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1000 tulosta hakusanalla Isabelle Howe

Utpaladeva on the Power of Action

Utpaladeva on the Power of Action

Isabelle Ratié

HARVARD UNIVERSITY PRESS
2021
sidottu
The Recognition of the Lord (Isvarapratyabhijña) by the Kashmirian Utpaladeva (c. 925–975) is a landmark in the history of nondual Saivism, and one of the masterpieces of Indian philosophy. The detailed commentary (Viv?ti) on it by the author himself was so far considered almost entirely lost, but three chapters of this major work were recently recovered from marginal annotations in manuscripts of other commentaries on Utpaladeva’s treatise. The book provides the first critical edition, annotated translation and study of one of these chapters, which endeavours to justify a fundamental paradox of the system—namely, the idea that Siva (understood as an infinite, omniscient, and omnipotent consciousness) has a dynamic essence since the core of consciousness is a subtle form of action, and yet is by no means limited by the temporal and spatial sequence that affects all ordinary acts and agents.
Thinking with Whitehead

Thinking with Whitehead

Isabelle Stengers; Bruno Latour

Harvard University Press
2014
nidottu
Alfred North Whitehead has never gone out of print, but for a time he was decidedly out of fashion in the English-speaking world. In a splendid work that serves as both introduction and erudite commentary, Isabelle Stengers—one of today’s leading philosophers of science—goes straight to the beating heart of Whitehead’s thought. The product of thirty years’ engagement with the mathematician-philosopher’s entire canon, this volume establishes Whitehead as a daring thinker on par with Gilles Deleuze, Felix Guattari, and Michel Foucault.Reading the texts in broadly chronological order while highlighting major works, Stengers deftly unpacks Whitehead’s often complicated language, explaining the seismic shifts in his thinking and showing how he called into question all that philosophers had considered settled after Descartes and Kant. She demonstrates that the implications of Whitehead’s philosophical theories and specialized knowledge of the various sciences come yoked with his innovative, revisionist take on God. Whitehead’s God exists within a specific epistemological realm created by a radically complex and often highly mathematical language.“To think with Whitehead today,” Stengers writes, “means to sign on in advance to an adventure that will leave none of the terms we normally use as they were.”
Home

Home

Isabelle Simler

Quarto Publishing Plc
2023
sidottu
From the winner of the New York Times Best Illustrated Children's book, comes a beautiful meditation on what makes a home. Each creature featured in this beautiful collection shows a unique way that they build their home, and poetic text accompanies each, making this both a narrative, non-fiction treasury and a poetic reflection on what nature can teach us. Discover how a beaver builds a safe dam for it's family and how a tailor bird forages for grasses and animal hairs to use as threads, to sew a truly tailor-made nest. In this book, children and parents alike will discover in vivid colour and poetry, all the wild ways there are to build a home.
Clausewitz and African War

Clausewitz and African War

Isabelle Duyvesteyn

Routledge
2004
sidottu
Oil, diamonds, timber, food aid - just some of the suggestions put forward as explanations for African wars in the past decade. Another set of suggestions focuses on ethnic and clan considerations. These economic and ethnic or clan explanations contend that wars are specifically not fought by states for political interests with mainly conventional military means, as originally suggested by Carl von Clausewitz in the 19th century. This study shows how alternative social organizations to the state can be viewed as political actors using war as a political instrument.
Aeschylus

Aeschylus

Isabelle Torrance

Bristol Classical Press
2007
nidottu
Accessible introductions to ancient tragedies. Each volume discusses the main themes of a play and the central developments in modern criticism, while also addressing the play's historical context and the history of its performance and adaptation.One of our earliest surviving Greek tragedies, Aeschylus' Seven Against Thebes is an extraordinarily rich poetic text. It dramatises the civil war between the sons of Oedipus ?Polynices, the exile, and Eteocles, reigning king of Thebes. Polynices marches on Thebes to regain his throne along with six other champion warriors and their armies, but the expedition is doomed, and the meaning of Oedipus' enigmatic curse on his sons ultimately becomes clear through their simultaneous fratricide and the extinction of the Theban house.This book places the drama within the context of the connected trilogy of which it was a part. It investigates the play's tensions between city and family and the omnipresence of curse and ritual within the religious and political environment of fifth century Greece. The drama's focus on the world of male warriors, and its stark opposition of the sexes through the female Chorus, is analysed in terms of warrior ideology in epic and Greek understanding of appropriate behaviour. Finally, it explores the complex legacy of the play through its influence on Sophocles and Euripides, and shows how the drama's condemnation of civil war has been exploited as an analogue for events in modern history.
Place We Met

Place We Met

Isabelle Broom

Penguin Books Ltd.
2017
pokkari
Fall in love with the romantic shores of Lake Como, Italy in this dazzling story about new beginnings'Fresh, intelligent, sparklingly escapist'Sunday MirrorLake Como, Italy, New Year's Eve. The perfect place to fall in love? Or the perfect place for everything to fall apart?Lucy may have suffered her fair share of bad men, but now she has Pete. Finally, a man worth sharing her favourite place with, Lake Como. That's if she can put mysterious phone calls and glamorous ex-girlfriends out of her mind.Taggie is rushed off her feet, but distraction is exactly what she needs to forget why she fled England and the sadness she left behind. She certainly doesn't have time for infuriating stranger Marco. A man is the last thing she needs right now.Lucy and Taggie might not know it, but their lives are about to collide.The New Year might begin with fireworks - but how will it end?----'A writing powerhouse' Carrie Hope Fletcher'Utterly romantic' Adele Parks'Heart-warming and wonderfully romantic' Rosanna Ley'The perfect getaway read'Red
In the Shadow of Islam

In the Shadow of Islam

Isabelle Eberhardt

Peter Owen Ltd
2003
pokkari
IN THE SHADOW OF ISLAM is an extraordinary evocation of the desert and its people by a woman who dressed as a man in order to travel alone and unimpeded throughout North Africa. In 1897 Isabelle Eberhardt, aged 20, left an unconventional life in Geneva for Kenadsa, at the Morroccan frontier. Gripped by spiritual restlessness and the desire to break free from the confinements of her society and its perceived patriarchy, she travelled into the desert, and into the heart of Islam. Her experiences inspired a profound self-examination and, as a record of Eberhardt's inner and outer journeys, IN THE SHADOW OF ISLAM is today regarded as one of the true classics of travel writing.
Le Théâtre de la Foire

Le Théâtre de la Foire

Isabelle Martin

Voltaire Foundation
2002
nidottu
Le Théâtre de la Foire, né dans les foires parisiennes de Saint-Germain et de Saint-Laurent, a fait courir tout Paris depuis sa création jusqu’à sa disparition en 1762. Spectacle foisonnant puisque des dizaines d’auteurs en ont constitué le fonds littéraire qui comporte plusieurs centaines de pièces. Il existe d’excellentes études partielles, mais aucune étude d’ensemble n’avait été entreprise sur un sujet où la critique littéraire rencontre le renouvellement des arts du spectacle et l’évolution des mœurs et de la pensée. Il s’agissait donc de combler cette lacune par une synthèse sur le Théâtre de la Foire considéré comme une forme de sociabilité essentielle à la compréhension de l’histoire des idées à une époque donnée, dans le mouvement même des représentations de la vie quotidienne.Si le but apparent de ce théâtre est d’amuser un public par un spectacle original et inventif, ses ambitions sont beaucoup plus vastes. Issu du milieu mercantile des foires, il diffuse des idées de libre entreprise qu’il met lui-même en œuvre, en s’opposant aux privilèges de la Comédie-Française et de l’Opéra. Dans la société d’Ancien Régime où apparaissent des signes de décomposition, il tente de réformer les mœurs et de promouvoir dans la bonne humeur certaines nouvelles idées philosophiques dont une morale bourgeoise et séculière du juste milieu.Face aux salles officielles qu’immobilise leur statut et une scène populaire inconvenante, il élabore une nouvelle forme de théâtralité amalgamant les pratiques des spectacles de rue tels l’acrobatie, les danseurs de corde ou la pantomime avec les traditions du théâtre savant, de l’Opéra et des scènes française et italienne.Sa conception essentiellement baroque, brillante, faussement naïve et populaire semble anticiper les grandes mises en scène actuelles. Le Théâtre de la Foire demeure aujourd’hui le meilleur miroir de la société parisienne du XVIIIe siècle dont la référence essentielle est au-delà du théâtre lui-même la théâtralisation de son quotidien.
We Are 'Nature' Defending Itself

We Are 'Nature' Defending Itself

Isabelle Fremeaux; Jay Jordan

Pluto Press
2021
pokkari
In 2008, as the storms of the financial crash blew, Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs, traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic, otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning, illegally occupying 4,000 acres of wetlands where an international airport was planned. In 2018, the 40-year-long struggle snatched an incredible victory, defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory, inspired by a diverse array of approaches, from neo-animism to revolutionary biology, insurrectionary writings and radical art history. Published in collaboration with the Journal of Aesthetics & Protest.
Memory and the Moving Image

Memory and the Moving Image

Isabelle McNeill

Edinburgh University Press
2010
sidottu
A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnes Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cinema (1989-98), Yamina Benguigui's Memoires d'Immigres (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Cache (2005) and Agnes Varda's multi-media exhibition, L'Ile et Elle (2006).
Memory and the Moving Image

Memory and the Moving Image

Isabelle McNeill

Edinburgh University Press
2012
nidottu
A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience.Memory and the Moving Image:*Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films*Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability*Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations*Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnes Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui*Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories.Works considered include Jean-Luc Godard's Histoire(s) du Cinema (1989-98), Yamina Benguigui's Memoires d'Immigres (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Cache (2005) and Agnes Varda's multi-media exhibition, L'le et Elle (2006).
The Norfolk Story Book

The Norfolk Story Book

Isabelle King

The History Press Ltd
2016
nidottu
Have you ever wondered what a snap dragon, a mammoth and mustard all have in common? The answer is Norfolk! Inspired by seven unique objects at Norfolk Collections Centre, this book tells seven stories, all from different periods in time, which combine local history with imagination and fun. Discover the magic of the Norwich Snap Dragon, adventure through pre-historic Norfolk with a mammoth, find out why the region’s famous mustard doesn’t mix with smelly feet, and get swept back in time to experience Norwich as it was seen through the eyes of two mysterious statues.
Once Upon a Time in Norfolk

Once Upon a Time in Norfolk

Isabelle King

The History Press Ltd
2018
nidottu
From the author of The Norfolk Story Book comes this book of delightful stories. Set sail for adventure on the stormy seas of Yarmouth, discover enchanting tales woven by strangers in Elizabethan Norwich, journey through the forests of ancient Norfolk with a courageous Iceni girl, travel through time with the curious kitten of Thetford, meet the King of a magnificent Norman Castle and find out what life was like in a Victorian Workhouse. Inspired by the museums throughout Norfolk Museums Service, this book consists of eight short stories, all original works of fiction which combine local history with imagination and fun.
Once Upon a Street

Once Upon a Street

Isabelle King

The History Press Ltd
2019
nidottu
On every street there is a story. Roll up, roll up for a circus adventure in Edwardian Yarmouth, merry-go-race through King’s Lynn history with fabulous fairground animals, get swept back in time with the marvellous mice of Wymondham, meet the magical medieval dragon of Norwich and the musical Owl of Holt, discover the magnificent street procession of a Tudor Queen and get ready to be bedazzled by the delightful dancer of a Georgian theatre. Inspired by collections at Norfolk Heritage Centre and the history of Norfolk streets, this book consists of imaginative short stories where love and friendship take centre stage.