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1000 tulosta hakusanalla Edward Michell

Edward Lear

Edward Lear

James Williams

Liverpool University Press
2018
sidottu
Edward Lear wrote a well-known autobiographical poem that begins ‘How pleasant to know Mr Lear!’ But how well do we really know him? On the one hand he is, in John Ashbery’s words, ‘one of the most popular poets who ever lived’; on the other hand he has often been overlooked or marginalized by scholars and in literary histories. James Williams’s account, the first book-length critical study of the poet since the 1980s, sets out to re-introduce Lear and to accord him his proper place: as a major Victorian figure of continuing appeal and relevance, and especially as a poet of beauty, comedy, and profound ingenuity. Williams approaches Lear’s work thematically, tracing some of its most fundamental subjects and situations. Grounded in attentive close readings, Williams also connects Lear’s nonsense with his various other creative endeavours: as a zoological illustrator and landscape painter, a travel writer, and a prolific diarist and correspondent.
Edward Lear

Edward Lear

James Williams

Liverpool University Press
2018
nidottu
Edward Lear wrote a well-known autobiographical poem that begins ‘How pleasant to know Mr Lear!’ But how well do we really know him? On the one hand he is, in John Ashbery’s words, ‘one of the most popular poets who ever lived’; on the other hand he has often been overlooked or marginalized by scholars and in literary histories. James Williams’s account, the first book-length critical study of the poet since the 1980s, sets out to re-introduce Lear and to accord him his proper place: as a major Victorian figure of continuing appeal and relevance, and especially as a poet of beauty, comedy, and profound ingenuity. Williams approaches Lear’s work thematically, tracing some of its most fundamental subjects and situations. Grounded in attentive close readings, Williams also connects Lear’s nonsense with his various other creative endeavours: as a zoological illustrator and landscape painter, a travel writer, and a prolific diarist and correspondent.
Edward Elgar

Edward Elgar

Messenger Michael

Shire Publications
2005
nidottu
Forever linked to the Last Night of the Proms, the Three Choirs Festival in Gloucester, Hereford and Worcester cathedrals, and his evocative 'Enigma Variations', Edward Elgar's music is a joy to chorcal societies and orchestras worldwide. The son of a piano tuner, born in a tiny cottage in Worcestershire, brought up as a Roman Catholic in Protestant England, withut university education or formal musical training, Elgar overcame these disadvantages to become the most famous British composer of his generation.
Edward Goes to the Woods
This exciting new Learning Programme Series has been researched and developed by Betty Root, a leading educational specialist. Thomas is a character who will immediately engage the attention of young children, and will be an important factor in helping them to learn.
Edward Goes to the Woods

Edward Goes to the Woods

EGMONT CHILDRENS BOOKS
2002
nidottu
This exciting new Learning Programme Series has been researched and developed by Betty Root, a leading educational specialist. Thomas is a character who will immediately engage the attention of young children, and will be an important factor in helping them to learn.
Edward Burne-Jones

Edward Burne-Jones

Penelope Fitzgerald

Sutton Publishing Ltd
2003
nidottu
Edward Burne-Jones is well known as a Pre-Raphelite painter, but little is known about his life. Here, in her first book, Penelope Fitzgerald paints a portrait of one of the most interesting and individual of all Victorian artists.
Edward VII's Children

Edward VII's Children

John Van der Kiste

Sutton Publishing Ltd
1980
pokkari
King Edward VII and Queen Alexandra had six children. Of the five who reached maturity, only one, the future King George V, has received much attention from biographers. The eldest son, Albert Victor, Duke of Clarence, a backward youth and a subject of scandal, died before he was thirty. The three princesses, Louise, Princess Royal and Duchess of Fife, the lifelong spinster Victoria, and Maud, Queen of Norway, were never well-known to the British public during their lifetime. In this detailed and fascinating account, John Van der Kiste has drawn upon previously unpublished correspondence from the Royal Archives, Windsor, to reveal for the first time the part this hitherto neglected group of characters played in supporting the royal family and crown during a period of transition from the Victorian age to the uncertain twentieth century.
Edward Lear

Edward Lear

Vivien Noakes

Sutton Publishing Ltd
2004
sidottu
There was an Old Man of Tobago Lived long on rice, gruel and sago But at last, to his bliss The physician said this To a roast leg of mutton you may go. This original limerick inspired Lear to create more than one hundred in his First Book of Nonsense. Written to amuse the children of his patron, the Earl of Derby, the book far exceeded the author's expectations - reaching 19 printings in his lifetime, becoming top in the Pall Mall Gazette's 'List of the Best Hundred Authors' (chosen by John Ruskin), and going on to amuse children and adults up to the present day. Yet, as Vivien Noakes reveals, there was much more to Lear than his acclaimed limericks and cartoons. The youngest but one of 21 children, Lear had a constant struggle against ill-health, loneliness and depression throughout his life. An innovator in art and literature, he was born both out of time and out of place, finding the narrowness and provincialism of life in England stultifying and travelling constantly in order to find a climate and a culture that suited him. The story of Lear's life is both deeply poignant and hugely uplifting. This new edition of Vivian Noakes's highly acclaimed biography is completely revised
Edward Lear

Edward Lear

Vivien Noakes

Sutton Publishing Ltd
2006
nidottu
Edward Lear is famous as the author of "A Book of Nonsense" and of the timeless children's songs, "The Owl and the Pussycat" and "The Jumblies". Yet, for this gentle genius, infectious merriment mingled with a deep sadness. Who is the man behind the nonsense? Born the twentieth of twenty-one children, he was rejected by his mother and brought up by his eldest sister. Almost entirely self-taught, at the age of nineteen Lear published "Illustrations of the Family of Psittacidae, or Parrots", one the finest books of ornithological illustration ever produced. Then, at the age of twenty-five, he turned his back on this early success to become a traveller and landscape painter. Largely unrecognized during his lifetime, he is now considered to be one of the finest painters of the Victoria age. Always an outsider, yet at ease with the noblest in the land, Lear was a friend of the Pre-Raphaelites and of Tennyson, and was drawing master to Queen Victoria. Loved by the children whom he entertained with his songs and stories, he was an innovator in both literature and art, bringing the largely oral tradition of Nonsense into the literary fold, and accompanying his verses with powerful but simple drawings that were revolutionary in their day and set the pattern for modern cartoon illustration.
Edward Thomas

Edward Thomas

Eleanor Farjeon

Sutton Publishing Ltd
2008
nidottu
Eleanor Farjeon, first met Edward Thomas in 1912, when her brother invited him to tea. It was the beginning of a deep friendship between the shy 31-year-old woman and the reserved writer. Though he died at the Battle of Arras in 1917, it was a friendship which for Eleanor did not end with his death, but lived beyond in his letters and poems. This double memoir uses Edward's letters and Eleanor's diaries and linking commentary to provide a candid account of their developing friendship. Edward was often deeply depressed but Eleanor also shows another side to his character, capturing moments of joy and humour. She offers a unique account of Thomas' development as a poet, including the momentous meeting with American poet Robert Frost whose encouragement led to Thomas' first poems. Thomas describes for her his family, his friendships with other writers, including D.H. Lawrence, and provides a detailed account of his First World War experiences. First published in 1948, this is an acclaimed classic. This edition, published for the 90th anniversary of Thomas' death, includes an introduction by Anne Harvey, a selection of Eleanor's sonnets, and "Walking Tom", the little-known poem about Edward by Clifford Bax and Herbert Farjeon.
Edward V

Edward V

Michael Hicks

The History Press Ltd
2003
nidottu
Memorable not for his life but his death, Edward V is probably better known as one of the Princes in the Tower, the supposed victim of his uncle, Richard III. Though he was never crowned, Edward reigned for 77 days until Richard made himself his nephew's Lord Protector before imprisoning him and his younger brother Richard in the Tower of London. Michael Hicks presents to us the backdrop to this tragically short life--Edward's parents, the contemporary political scenery, his own remarkable achievements--and reveals how he was both the hope of a dynasty and an integral cause of that dynasty's collapse.
Edward III

Edward III

W M Ormrod

The History Press Ltd
2004
nidottu
The fifty-year reign of one of England's most charismatic leaders is assessed in this lucid and incisive work. W.M. Ormrod traces Edward's life from his birth, when the very future of the monarchy in England was under threat, to his death when he was regarded throughout Europe as the very model of an ideal monarch.
Edward Said

Edward Said

SAGE Publications Inc
2000
muu
By a wide measure of assent, Edward Said was one of the most important scholars examining society, politics and culture. A Palestinian-American, his life had been shaped by the cross-currents of race, globalization and nationalist violence. Said emerged as a leading figure in the dialogue between occidentalism and orientalism, making seminal contributions to our understanding of colonialism, postcolonialism and the responsibilities of criticism. He was one of the figures cited most frequently in the Social Science Citation Index, and one of the few, genuinely global, public intellectuals. This exhaustive and unparalleled collection draws together the essential writings on Said's thought in a collection which any serious student of contemporary social thought will find indispensable. Planned and produced with a view to provide an accessible and reliable survey of all aspects of Said's voluminous writings, the collection is divided into four sections. Section 1: Intellectuals and Critics: Positions and Polemics Included here are reflections on some of the master-themes in Said's thought: the question of the displacement of the intellectual critic; the metaphysics of critical `homelessness', the challenges of exile; Said's relation to post-colonialism; and the important debates between Said, Aijaz Ahmad and Walzer. The challenging and controversial nature of many of Said's ideas are fully explored and the originality of his position on intellectual criticism and post-colonialism is properly acknowledged. Section 2: Versions of Orientalism Said's study of orientalism was arguably a break-through work, rapidly establishing him as a central cultural critic of modern times. Said's study was instrumental in opening up postcolonialism as an area of analysis. In this section the relevance of orientalism to the study of culture is examined, and the antinomies of orientalism are surveyed. Said was fully aware that he was writing about a contested subject when he published Orientalism. Here, the axes of contestation are brought together, and their power is compared and contrasted. The section includes discussions of the relevance of orientlaism to the study of Japan; Barthes and orientalism; China and orientalism; orientalism and the Third World; feminism, imperialism and orientalism; orientalism, the West and Islam and orientalism and technology. Section 3: Cultural Forms, Disciplinary Boundaries Said's interest in the politics of power and domination is richly explored in his thought on disciplinary boundaries. His work can be partly understood as an attack on certain forms of institutionalized epistemology, but always, with a conviction that the necessity of truth is the sine quo non of academic debate. This section provides readers with insights into the breadth and quality of Said's writings. It includes reflections on Said's Culture and Imperialism; nationalism, colonialism and post-colonialism; music, literature and emotion; Said and the study of history; Said, anthropology and ethnography; language and war; representations of domination through aesthetic forms; and multiculturalism, geography and postcolonial theory. What comes through most powerfully is the sheer expanse and inspired relevance of Said's thought to understanding the present and the relationship between history and the present. Section 4: Theory and Politics The questions that Said devoted himself to studying have very wide implications into the organization of self and society. Indeed, Said was an exemplary political writer, in as much as he never stints on his attempt to demonstrate the relevance of theory for practice. This section fully explores these aspects of Said's work. It includes discussions of colonialism and discrimination; the cult of theory; the politics of nonidentity; the power of the word; the relationship between Jameson and Said; Said and cultural relativism; Fanon and Said; Chomsku and Said; the relevance of Said's thought to understanding minority culture; Palestine and the betrayal of history; and the psychology of nationalism.
Edward Everett Hale

Edward Everett Hale

JAI Press Inc.
2001
sidottu
Edward Everett Hale was a leading member of the institutionalist group at the University of Texas. More radical than his better known colleague, Clarence E. Ayres, Hale influenced many students - originally through his lectures rather than his publications, which were few in number. This collection assembles materials on Hale, unpublished writings by him, and sets of lecture notes from his courses.