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La decade de Cerisy Gilbert Simondon ou l'invention du futur a rassemble des philosophes tels que Jean-Hugues Barthelemy, Andrew Feenberg ou Bernard Stiegler, des chercheurs venus d'autres disciplines, tels qu'Armand Hatchuel, Gilles Cohen-Tannoudji ou Thierry Gaudin, et toute une generation de jeunes chercheurs. Il en resulte un livre foisonnant ou l'astrophysique cotoie la psychotherapie, ou l'architecture dialogue avec l'informatique, et ou tous ces savoirs tendent vers une communication encyclopedique. Il debute avec les transductions politiques de Simondon pour penser la relation entre les evolutions technologiques et les normativites sociales. Puis, il aborde la techno-esthetique et le design, frayant la voie a une esthetique interne a la realite technique qui ne repose plus sur la contemplation mais sur la participation a la technicite. Avec la culture technologique , il est question des techniques a l'echelle du nanometre et des instruments astronomiques spatiaux, qui imposent a la Culture d'integrer les schemes de la communication entre echelles. Le quatrieme volet, consacre au preindividuel quantique , propose une re-interpretation de la mecanique quantique fondee sur les notions de preindividualite, de potentialite et de phases. L'information et les reseaux , leurs enjeux, sont ensuite etudies en relation avec l'informatique et les TIC. Ces technologies conditionnant aussi l'individuation psychique et collective, l'enquete se prolonge en direction du sens du transindividuel . Enfin, ce cycle de reflexions s'acheve sur une philosophie en devenir et les interventions esquissant des lignes d'evolution possibles pour la philosophie de Simondon. Premier jalon dans l'internationalisation des etudes simondoniennes, cet ouvrage propose une perspective resolument orientee vers l'invention du futur. A collective work of philosophers (Jean-Hugues Barthelemy, Andrew Feenberg or Bernard Stiegler) and researchers from other disciplines (Armand Hatchuel, Gilles Cohen-Tannoudji or Thierry Gaudin). The result is a book where abounding astrophysics alongside psychotherapy, where architecture interacts with data processing.
Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work. There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience. Now, for the first time, we have all of Jack Gilbert's work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.
This volume examines Gilbert's work in five unique categories: the building of a national practice, an evaluation of his Minnesota State Capitol as "a defining moment" in American civic architecture, his New York career, his response to civic ideals in his plans for towns and universities, and his work in the public domain.
Ronnie Gilbert had a long and colorful career as a singer, actor, playwright, therapist, and independent woman. Her lifelong work for political and social change was central to her role as a performer. Raised in Depression-era New York City by leftist, working-class, secular Jewish parents, Gilbert is best known as a member of the Weavers, the quartet of the 1950s and '60s that survived the blacklist and helped popularize folk music in America. Her joyous contralto and vibrant stage presence enriched the celebrated group and propelled Gilbert into a second singing career with Holly Near in the 1980s and '90s. As an actor, Gilbert explored developmental theater with Joseph Chaikin and Peter Brook and wrote and performed in ensemble and solo productions across the United States and Canada. Ronnie Gilbert brings the political, artistic, and social issues of the era alive through song lyrics and personal stories, traversing sixty years of collaborations in life and art that span the folk revival, the Cold War blacklist, primal therapy, the back-to-the-land movement, and a rich, multigenerational family story. Much more than a memoir, Ronnie Gilbert is a unique and engaging historical document for readers interested in music, theater, American politics, the women's movement, and left-wing activism.
Ken Ludwig. Music by Sir Arthur Sullivan. Lyrics by William S. Gilbert. Characters: 8 male, 4 female Various interior scenes, or one unit set. This clever show takes place at the Savoy Theatre in 1890. Gilbert and Sullivan, who have been feuding for years, are forced to work together one more time: Queen Victoria commands a performance of their most popular songs. Part docu drama, part period comedy, and part "Gilbertt and Sullivan's Greatest Hits," this is a delightful revue from the author of Lend Me a Tenor, Leading Ladies, and Moon Over Buffalo. "A charming show."-Boston Globe "A warm, and affectionate behind the scenes look at this tempestuous, hilarious relationship."-Middlesex News
