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1000 tulosta hakusanalla Ben Counter
Ben Kutcher's Illustrated Edition of a House of Pomegranates
Oscar Wilde; Ben Kutcher; H. L. (CON) Mencken
Kessinger Pub
2009
pokkari
This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston's plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston's work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist.
While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. The author points to the inner connections that make of the rich variety of Jonson’s writing a single coherent body of work. We see Jonson exploring the relations between culture and society, the difficulties of ideal virtue in a far from ideal world, and above all the problems of art itself. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature.
While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. The author points to the inner connections that make of the rich variety of Jonson’s writing a single coherent body of work. We see Jonson exploring the relations between culture and society, the difficulties of ideal virtue in a far from ideal world, and above all the problems of art itself. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature.
While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. The author points to the inner connections that make of the rich variety of Jonson’s writing a single coherent body of work. We see Jonson exploring the relations between culture and society, the difficulties of ideal virtue in a far from ideal world, and above all the problems of art itself. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature.
While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. The author points to the inner connections that make of the rich variety of Jonson’s writing a single coherent body of work. We see Jonson exploring the relations between culture and society, the difficulties of ideal virtue in a far from ideal world, and above all the problems of art itself. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature.
Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study. In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson’s output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.
Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study. In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson’s output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.