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1000 tulosta hakusanalla Joseph Atkinson
Joseph Severn
Ashgate Publishing Limited
2005
sidottu
This is the first modern scholarly edition of the letters and memoirs of Joseph Severn, English painter and deathbed companion of John Keats. It includes letters from a remarkable collection of never-before-published correspondence held by descendants of the Severn family. Scott's unprecedented access to hundreds of new letters has resulted in a major revisionist work that challenges traditional ideas about Severn's life and character. The edition includes new information about Severn's early artistic success in Italy, an extraordinarily thorough record of his day-to-day activities as a working artist in England, and surprising details about his experience as British Consul in Rome. The volume represents a significant work of recovery, printing in full three important memoirs that have until now appeared only in inaccurate excerpts and offering thirty-three illustrations that demonstrate the range of Severn's talents as a painter. Scott makes a compelling case for a revaluation of Severn, whose friends also included Charles Eastlake, William Gladstone, Leigh Hunt, John Ruskin, and Mary Shelley. This collection will prove valuable not only to literary biographers and Keats scholars, but also to art and cultural historians of the Romantic and Victorian eras. Adding significantly to the volume's usefulness are a detailed chronology of Severn's life and artwork, and appendices containing an index of the newly discovered letters and a ledger of Severn's patrons, paintings and commissions.
Joseph Conrad and the Performing Arts
Katherine Isobel Baxter
Ashgate Publishing Limited
2009
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Conrad's fiction is characterized by an enduring recourse to the performing arts for metaphor, allegory, symbol, and subject matter; however, this aspect of Conrad's non-dramatic works has only recently begun to come into its own among literary critics. In response to this seminal moment, Joseph Conrad and the Performing Arts offers an exciting, interdisciplinary forum for one of the most interesting and nascent areas of Conrad studies. Adopting a variety of theoretical approaches, the contributors examine major and neglected works within the context of the performing arts: cultural performance in Conrad's Malay fiction; Conrad's use and parody of popular traditions such as melodrama, Grand-Guignol, and commedia dell'arte; Conrad's engagement with the visual culture of early cinema; Conrad's interest in the motifs of shadowgraphy (shadow plays); Conrad's relationship to Shakespeare; and the enduring influence of opera on his work. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.
Joseph C. Lincoln's Essential Cape Cod Reader
Joseph C. Lincoln
Schiffer Publishing Ltd
2006
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"The dear old Cape! I love it! I love its hills of sand," From "The Surf Along the Shore", Cape Cod Ballads (1902). From 1902 to a year before his death in 1943, Joseph Crosby Lincoln wrote over forty novels, and many more poems and short stories. Every novel he wrote was a success and many were translated into other languages and adapted for screenplays or stage productions. These twenty-two poems, eight short stories, and a novel touch the heart of Lincoln's works and show "essentials" of his writing. Even though celebrated author Joseph C. Lincoln traveled far from his native Cape Cod, Massachusetts, it remained close to his heart and foremost in his novels, short stories, and poems. Though many authors wrote works of literature about Cape Cod, none were more successful or better known than his. His writing was so popular, so vivid, and so accurate in capturing the imagery and spirit of the cape, that he is often described more as a historian than a writer of fiction. In Lincoln's works, the Cape Cod of the past, with picturesque villages and rugged residents, comes vividly alive. Travel to a time when life was simpler, the people were down to earth, and the comforts of "The Old Home House" were just around the corner.
Joseph Glanvill and Psychical Research in the 17th Century, 1921
I. M. L. Redgrove; H. Stanley Redgrove
Kessinger Pub
2003
pokkari
Step into God's divine blessing and fulfill your dreams Are you ready to see your dreams go from vision to fulfillment? To see God's promised blessings revealed in your life? Join Jordan Rubin and Dr. Pete Sulack as you discover how Joseph endured incredible opposition and persecution, only to be elevated to a key position of influence and watch his dream come to pass before his very eyes. You'll unlock the powerful secrets that will take your dreams from birth to fulfillment. In this easy-to-follow process, you will learn how to protect your dream during seasons of adversity, resurrect vision when you believe it is dead, have hope even when you feele like your dream is impossible, and watch God miraculously fulfill your life purpose through your God-given dreams. Experience "The Joseph Blessing" in your life today
For almost fifty years Joseph Howe was at or near the centre of public affairs, first in Nova Scotia and later in imperial relations and in the earliest years of the new Dominion. He was his province's most articulate spokesman as well as its leading politician and publicist and was pre-eminent in the struggle for responsible government, the introduction of railroads, opposition to Confederation, and in a quixotic advocacy of imperial federation. Drawing on a variety of records including Howe's private papers and the vigourous provincial press of his day, Beck places Howe firmly in the political, social, and intellectual life of colonial Nova Scotia, assessing his contributions to that society and revealing the breadth of both his vision and his influence.
Professor Beck shows how, in Churchillian fashion, the final resolution was preceded by a series of setbacks and disappointments in Howe's public life. These were the result of a bold colonization scheme encompassing an inter-colonial railway between Halifax and Quebec; a quixotic mission of recruitment in the United States for the British armies in the Crimea; the embattled leasdership of an unstable provincial administration in the early 1860s; and the hard-fought campaign to prevent passage of the British North America Act. Disillusioned by the indifference of British politician to his long-standing advocacy of a refurbished British Empire in whose government colonial leaders could share, Howe turned his energies to making the new Canadian federation work. A whole-hearted supporter of Confederation in his later years, Howe displayed an irrepressible vitality that Professor Beck sees as the trademark of the man.
Joseph de Maistre is the first full biography in English of one of the founders of conservatism, and the first to have benefited from access to the family archives. Richard Lebrun shows that understanding the dynamics of Maistre's political evolution contributes not only to our knowledge of Continental conservatism as it emerged from the crucible of the French Revolution but also to a better understanding of the roots of modem conservatism. Even in France, where his stature as a great stylist generally has been acknowledged, Maistre is often dismissed with a brief remark about his scandalous comments on bloodshed and war. Lebrun argues that this dismissal is unwarranted: study of Maistre's life and thought is worthwhile in itself and provides useful insights into the factors that encourage the formulation and acceptance of conservatism or reactionary ideologies. Lebrun shows how Maistre became a renowned defender of throne and altar by detailing the formative influences -the Savoyard roots, religious heritage, and predominant intellectual influences - of Maistre's experience before 1794. The Joseph de Maistre revealed here is a more complex figure than either the bloody-minded apologist for conservatism portrayed by his liberal critics or the steadfast Church Father of his traditional Roman Catholic admirers. Maistre was a scholarly magistrate in the tradition of Montesquieu, a man who had been open to the trends of his time but was profoundly shaken by the violence of the French Revolution. Appalled by the prospect of chaos, he used his rhetorical skills as a lawyer to defend monarchical institutions and traditional Catholicism. Lebrun argues that only with the opening of the family archives and the discoveries in recent studies are we able to appreciate Maistre's struggles to understand the upheavals of his time, his doubts and hesitations, and his reasons for taking the public positions he chose.
MacFadyen focuses on Brodsky's poetic beginnings. Revising the typical, simplistic representation of the young Brodsky and his peers in Western criticism, he demonstrates that Brodsky and his acquaintances absorbed an amazingly wide range of texts, both old and new, and that they read contemporary American, French, German, and Polish literature. Through numerous interviews with Brodsky's contemporaries and vast archival research, MacFadyen offers a vital new slant on Brodsky's early verse, providing the first published translations of these poems and examining Brodsky's work in relation to a broad international spectrum of influences to reveal the art and craft of his poetry. Joseph Brodsky and the Soviet Muse will appeal not only to those interested in Brodsky and the cultural influences that shaped his work and literature of the time but to those intrigued with Russian history and culture.
Joseph de Maistre's Life, Thought, and Influence
Richard A. Lebrun
McGill-Queen's University Press
2001
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Joseph de Maistre (1753B1821) was an extraordinarily gifted and insightful commentator on foundational developments that have shaped our modern world. His reaction to the Enlightenment and the French Revolution, though hostile, was remarkably open and included innovative and still-valuable theorizing about such human phenomena as violence and unreason. The political and theoretical issues he addressed continue to challenge us today. In Joseph de Maistre's Life, Thought, and Influence leading Maistre scholars offer interpretations of his thought and make available in English recent French scholarship on his life and work. They provide a portrait of Maistre as a significant thinker in numerous fields, upsetting the image of him as a backward-looking "reactionary," a reinterpretation furthered by contemporary interest in Counter-Enlightenment thought in general. Joseph de Maistre's Life, Thought, and Influence is a valuable resource, providing not only a cross-section of current Maistre scholarship but also notes and biographical suggestions for further study. Contributors include Owen Bradley (University of Tennessee), Jean-Louis Darcel (Universite de Savoie), Jean Dinezet (former OECD director-general), Graeme Garrard (University of Wales), Richard A. Lebrun, Vera Miltchyna (Writer's Union, Moscow), Jean-Yves Pranchere (independent scholar), W. Jay Reedy (Bryant College), and Benjamin Thurston (D.Phil. candidate, Oxford).
Joseph Smith and the Origins of The Book of Mormon, 2d ed.
David Persuitte
McFarland Co Inc
2000
pokkari
Just as a growing interest in millennialism at the turn of this century has rejuvenated religious debate and questions concerning the fate of the world, so did Mormonism develop from millennial enthusiasm early in the nineteenth century. Joseph Smith, the founder of Mormonism, and a provocative, even controversial figure in history, declared that he had been given the authority to restore the true church in the latter days. The primary source of Smith's latter-day revelation is The Book of Mormon, and to fully understand his role as the founder of the Mormon faith, one must also understand The Book of Mormon and how it came to be. Unfortunately, the literature about Joseph Smith and The Book of Mormon is permeated with contradiction and controversy. In the first edition of this impressive work, David Persuitte provided a significant amount of revealing biographical information about Smith that resolved many of the controversies concerning his character. He also presented an extensive comparative analysis positing that the probable conceptual source for The Book of Mormon was a book entitled View of the Hebrews; or the Tribes of Israel in America, which was written by an early New England minister named Ethan Smith. Now in an expanded and revised second edition incorporating many new findings relating to the origin of The Book of Mormon, Mr. Persuitte's book continues to shed much new light on the path Joseph Smith took toward founding the Church of Jesus Christ of Latter-day Saints.
Joseph F. Lamb (1887-1960) composed with enthusiasm and was influenced by a variety of sources, all kinds of music, cultures, traditions and the everyday. Although he is considered one of classic ragtime's "big three"--along with Scott Joplin and James Scott--he did not fit the usual profile. He was musically self-taught, held a corporate job, and composed in his spare time, yet wrote piano rags Joplin enthusiastically championed and returned to composing and well-deserved recognition long after the end of the ragtime era. This biography focuses on his music and his world, and is drawn from family and research sources. It includes a foreword by two of Lamb's children.
Joseph W. Young, Jr., was acknowledged as one of the five or six major city builders in boomtime Florida. From practically nothing in 1920 he created Hollywood By-the-Sea with an elegant Beaux Arts plan of circles and lakes, calling it a "City Beautiful," an ideal first propounded by Daniel Burnham of Chicago. Young had a rare talent for publicity and a knack for making and spending millions--supported by an immense personal charm that is still remembered decades after his death. This first full biography of Young covers his start as city builder in turn-of-the-century California where new cities blossomed and were ballyhooed, his move to Indianapolis, home of Carl Fisher who developed Miami Beach, his creation of Hollywood and Port Everglades, and his move to his Adirondack resort, ending with his dreams to expand Hollywood, fulfilled after his early death.
During a career spanning more than 50 years, J.H. Blackburne (1841-1924) won the British Chess Championship and several international tournaments, at his peak becoming one of the world's top three chess masters. A professional player who derived his livelihood from annual tours of chess clubs in England and other countries, entertaining and teaching amateur players, he astonished his contemporaries by the ease with which he played the game without sight of the chessboard. At 21, he set a world record for such exhibitions, competing against 12 club players simultaneously, and he continued to perform "blindfold" into his sixties. This first comprehensive biography of Britain's greatest chess player of the 19th and early 20th centuries presents more than 1,000 of Blackburne's games chronologically, including all his surviving games from serious competition, annotated in varying detail. Many are masterpieces containing beautiful combinations and instructive endgame play. Blackburne's unusual family and social background are fully explored.
The Ghost and Mrs. Muir, The Barefoot Contessa, and All About Eve--just three of the most well-known films of writer, director, and producer Joseph L. Mankiewicz. This work contains critical essays about the man and his work, as well as a guide to resources, an annotated bibliography, and a filmography. The essays on each of his films are categorized under Mankiewicz's Dark Cinema, The Mankiewicz Woman, Filmed Theatre, and Literary Adaptations. The annotated bibliography includes writings by and about Mankiewicz; the filmography includes full cast and credit information and other data. Information on Mankiewicz's awards, miscellaneous and unrealized projects, and film festivals honoring him is also provided.
A Scottish immigrant to Illinois, Joseph Brown made his pre-Civil War fortune as a miller and steamboat captain who dabbled in riverboat design and the politics of small towns. When war erupted, he used his connections (including a friendship with Abraham Lincoln) to obtain contracts to build three ironclad gunboats for the U.S. War Department--the Chillicothe, Indianola and Tuscumbia. Often described as failures, these vessels were active in some of the most fer"documents the life and career of Joseph Brown, a miller and steamboat captain who built three ironclad gunboats for the US War Department"ocious river fighting of the 1863 Vicksburg campaign. After the war, "Captain Joe" became a railroad executive and was elected mayor of St. Louis. This book covers his life and career, as well as the construction and operational histories of his controversial trio of warships.
The first monograph to collect the diverse and eclectic work of one of the true visionaries of the contemporary art world. Joseph Ari Aloi - aka JK5 - is a compulsive artist, for whom every free moment is an opportunity to create. Bringing together the formal practices of his work as a graphic designer and fine artist with the instincts and references that colour his twin passions of tattoo and graffiti art, JK5's is an expansive, textured, and above all highly individual visual vernacular. Whether as a painter, illustrator, calligrapher, or designer, JK5 is preoccupied with the collision of deeply personal and revelatory themes with profound pop-cultural iconography - a combination that has resulted in a powerful and readily identifiable style, which informs everything from charcoal sketches to oil paintings, poetry, tattoos, and collaborative commercial products. This creatively designed monograph draws on an eclectic body of work that extends from paintings on canvas to plastic vinyl toys, from storyboards for animation films to collages and scratchcards, and from outlines for tattoo work to a vast collection of sketchbooks - each filled from cover to cover and completed with such regularity that they serve as a kind of library of artists' diaries, recording his changing preoccupations and reflecting his varying visual interests over the years. Edited by the artist, and designed to reflect the varying and tactile nature of the work, this is an artist's book that will exist as a unique and collectible object in its own right, as much as a record of the remarkable output of one of the most prolific voices in contemporary art.