuals, and partly as a result individuals hold countervailing beliefs about the effect of trade on their own and others' economic outcomes. American Opinion on Trade provides a multi-method examination of the sources of attitudes, drawing on survey data and experimental surveys; it also traces how trade issues become intertwined with attitudes toward redistribution as well as gender and race.
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From Here and There

From Here and There

Alexandra Délano Alonso

Oxford University Press Inc
2018
sidottu
When immigrants to the United States need to learn English, receive health services, open a bank account or get a work certification, US state and local governments or non-profit organizations usually assist as part of the process of supporting immigrant integration and, ultimately, citizenship. But over the past two decades, Mexico, and other origin countries of migrants have been increasingly filling gaps in these activities through their consular representations, particularly focusing on populations with precarious legal status. Put in the larger context of diaspora policies, these practices -- focused on establishing closer ties between the origin country and the emigrant population and protecting their rights through the provision of social services -- are one of the clearest manifestations of the reconceptualization of the boundaries of citizenship and the rights and obligations that come with it. This book looks at citizenship and immigrant integration from the perspective of countries of origin: specifically the processes through which Mexico and other Latin American countries are establishing programs to give their emigrant populations better access to education, health, banking, labor rights, language acquisition and civic participation in the United States. While immigrant integration is often assumed as an issue that mainly concerns the population and institutions of the country of destination, these cases demonstrate the role that origin countries play in supporting migrants' access to opportunities to participate as members of the societies they are a part of, challenging the limits of citizenship and sovereignty, and offering examples of innovative practices in the protection of migrants' rights. As an area of migration governance that is rarely discussed, this book offers a critical evaluation of these programs and their impact on emigrants, particularly on those who are undocumented or have precarious legal status, and the collaborations between governments and civil society groups on which the programs are based.
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From Here and There

From Here and There

Alexandra Délano Alonso

Oxford University Press Inc
2018
nidottu
When immigrants to the United States need to learn English, receive health services, open a bank account or get a work certification, US state and local governments or non-profit organizations usually assist as part of the process of supporting immigrant integration and, ultimately, citizenship. But over the past two decades, Mexico, and other origin countries of migrants have been increasingly filling gaps in these activities through their consular representations, particularly focusing on populations with precarious legal status. Put in the larger context of diaspora policies, these practices -- focused on establishing closer ties between the origin country and the emigrant population and protecting their rights through the provision of social services -- are one of the clearest manifestations of the reconceptualization of the boundaries of citizenship and the rights and obligations that come with it. This book looks at citizenship and immigrant integration from the perspective of countries of origin: specifically the processes through which Mexico and other Latin American countries are establishing programs to give their emigrant populations better access to education, health, banking, labor rights, language acquisition and civic participation in the United States. While immigrant integration is often assumed as an issue that mainly concerns the population and institutions of the country of destination, these cases demonstrate the role that origin countries play in supporting migrants' access to opportunities to participate as members of the societies they are a part of, challenging the limits of citizenship and sovereignty, and offering examples of innovative practices in the protection of migrants' rights. As an area of migration governance that is rarely discussed, this book offers a critical evaluation of these programs and their impact on emigrants, particularly on those who are undocumented or have precarious legal status, and the collaborations between governments and civil society groups on which the programs are based.
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Debussy's Critics

Debussy's Critics

Alexandra Kieffer

Oxford University Press Inc
2019
sidottu
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.
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Freedom Girls

Freedom Girls

Alexandra M. Apolloni

OXFORD UNIVERSITY PRESS INC
2021
sidottu
Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and, in Black's case, her Liverpool origins. It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender. It reveals how attitudes about sexuality and youth in rock culture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P. Arnold has re-narrated rock history to center Black women's vocality. Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as "As Tears Go By," "Son of a Preacher Man," and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows. These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
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Freedom Girls

Freedom Girls

Alexandra M. Apolloni

OXFORD UNIVERSITY PRESS INC
2022
nidottu
Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and, in Black's case, her Liverpool origins. It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender. It reveals how attitudes about sexuality and youth in rock culture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P. Arnold has re-narrated rock history to center Black women's vocality. Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as "As Tears Go By," "Son of a Preacher Man," and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows. These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
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Opera in the Jazz Age

Opera in the Jazz Age

Alexandra Wilson

Oxford University Press Inc
2019
sidottu
Jazz, the Charleston, nightclubs, cocktails, cinema, and musical theatre: 1920s British nightlife was vibrant and exhilarating. But where did opera fit into this fashionable new entertainment world? Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a key historical moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." Literary studies of the so-called "battle of the brows" have been numerous, but this is the first book to consider the place of opera in interwar debates about high and low culture. This study by Alexandra Wilson argues that opera was extremely difficult to pigeonhole: although some contemporary commentators believed it to be too highbrow, others thought it not highbrow enough. Opera in the Jazz Age paints a lively and engaging picture of 1920s operatic culture, and introduces a charismatic cast of early twentieth-century critics, conductors, and celebrity singers. Opera was performed during this period to socially mixed audiences in a variety of spaces beyond the conventional opera house: music halls, cinemas, cafés and schools. Performance and production standards were not always high - often quite the reverse - but opera-going was evidently great fun. Office boys whistled operatic tunes they had heard on the gramophone and there was a genuine sense that opera was for everyone. In this provocative and timely study, Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism. The book makes a major contribution to our understanding of the cultural politics of twentieth-century Britain and is essential reading for anybody interested in the history of opera, the battle of the brows, or simply the perennially fascinating decade that was the 1920s.
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Crude Intentions

Crude Intentions

Alexandra Gillies

Oxford University Press Inc
2020
sidottu
Billions of dollars stolen from citizens are circling the globe, enriching powerful individuals, altering political outcomes, and disadvantaging everyday people. News headlines provide glimpses of how this corruption works and why it matters: President Trump's businesses struck deals with oligarchs and sold property to secretive shell companies; the Panama Papers leak triggered investigations in 79 countries; and, corruption scandals toppled heads of state in Brazil, South Africa, and South Korea. But how do these pieces fit together? And if the corruption is so vast and so tied up with powerful interests, how do we begin to fight back? To find answers, Crude Intentions examines the corruption crisis that erupted during the recent oil boom. From 2008 to 2014, oil prices shot through the roof. Motivated by more than nine trillion dollars in new oil money, corruption followed apace. Examining the oil boom is like placing a drop of dye in the circulatory system of global corruption, and watching as it reveals the system's channels and pathways. Company bosses signed off on risky schemes to snap up choice oil blocks. Politicians in Brazil and Nigeria stole billions to build up their election war chests. Kleptocrats in Angola, Azerbaijan, and Russia seized upon the oil wealth to cement their hold on power. And an army of bankers, accountants, and lawyers lined up to help these corrupt actors stash their loot in the global system of shell companies and tax havens that serves today's super-rich. The money then bought yachts, mansions, and even a few foreign politicians. Drawing on information exposed by intrepid journalists, prosecutors, and whistle blowers, Crude Intentions tells jaw-dropping stories of corruption and asks what we can learn from them. The cases reveal common tactics, but also vulnerabilities in this web of fraud. These are the starting points for building a smarter fight against corruption, in the oil sector and well beyond.
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Serial Verbs

Serial Verbs

Alexandra Y. Aikhenvald

Oxford University Press
2021
nidottu
This book provides an in-depth typological account of the forms, functions, and histories of serial verb constructions. Serial verbs, in which several verbs combine to form a single predicate, describe what is conceptualized as a single event. The verbs in the construction have the same tense, aspect, mood, modality, and evidentiality values, cannot be negated or questioned separately, and usually share the same subject and object. They are a powerful means of portraying various facets of one event, and can express grammatical meanings such as aspect, direction, and causation, particularly in languages where few other means are available. In this volume, Alexandra Aikhenvald seeks to answer unresolved questions such as: What are the parameters of variation in serial verbs? How do serial verbs differ from other, superficially similar multi-verb constructions? How do serial verbs emerge, and what happens to them over time? What role do they play in the representation of event structure? The book uses an inductively-based framework for the analysis and draws on data from languages with different typological profiles and genetic affiliations. It will be of interest to researchers and students from a wide range of fields of linguistics, especially typology, anthropological linguistics, and language contact.
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Negotiating Coexistence

Negotiating Coexistence

Alexandra Zimmermann; Brian McQuinn

Oxford University Press
2025
sidottu
The conservation of biodiversity and natural resources is ultimately and unavoidably about managing conflict. Tensions arise from access to land, competition for resources, and human decision-making, which in turn are amplified by conflicts over managing wildlife, protected areas, sustainable use, and struggles over inequalities, divisions, livelihoods, poverty, development, and human rights. Essentially, conservation cannot achieve its goals without effectively helping address these conflicts. Most biodiversity conservation professionals are trained in the natural sciences; biodiversity conservation, however, has become increasingly interdisciplinary. This textbook is a comprehensive guide to understanding and managing conflicts in conservation and explores the intersection of negotiation, conflict resolution, and biodiversity conservation by providing a practical framework for understanding and addressing such conflicts. In this book, the authors show how conflict resolution is both an art and a science. They explain the unavoidably messy, human nature of conflicts while providing a structured way of moving forward. The book introduces key conflict resolution principles, such as the importance of dignity, respect, and willingness, and provides a structured approach to understanding and analysing conflicts. Written in an accessible, non-technical style, Negotiating Coexistence: The art and science of resolving conflicts in conservation, is an essential resource for anyone working in biodiversity conservation and related fields. By bridging expertise in negotiation and conflict resolution with the realities of conservation work, this book serves as a vital resource for practitioners, professionals, researchers, and students alike.
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Negotiating Coexistence

Negotiating Coexistence

Alexandra Zimmermann; Brian McQuinn

Oxford University Press
2025
nidottu
The conservation of biodiversity and natural resources is ultimately and unavoidably about managing conflict. Tensions arise from access to land, competition for resources, and human decision-making, which in turn are amplified by conflicts over managing wildlife, protected areas, sustainable use, and struggles over inequalities, divisions, livelihoods, poverty, development, and human rights. Essentially, conservation cannot achieve its goals without effectively helping address these conflicts. Most biodiversity conservation professionals are trained in the natural sciences; biodiversity conservation, however, has become increasingly interdisciplinary. This textbook is a comprehensive guide to understanding and managing conflicts in conservation and explores the intersection of negotiation, conflict resolution, and biodiversity conservation by providing a practical framework for understanding and addressing such conflicts. In this book, the authors show how conflict resolution is both an art and a science. They explain the unavoidably messy, human nature of conflicts while providing a structured way of moving forward. The book introduces key conflict resolution principles, such as the importance of dignity, respect, and willingness, and provides a structured approach to understanding and analysing conflicts. Written in an accessible, non-technical style, Negotiating Coexistence: The art and science of resolving conflicts in conservation, is an essential resource for anyone working in biodiversity conservation and related fields. By bridging expertise in negotiation and conflict resolution with the realities of conservation work, this book serves as a vital resource for practitioners, professionals, researchers, and students alike.
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Stance

Stance

Alexandra Jaffe

Oxford University Press Inc
2009
sidottu
All communication involves acts of stance, in which speakers take up positions vis-à-vis the expressive, referential, interactional and social implications of their speech. This book brings together contributions in a new and dynamic current of academic explorations of stancetaking as a sociolinguistic phenomenon. Drawing on data from such diverse contexts as advertising, tourism, historical texts, naturally occurring conversation, classroom interaction and interviews, leading authors in the field of sociolinguistics in this volume explore how linguistic stancetaking is implicated in the representation of self, personal style and acts of stylization, and self- and other-positioning. The analyses also focus on how speakers deploy and take up stances vis-a-vis sociolinguistic variables and the critical role of stance in the processes of indexicalization: how linguistic forms come to be associated with social categories and meanings. In doing so, many of the authors address critical issues of power and social reproduction, examining how stance is implicated in the production, reproduction and potential change of social and linguistic hierarchies and ideologies. This volume maps out the terrain of existing sociolinguistic and linguistic anthropological research on stance, synthesizes how it relates to existing theoretical orientations, and identifies a framework for future research.
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Rethinking Music Education and Social Change

Rethinking Music Education and Social Change

Alexandra Kertz-Welzel

OXFORD UNIVERSITY PRESS INC
2022
sidottu
The arts, and particularly music, are well-known agents for social change. They can empower, transform, or question. They can be a mirror of society's current state and a means of transformation. They are often the last refuge when all attempts at social change have failed. But are the arts able to live up to these expectations? Can music education cause social change? Rethinking Music Education and Social Change offers timely answers to these questions. It presents an imaginative, yet critical approach. At once optimistic and realistic, the book asseses music education's relation to social change and offers a new vision for music education as utopian theory and practice. As an important topic in sociology and political science, utopia offers a new tradition of thinking and a scholarly foundation for music education's relation to social change.
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