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1000 tulosta hakusanalla Dillon Ray Scott
Now in paperback, a riveting true-life thriller and revealing memoir from the daughter of an American intelligence officer—the astonishing true story of two spies and their families on opposite sides of the Cold WarIn the summer of 1975, seventeen-year-old Eva Dillon was living in New Delhi when her father was exposed as a CIA spy. Eva had long believed that her father was a U.S. State Department employee. She had no idea that he was handling the CIA’s highest-ranking double agent—Dmitri Fedorovich Polyakov—a Soviet general whose code name was TOPHAT. Dillon’s father and Polyakov had a close friendship that went back years, to their first meeting in Burma in the mid-1960s. At the height of the Cold War, the Russian offered the CIA an unfiltered view into the vault of Soviet intelligence. His collaboration helped ensure that tensions between the two nuclear superpowers did not escalate into a shooting war. Spanning fifty years and three continents, Spies in the Family is a deeply researched account of two families on opposite sides of the lethal espionage campaigns of the Cold War, and two men whose devoted friendship lasted a lifetime, until the devastating final days of their lives. With impeccable insider access to both families as well as knowledgeable CIA and FBI officers, Dillon goes beyond the fog of secrecy to craft an unforgettable story of friendship and betrayal, double agents and clandestine lives, that challenges our notions of patriotism, exposing the commonality between peoples of opposing political economic systems. Both a gripping tale of spy craft and a moving personal story, Spies in the Family is an invaluable and heart-rending work.
“Never underestimate the power of a group of women. Fierce, thoughtful and dramatic—this is a story of true courage." —Susan Wiggs, New York Times bestselling authorShe would stop at nothing to protect the women under her care.Inside a century-old row house in Brooklyn, renegade Sister Evelyn and her fellow nuns preside over a safe haven for the abused and abandoned. Gruff and indomitable on the surface, warm and wry underneath, little daunts Evelyn, until she receives word that Mercy House will be investigated by Bishop Hawkins, a man with whom she shares a dark history. In order to protect everything they’ve built, the nuns must conceal many of their methods, which are forbidden by the Catholic Church. Evelyn will go to great lengths to defend all that she loves. She confronts a gang member, defies the church, challenges her own beliefs, and faces her past. She is bolstered by the other nuns and the vibrant, diverse residents of the shelter—Lucia, Mei-Li, Desiree, Esther, and Katrina—whose differences are outweighed by what unites them: they’ve all been broken by men but are determined to rebuild. Amidst her fight, Evelyn discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.
“Propulsive, transfixing, and disturbing. I could not set the book down. Harrowing and fearlessly honest, The Happiest Girl in the World is a haunting read because it couldn't have done justice to its subjects – fictional and real – any other way.” —PopsugarOne of Good Morning America's Best Books of April! From the acclaimed author of Mercy House comes a gripping new novel about a young woman’s dreams of Olympic gymnastic gold—and what it takes to reach the top For Sera Wheeler, the Olympics is the reason for everything. It’s why she trains thirty hours a week, starves herself to under 100 pounds, and pops Advil like Tic Tacs. For her mother, Charlene, hungry for glory she never had, it’s why she rises before dawn to drive Sera to practice in a different state, and why the family scrimps, saves, and fractures. It’s why, when Sera’s best friend reports the gymnastics doctor to the authority who selects the Olympic Team, Sera denies what she knows about his treatments, thus preserving favor. Their friendship shatters. But Sera protected her dream—didn’t she? Sera doubles down, taping broken toes, numbing torn muscles, and pouring her family’s resources into the sport. Soon she isn’t training for the love of gymnastics. She’s training to make her disloyalty worthwhile. No matter the cost. The Happiest Girl in the World explores the dark history behind an athlete who stands on the world stage, biting gold. It's about the silence required of the exceptional, a tarnished friendship, and the sacrifices a parent will make for a child, even as a family is torn apart. It’s about the price of greatness.
"Eyes Turned Skyward is a powerful examination of the cost—emotional, familial, generational—when women are denied their right to soar... Alena Dillon's poetic prose and complex characters will linger long after the last page is turned!" — Kate Quinn, New York Times bestselling authorFrom the author of Mercy House and The Happiest Girl in the World comes a brilliant, dual timeline novel about a daughter discovering her mother’s past as a female pilot during World War II and the consequences of women’s contributions remaining unrecognized.Kathy Begley is an empty nester, the primary caretaker of her ailing mother, and the emotional support for her laid-off husband. She’s also returning to the office after two decades to work under a borderline inappropriate boss. Then a Congressional Gold Medal Ceremony invitation arrives, and she uncovers an unfathomable family secret: her mother, Peggy Mayfield, wasn’t just a tempestuous wife and mother. She was a Women Airforce Service Pilot.Peggy jumped at the opportunity to become a WASP, the first American females to fly military aircraft. She wore men’s uniforms, sweated, studied, trained, and soared. She also danced, drank, played poker, and fell in love with adventure, new friends, and her commanding officer.Once a spunky flyer, Peggy is now filled with regret as she confronts the end of her life, but Kathy is determined to make her last months count by securing Peggy long overdue recognition, appreciating her anew, and forgiving her before it’s too late.Eyes Turned Skyward is an unforgettable novel about unheralded female heroism, the transformation of misogyny, inheritance, and ultimately, reconciliation.
The bestselling investigation of one of Northern Ireland's most brutal and infamous murder cases'Makes for gripping but altogether terrifying reading' Washington Times'Dillon is recommended reading for anyone wishing to understand the complexities of British-Irish politics. He stands alone as one of the most creative writers of our time' Irish Times________________________________'This was the ultimate way to kill a man.'In the 1970s, in some of the most violent days of the Troubles in Northern Ireland, a group of Protestant paramilitaries embarked on a spree of indiscriminate murder in the Shankill area of Belfast, leaving thirty Catholics dead. Their leader was Lenny Murphy: a fanatical Unionist whose childhood was marked by sectarian violence, Murphy swore revenge on all Catholics, and with his gang wreaked havoc onto an already fractured city.Not for the squeamish, The Shankill Butchers is a horrifying and detailed account of one of the most brutal series of murders in the history of Northern Ireland - a phenomenon whose real nature has been obscured by the troubled and violent context from which it sprang.
In this enthralling and controversial book, Martin Dillon, author of the bestselling The Shankill Butchers, examines the roles played by the Provisional IRA, the State forces, the Irish Government and the British Army during this troubled period.
'It's so good that, after reading it, I needed a lie-down' - Hilary Mantel, Guardian Books of the YearBrian Dillon looks at nine prominent hypochondriacs - James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Daniel Paul Schreber, Alice James, Marcel Proust, Glenn Gould and Andy Warhol - and what their lives tell us about the way the mind works with, and against, the body. His findings are stimulating and surprising, and the stories he tells are often moving, sometimes hilarious, and always gripping. With a new afterword on Michael Jackson.Brian Dillon's first book, In the Dark Room, won the Irish Book Award for Non-fiction in 2006. He lives in Canterbury.
The Catholic Church faces the challenge of maintaining its relevance in an increasingly secularized society. On issues ranging from sexuality and gender equality to economic policy and social welfare, the church hierarchy is frequently out-of-step with Catholics and non-Catholics alike. In Postsecular Catholicism, Michele Dillon argues that the Church's relevance is increasingly contingent on its ability to incorporate secular experiences and expectations into the articulation of the Church's teachings. Informed by the postsecular notion that religious and secular actors should recognize their mutual relevance in contemporary society, Dillon examines how secular realities and church doctrine intersect in American Catholicism. She shows that the Church's 21st-century commitment to institutional renewal has been amplified by Pope Francis's vision of public Catholicism and his accessible language and intellectual humility. Combining wide-ranging survey data with a rigorous examination of Francis's statements on economic inequality, climate change, LGBT rights, and women's ordination, the highly consequential Vatican Synod on the Family, and the US Bishops' religious freedom campaign, Postsecular Catholicism assesses the initiatives and strategies impacting the Church's relevance in the contemporary world.
The Heirs of Plato is the first book exclusively devoted to an in-depth study of the various directions in philosophy taken by Plato's followers in the first seventy years or so following his death in 347 BC - the period generally known as 'The Old Academy'. Speusippus, Xenocrates, and Polemon, the three successive heads of the Academy in this period, though personally devoted to the memory of Plato, were independent philosophers in their own right, and felt free to develop his heritage in individual directions. This is also true of other personalities attached to the school, such as Philippus of Opus, Heraclides of Pontus, and Crantor of Soli. After an introductory chapter on the school itself, and a summary of Plato's philosophical heritage, John Dillon devotes a chapter to each of the school heads, and another to the other chief characters, exploring both what holds them together and what sets them apart. There is a final short chapter devoted to the turn away from dogmatism to scepticism under Arcesilaus in the 270s, and some reflections on the intellectual debt of Stoicism to the thought of Polemon, in particular. Dillon's clear and accessible book fills a significant gap in our understanding of Plato's immediate philosophical influence, and will be of great value to scholars and historians of ancient philosophy.
Blackstone's Emergency Planning, Crisis and Disaster Management
Brian Dillon
Oxford University Press
2014
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Blackstone's Emergency Planning, Crisis, and Disaster Management is a practical guide for those involved in all aspects of emergency preparedness, resilience, and response. Primarily focused on the requirements of the Civil Contingencies Act 2004, it has been developed from the highly regarded Emergency Planning Officers' Handbook. The complete toolkit for anyone involved in emergency planning, business continuity, and resilience management, this must-have guide offers a comprehensive, chronological guide to each stage of emergency planning, from creating a plan or exercise through to setting up a control room and debriefing for future improvement and development. There is also full coverage of how the emergency response is managed by each of the main agencies involved, helping you to gain a greater understanding of what to expect from each agency and the individuals participating, so they can be better integrated into an exercise or plan. Overviews at the start of each chapter, key point and top tip boxes, as well as tasks and flowcharts provide you with the complete reference, whether you are beginning your emergency planning or simply need to refresh your memory as you initiate an exercise.
The Heirs of Plato is the first book exclusively devoted to an in-depth study of the various directions in philosophy taken by Plato's followers in the first seventy years or so following his death in 347 BC. - the period generally known as 'The Old Academy'. Speusippus, Xenocrates, and Polemon, the three successive heads of the Academy in this period, though personally devoted to the memory of Plato, were independent philosophers in their own right, and felt free to develop his heritage in individual directions. This is also true of other personalities attached to the school, such as Philippus of Opus, Heraclides of Pontus, and Crantor of Soli. After an introductory chapter on the school itself, and a summary of Plato's philosophical heritage, John Dillon devotes a chapter to each of the school heads, and another to the other chief characters, exploring both what holds them together and what sets them apart. There is a final short chapter devoted to the turn away from dogmatism to scepticism under Arcesilaus in the 270s, and some reflections on the intellectual debt of Stoicism to the thought of Polemon, in particular. Dillon's clear and accessible book fills a significant gap in our understanding of Plato's immediate philosophical influence, and will be of great value to scholars and historians of ancient philosophy.
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. This new study of Shakespeare's English history plays looks at the plays through the lens of early modern staging, focusing on the recurrence of particular stage pictures and 'units of action', and seeking to show how these units function in particular and characteristic ways within the history plays. Through close analysis of stage practice and stage picture, the book builds a profile of the kinds of writing and staging that characterise a Shakespearean history play and that differentiate one history play from another. The first part of the book concentrates primarily on the stage, looking at the 'single' picture or tableau; the use of presenters or choric figures; and the creation of horizontally and vertically divided stage pictures. Later chapters focus more on the body: on how bodies move, gesture, occupy space, and handle objects in particular kinds of scenes. The book concludes by analysing the highly developed use of one crucial stage property, the chair of state, in Shakespeare's last history play, Henry VIII. Students of Shakespeare often express anxiety about how to read a play as a performance text rather than a non-dramatic literary text. This book aims to dispel that anxiety. It offers readers a way of making sense of plays by looking closely at what happens on stage and breaks down scenes into shorter units so that the building blocks of Shakespeare's historical dramaturgy become visible. By studying the unit of action, how it looks and how that look resembles or differs from the look of other units of action, readers will become familiar with a way of reading that may be applied to other plays, both Shakespearean and non-Shakespearean.
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. This new study of Shakespeare's English history plays looks at the plays through the lens of early modern staging, focusing on the recurrence of particular stage pictures and 'units of action', and seeking to show how these units function in particular and characteristic ways within the history plays. Through close analysis of stage practice and stage picture, the book builds a profile of the kinds of writing and staging that characterise a Shakespearean history play and that differentiate one history play from another. The first part of the book concentrates primarily on the stage, looking at the 'single' picture or tableau; the use of presenters or choric figures; and the creation of horizontally and vertically divided stage pictures. Later chapters focus more on the body: on how bodies move, gesture, occupy space, and handle objects in particular kinds of scenes. The book concludes by analysing the highly developed use of one crucial stage property, the chair of state, in Shakespeare's last history play, Henry VIII. Students of Shakespeare often express anxiety about how to read a play as a performance text rather than a non-dramatic literary text. This book aims to dispel that anxiety. It offers readers a way of making sense of plays by looking closely at what happens on stage and breaks down scenes into shorter units so that the building blocks of Shakespeare's historical dramaturgy become visible. By studying the unit of action, how it looks and how that look resembles or differs from the look of other units of action, readers will become familiar with a way of reading that may be applied to other plays, both Shakespearean and non-Shakespearean.
Dachau and the SS studies the concentration camp guards at Dachau, the first SS concentration camp and a national 'school' of violence for its concentration camp personnel. Set up in the first months of Adolf Hitler's rule, Dachau was a bastion of the Nazi 'revolution' and a key springboard for the ascent of Heinrich Himmler and the SS to control of the Third Reich's terror and policing apparatus. Throughout the pre-war era of Nazi Germany, Dachau functioned as an academy of violence where concentration camp personnel were schooled in steely resolution and the techniques of terror. An international symbol of Nazi depredation, Dachau was the cradle of a new and terrible spirit of destruction. Combining extensive new research into the pre-war history of Dachau with theoretical insights from studies of perpetrator violence, this book offers the first systematic study of the 'Dachau School'. It explores the backgrounds and socialization of thousands of often very young SS men in the camp and critiques the assumption that violence was an outcome of personal or ideological pathologies. Christopher Dillon analyses recruitment to the Dachau SS and evaluates the contribution of ideology, training, social psychology and masculine ideals to the conduct and subsequent careers of concentration camp guards. Graduates of the Dachau School would go on to play a central role in the wartime criminality of the Third Reich, particularly at Auschwitz. Dachau and the SS makes an original contribution to scholarship on the pre-history of the Holocaust and the institutional organisation of violence.