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1000 tulosta hakusanalla Reginald Audrick

Textures of Mourning

Textures of Mourning

Reginald Jackson

The University of Michigan Press
2018
sidottu
How does mourning emerge to reshape Japanese visual culture? Textures of Mourning addresses this question by examining engrossing literary and visual portrayals of death and its aftermath from The Tale of Genji and its adaptations. Contending that the work of mourning unfolds through interwoven practices of reading, writing, painting, and public exhibition, Reginald Jackson charts how mourning spurs artistic composition, triggers visceral responses, and seduces spectators in both premodern and contemporary Japan. Textures of Mourning delineates the intimate relationship between mourning and reading at three historical tipping points: the height of imperial power in the early eleventh century, when the literary masterwork The Tale of Genji (1008) was written; the collapse of imperial hegemony in the late-twelfth century, when Genji’s most famous handscroll adaptation was composed (1150); and the post-bubble recessionary context in which those handscrolls were refashioned as the “Resurrected Genji Handscrolls” (2006). As material objects wrought at comparable moments of social upheaval, these texts become vehicles through which to mourn perished ideals of vitality, prosperity, and belonging.Textures of Mourning is the first full-length manuscript in English to investigate these texts’ complex relationship across eras. By analyzing dozens of sumptuous images, the book pursues mortality’s progression over four sections—“Dying,” “Decomposing,” “Mourning,” and “Resurrecting”—each of which contextualizes factual and fictional accounts of reckoning with death to discern the mechanics of mourning’s labor. A major intervention of the book is to theorize how the riveting opacity, coarse materiality, and skewed temporality of premodern forms trouble modern regimes of looking, feeling, and knowing. Drawing upon scholarship in premodern Japanese literary studies, art history, and performance studies, the book’s innovative trans-disciplinary readings reorient psychoanalytic criticism and performance theory to map the fluctuating topography of calligraphic gestures.
Law and Disorder on the Narova River

Law and Disorder on the Narova River

Reginald E. Zelnik

University of California Press
1995
sidottu
Reginald Zelnik uses a single episode--a militant strike at the Kreenholm factory, Europe's largest textile plant--to explore the broad historical moment. In examining this crucial event of Russian history he sheds fresh light on local power relations, high politics in St. Petersburg, controversies over the rule of law, and the origins of the Russian labor movement. Zelnik sees this pivotal moment in Russian labor history as the beginning step in the series of conflicts that eventually led to the upheavals of the early twentieth century.
A Proximate Remove

A Proximate Remove

Reginald Jackson

University of California Press
2021
pokkari
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How might queer theory transform our interpretations of medieval Japanese literature and how might this literature reorient the assumptions, priorities, and critical practices of queer theory? Through a close reading of The Tale of Genji, an eleventh-century text that depicts the lifestyles of aristocrats during the Heian period, A Proximate Remove explores this question by mapping the destabilizing aesthetic, affective, and phenomenological dimensions of experiencing intimacy and loss. The spatiotemporal fissures Reginald Jackson calls "proximate removes" suspend belief in prevailing structures. Beyond issues of sexuality, Genji queers in its reluctance to romanticize or reproduce a flawed social order. An understanding of this hesitation enhances how we engage with premodern texts and how we question contemporary disciplinary stances.
The Moonlandings

The Moonlandings

Reginald Turnill; Buzz Aldrin

Cambridge University Press
2007
pokkari
The Soviet-American race to land the first man on the moon was a technical challenge unlike any other in recent human history. Reginald Turnill, the BBC's Aerospace Correspondent, covered the entire story first-hand, and his reports were heard and seen by millions around the world. With unparalleled access to the politicians, scientists and technicians involved in the race to the moon, Turnill got to know all the early astronauts - Alan Shepard, John Glenn, Neil Armstrong, Buzz Aldrin - as they pioneered the techniques that made the moon landings possible. He became a friend of Dr Wernher von Braun, the German rocket pioneer and mastermind behind it all. This eyewitness account of one of the most thrilling adventures of the twentieth Century is written in a lucid style, packed with action and drama, and is a fascinating read for all those interested in the story of the race to the moon.